| Hint | Answer | % Correct |
|---|---|---|
| A plain woven cloth of natural fibers usually stretched tightly over a wooden frame before being painted on. | canvas | 70%
|
| A three-paneled artwork. | triptych | 70%
|
| A stand or resting place for working on or displaying a painting. | easel | 69%
|
| A painting in which the subject matter is natural scenery. | landscape | 69%
|
| The selection of colors the artist chooses to work with; or, the board on which a painter mixes their colors. | palette | 69%
|
| A soft paintbrush often made of sable, nylon, or a mixture of the two. | watercolor brush | 65%
|
| An amorphous form of carbon used for drawing and for preliminary sketching on primed canvas for oil painting. | charcoal | 64%
|
| Two hues directly opposite each other on a color wheel. | complementary colors | 63%
|
| The art of arranging the elements and/or color of an artwork in a manner that pleases the eye. | composition | 62%
|
| The area of a painting that seems closest to the viewer. | foreground | 60%
|
| Fusing two color planes together so no sharp divisions are apparent. | blending | 58%
|
| A rich, reddish-brown pigment, produced from the ink sac of an octopus or cuttlefish, used in watercolor, drawing ink and oil paint. | sepia | 56%
|
| A flexible and luminous type of paint in which the pigment is typically held together with a binder of linseed oil. | oil paint | 52%
|
| Bold contrast between light and dark, highly developed by Renaissance painters. | chiaroscuro | 51%
|
| Any coloring agent (made from natural or artificial substances) used with a binder to make paints. | pigment | 49%
|
| A type of paint, characterized by transparency, that uses water-soluble gum as the binder. | watercolor | 46%
|
| The medium that holds pigment particles together in paint; for example, linseed oil or acrylic polymer. | binder | 44%
|
| A detail, brushstroke, or area of color placed in a painting for emphasis. | accent | 43%
|
| A spray used to set charcoal, pencil or pastel images to the paper to protect against smearing, smudging or flaking. | fixative | 43%
|
| A two-dimensional presentation that is so naturalistic that it looks three-dimensional. | trompe l’œil | 42%
|
| Thick paint applied to a surface in a heavy manner, creating thick, textured layers of paint with obvious brush strokes, and having the appearance and consistency of buttery paste. | impasto | 37%
|
| A hue with white added. | tint | 35%
|
| Paint made by suspending pigment in a binder. Developed commercially in the 30s and 40s and perfected in the 50s through 70s. | acrylic | 33%
|
| A water-based paint that uses egg, egg yolk, glue or casein as a binder. | tempera | 33%
|
| A thin, transparent layer of paint. | wash | 33%
|
| The rough edges of watercolor and drawing papers. | deckle | 32%
|
| The pure state of any color or a pure pigment that has not had white or black added to it. | hue | 23%
|
| A watercolor painting technique using white and opaque colors. | gouache | 21%
|
| The purity or degree of a color’s saturation; its relative absence of white or gray. | chroma | 19%
|
| A hue with gray added. | tone | 17%
|