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Hint
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Answer
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Etter, soldiers anonymous
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By leaving the soldiers anonymous and focusing on the relationship between the earth and their bones [...] detached perspective
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Heaney, important act
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It is by concentrating on the facts of labour and on the simple truths of the local that [...] makes us feel that any act in any place is an important act in an important place
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Etter, stress
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Disproportionate stress on the vehicle of a metaphor [...] An apparent lack of trust in the reader to understand or in the poet to convey his intended meaning
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unknown, internal experiences
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Internal experiences, emotions and attitudes are always reflected and mirrored by natural world
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Sheers, commissioned
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When I'm commissioned to write poems they come from a different place
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Longley, poetic roots
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Seamus remained absolutely in touch with the north and with his actual and poetic roots here
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Borton, about Sheers as a writer
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Sheers is a writer who is confident in his own raw emotion, confident even in the instability of the image he creates
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Andrews, [Of Heaney] time of war
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[Of Heaney] Writing in a time of war and continually under pressure to say something, to take sides
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Lloyd, [Politics acts as a]
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[Politics acts as a] Persistent presence [which] disrupts the lyrical texture [of his poetry]
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Cocoran, topography
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[Of Heaney's poetry] its topography becomes the register of an immensely complex psychological, emotional, cultural and political terrain
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Sheers, [Skirrid Hill concerns]
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[Skirrid Hill concerns] the fraying of love, questions of failed articulacy
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Etter, cultural 'memory'
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The landscape is operating both as a shared cultural 'memory' and a metaphorical vehicle
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Sheers, imbricated
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You can't separate landscape from people. They're completely imbricated
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Calcutt, translation of pain
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The translation of pain into language gives remarkable energy to any piece of writing
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Calcutt, human suffering
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Sheers peers between the brighter lines [...] to source the black expanses of human suffering
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