| Question | Answer | % Correct |
|---|---|---|
| A solo song for an Opera | Aria | 94%
|
| When note values are lengthened usually by doubling the value | Augmentation | 94%
|
| When note values are shortened usually by halving the value | Diminution | 94%
|
| Music composed for a small group, generally intended to be preformed in a palace chamber or large room | Chamber Music | 90%
|
| Either a group of 4 instruments comprising of two violins, viola, and cello. Or a style of music often in three or four movements. | String Quartet | 90%
|
| The main theme or melody, or group of musical ideas in a piece of music. | Subject | 90%
|
| Vocal style - like spoken | Recitative | 81%
|
| The first section of a movement in sonata form, containing two musical themes called the first subject and the second subject | Exposition | 77%
|
| A cadence with a much softer finish sound than a prefect cadence, often described as the "Amen Cadence" | Plagal Cadence | 77%
|
| Three semitones above The Relative Minor | The Relative Major | 77%
|
| Italian name for "Grace Note" | Acciaccatura | 74%
|
| A chord built on the dominant 5th note of a key which adds the 7th note above its root. | The Dominant 7th (dom7) | 74%
|
| A Major chord heard at the end of a piece of music | Tierce de Picardie | 65%
|
| Elaborate ornamentation when singing | Coloratura | 61%
|
| A Cadence that sounds odd and deceptive | Interrupted Cadence | 61%
|
| A vocal piece of music that tells a story from the Bible including words such as: "Emmanuel" "Gloria" and "Hallelujah" | Oratorio | 48%
|
| Sacred choral work | Mass | 42%
|