| Hint | Composers | Answer | % Correct | |
|---|---|---|---|---|
| D | A composition for two performers of equal importance | Brahms, Schubert, Poulenc | Duet | 84%
|
| S | A multi-movement compostion for full orchestra | Mozart, Haydn, Schubert, Beethoven, Tchaikovsky, Shostakovich | Symphony | 83%
|
| O | Musical drama with scenery, acting, and a sung libretto with orchestral accompaniment | Mozart, Puccini, Wagner | Opera | 80%
|
| E | A technical study, raised to virtuostic levels by certain composers | Chopin, Liszt, Rachmaninoff | Etude | 79%
|
| Q | Common trem for chamber music for 4 performers; typical instrumentation for strings consists of two vilons, a viola, and a cello | Beethoven, Schumann | Quartet | 67%
|
| N | Expressive, lyrical composition generally written for piano | Field, Chopin | Nocturne | 65%
|
| H | A dance from Cuba, usually in slow to moderate duple time | Bizet | Habanera | 55%
|
| F | An imaginative "free form" composition which does not follow any strict overall form | Brahms, Chopin | Fantasia | 52%
|
| V | Composition which states a musical motif, theme, or harmonic sequence and then modifies it in numerous ways | Haydn, Beethoven Schubert | Variations | 49%
|
| B | A rather long, expressive "narrative" composition | Chopin, Brahms | Ballade | 44%
|
| C | A choral composition with a continuous narrative text, sacred or secular, consisting of numerous sections or movements | Bach, Rameau, Handel | Cantata | 43%
|
| R | Free form composition usually with a dramatic, "heroic" and/or national character | Brahms, Gershwin, Liszt | Rhapsody | 43%
|
| J | An English popular dance of the 16th century | derived from folk music | Jig | 41%
|
| K | The first item of the ordinary of Roman Catholic mass, consisting of three invocations, each sung three times | anonymous | Kyrie | 37%
|
| A | A light spirited piece; also a move in ballet | Burgmuller, Debussy | Arabesque | 36%
|
| G | Liturgical chant of the Roman Catholic church | Anoymous | Gregorian chant | 36%
|
| I | Name applied to 19th century character pieces, generally rather short | Schubert, Chopin | Impromptu | 35%
|
| T | Virtuostic, but also expressive composition with somewhat free tempos, alternating full chords with rapid scale passages | Bach, Schumann, Debussy, Prokofieff | Toccata | 23%
|
| M | An unaccompanied vocal contrapuntal part-song, particularly popular during the Renaissance, employing counterpoint | anonymous | Madrigal | 15%
|
| L | Austrian dance in the character of a slow waltz | Mozart, Beethoven, Schubert | Landler | 9%
|
| Z | A Spanish opera particularly popular in the 19th century which has spoken dialog as well as sung, but can be of a serious nature; it takes its name from a palace near Madrid, similar to Versailles | Barbieri, Chapi | Zarzuela | 2%
|
| P | A 17th and 18th century term for a suite or set of variations | Bach | Partitia | 1%
|