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Higher Music - Early/Baroque Period - Statistics
General Stats
- This quiz has been taken 15 times
- The average score is 113 of 126
Answer Stats
| Question | Tile | Select | % Correct |
|---|---|---|---|
| Played by multiple instruments and consists of two sections - bass line and harmonies | Acciaccatura | No | 100%
|
| A series of variations around the repetition of a ground bass. The upper parts changed whereas the bass retained its melodic structure | Acciaccatura | No | 100%
|
| A group of soloists accompanied by a string orchestra | Acciaccitura | No | 100%
|
| Usually hear sung by monks in church that is based on modes and set to Latin text | Aria | No | 100%
|
| The word to describe the group of soloists in a concerto-grosso | Choir | No | 100%
|
| Sacred Choral Work | Choir | No | 100%
|
| Sacred Choral Work | Chorus | No | 100%
|
| A "Middle Eastern" sounding scale | Chromatic Scale | No | 100%
|
| A Minor scale that changes on the way down. When descending the 6th and 7th notes are lowered by a semitone | Chromatic Scale | No | 100%
|
| A scale made from 5 notes only | Chromatic Scale | No | 100%
|
| Scale used in Impressionism that moves in tones only | Chromatic Scale | No | 100%
|
| Usually hear sung by monks in church that is based on modes and set to Latin text | Coloratura | No | 100%
|
| Meaning "Little Return" a small section of the main theme that keeps returning after solo section | Coloratura | No | 100%
|
| A series of variations around the repetition of a ground bass. The upper parts changed whereas the bass retained its melodic structure | Coloratura | No | 100%
|
| A vocal piece of music that tells a story from the Bible | Coloratura | No | 100%
|
| Played by multiple instruments and consists of two sections - bass line and harmonies | Concertino | No | 100%
|
| A vocal style that follows the same pattern as speech | Contrasting | No | 100%
|
| A Minor scale that changes on the way down. When descending the 6th and 7th notes are lowered by a semitone | Harmonic Major Scale | No | 100%
|
| Scale that moves in semitones | Harmonic Minor Scale | No | 100%
|
| Scale used in Impressionism that moves in tones only | Harmonic Minor Scale | No | 100%
|
| Meaning "Little Return" a small section of the main theme that keeps returning after solo section | Harmony | No | 100%
|
| A vocal style that follows the same pattern as speech | Harmony | No | 100%
|
| A "Middle Eastern" sounding scale | Major Scale | No | 100%
|
| Scale that moves in semitones | Major Scale | No | 100%
|
| A scale made from 5 notes only | Major Scale | No | 100%
|
| The word to describe the group of soloists in a concerto-grosso | Mass | No | 100%
|
| A vocal piece of music that tells a story from the Bible | Mass | No | 100%
|
| A vocal piece of music that tells a story from the Bible | Melesmatic | No | 100%
|
| A vocal style that follows the same pattern as speech | Melesmatic | No | 100%
|
| A Minor scale that changes on the way down. When descending the 6th and 7th notes are lowered by a semitone | Melodic Minor Scale | Yes | 100%
|
| A scale made from 5 notes only | Melodic Minor Scale | No | 100%
|
| Scale used in Impressionism that moves in tones only | Melodic Minor Scale | No | 100%
|
| A Minor scale that changes on the way down. When descending the 6th and 7th notes are lowered by a semitone | Minor Scale | No | 100%
|
| Scale that moves in semitones | Minor Scale | No | 100%
|
| A scale made from 5 notes only | Minor Scale | No | 100%
|
| Scale used in Impressionism that moves in tones only | Minor Scale | No | 100%
|
| Word used to describe the main body of strings in a concerto-grosso | Modal | No | 100%
|
| Sacred Choral Work | Mordent | No | 100%
|
| Usually hear sung by monks in church that is based on modes and set to Latin text | Obbligato | No | 100%
|
| Meaning "Little Return" a small section of the main theme that keeps returning after solo section | Obbligato | No | 100%
|
| A series of variations around the repetition of a ground bass. The upper parts changed whereas the bass retained its melodic structure | Obbligato | No | 100%
|
| A vocal piece of music that tells a story from the Bible | Obbligato | No | 100%
|
| A vocal piece of music that tells a story from the Bible | Oratorio | Yes | 100%
|
| Word used to describe the main body of strings in a concerto-grosso | Orchestra | No | 100%
|
| Sacred Choral Work | Ornament | No | 100%
|
| A "Middle Eastern" sounding scale | Pentatonic Scale | No | 100%
|
| A Minor scale that changes on the way down. When descending the 6th and 7th notes are lowered by a semitone | Pentatonic Scale | No | 100%
|
| Scale that moves in semitones | Pentatonic Scale | No | 100%
|
| Usually hear sung by monks in church that is based on modes and set to Latin text | Plainchant | Yes | 100%
|
| A vocal piece of music that tells a story from the Bible | Recitative | No | 100%
|
| A vocal style that follows the same pattern as speech | Recitative | Yes | 100%
|
| Meaning "Little Return" a small section of the main theme that keeps returning after solo section | Relative Minor | No | 100%
|
| A group of soloists accompanied by a string orchestra | Ripieno | No | 100%
|
| Meaning "Little Return" a small section of the main theme that keeps returning after solo section | Ripieno | No | 100%
|
| A group of soloists accompanied by a string orchestra | Ritardando | No | 100%
|
| Meaning "Little Return" a small section of the main theme that keeps returning after solo section | Ritornello | Yes | 100%
|
| The word to describe the group of soloists in a concerto-grosso | String Quartet | No | 100%
|
| Played by multiple instruments and consists of two sections - bass line and harmonies | String Quartet | No | 100%
|
| A vocal style that follows the same pattern as speech | Syllabic | No | 100%
|
| Word used to describe the main body of strings in a concerto-grosso | Symphony | No | 100%
|
| The word to describe the group of soloists in a concerto-grosso | Tenors | No | 100%
|
| A vocal style that follows the same pattern as speech | Unison | No | 100%
|
| A Minor scale that changes on the way down. When descending the 6th and 7th notes are lowered by a semitone | Whole Tone Scale | No | 100%
|
| Only heard in a vocal piece of music. A prominent solo instrument that plays a countermelody that compliments the vocal melody can be heard | Acciaccatura | No | 86%
|
| A vocal style designed to show off singers talent | Acciaccatura | No | 86%
|
| Higher term for a "Grace Note" | Acciaccatura | Yes | 86%
|
| Form of Aria that follows Ternary Form, which A section changing upon its return | Aria | No | 86%
|
| Form of Aria that follows Ternary Form, which A section changing upon its return | Basso Continuo | No | 86%
|
| Every Major Scale has seven of these | Chords | No | 86%
|
| Scale that moves in semitones | Chromatic Scale | Yes | 86%
|
| Sacred Choral Work | Coloratura | No | 86%
|
| Only heard in a vocal piece of music. A prominent solo instrument that plays a countermelody that compliments the vocal melody can be heard | Coloratura | No | 86%
|
| A vocal style designed to show off singers talent | Coloratura | Yes | 86%
|
| Higher term for a "Grace Note" | Coloratura | No | 86%
|
| The word to describe the group of soloists in a concerto-grosso | Concertino | Yes | 86%
|
| Form of Aria that follows Ternary Form, which A section changing upon its return | Concertino | No | 86%
|
| The word to describe the group of soloists in a concerto-grosso | Ensemble | No | 86%
|
| Higher term for a "Grace Note" | Grace Note | No | 86%
|
| Usually hear sung by monks in church that is based on modes and set to Latin text | Imperfect Cadence | No | 86%
|
| Every Major Scale has seven of these | Intervals | No | 86%
|
| Sacred Choral Work | Mass | Yes | 86%
|
| A vocal style designed to show off singers talent | Mass | No | 86%
|
| A "Middle Eastern" sounding scale | Minor Scale | No | 86%
|
| Only heard in a vocal piece of music. A prominent solo instrument that plays a countermelody that compliments the vocal melody can be heard | Modals | No | 86%
|
| Word used to describe the main body of strings in a concerto-grosso | Mordent | No | 86%
|
| A vocal style designed to show off singers talent | Mordent | No | 86%
|
| Higher term for a "Grace Note" | Mordent | No | 86%
|
| Only heard in a vocal piece of music. A prominent solo instrument that plays a countermelody that compliments the vocal melody can be heard | Oratorio | No | 86%
|
| A vocal style designed to show off singers talent | Oratorio | No | 86%
|
| Higher term for a "Grace Note" | Oratorio | No | 86%
|
| Played by multiple instruments and consists of two sections - bass line and harmonies | Passaglia | No | 86%
|
| A scale made from 5 notes only | Pentatonic Scale | Yes | 86%
|
| Scale used in Impressionism that moves in tones only | Pentatonic Scale | No | 86%
|
| Word used to describe the main body of strings in a concerto-grosso | Ripieno | Yes | 86%
|
| A series of variations around the repetition of a ground bass. The upper parts changed whereas the bass retained its melodic structure | Ripieno | No | 86%
|
| Played by multiple instruments and consists of two sections - bass line and harmonies | Ritardando | No | 86%
|
| Form of Aria that follows Ternary Form, which A section changing upon its return | Sonata | No | 86%
|
| Every Major Scale has seven of these | Steps | No | 86%
|
| Word used to describe the main body of strings in a concerto-grosso | String Quartet | No | 86%
|
| A vocal style designed to show off singers talent | Symphony | No | 86%
|
| Higher term for a "Grace Note" | Trill | No | 86%
|
| A series of variations around the repetition of a ground bass. The upper parts changed whereas the bass retained its melodic structure | Walking Bass | No | 86%
|
| A "Middle Eastern" sounding scale | Whole Tone Scale | No | 86%
|
| Scale that moves in semitones | Whole Tone Scale | No | 86%
|
| A scale made from 5 notes only | Whole Tone Scale | No | 86%
|
| Scale used in Impressionism that moves in tones only | Whole Tone Scale | Yes | 86%
|
| Higher Term for a "Trill" | Acciaccatura | No | 71%
|
| Only heard in a vocal piece of music. A prominent solo instrument that plays a countermelody that compliments the vocal melody can be heard | Aria | No | 71%
|
| Played by multiple instruments and consists of two sections - bass line and harmonies | Basso Continuo | Yes | 71%
|
| Form of Aria that follows Ternary Form, which A section changing upon its return | Binary Form | No | 71%
|
| A group of soloists accompanied by a string orchestra | Concertino | No | 71%
|
| Form of Aria that follows Ternary Form, which A section changing upon its return | Da Capo Aria | Yes | 71%
|
| Higher Term for a "Trill" | Grace Note | No | 71%
|
| A "Middle Eastern" sounding scale | Harmonic Minor Scale | Yes | 71%
|
| Usually hear sung by monks in church that is based on modes and set to Latin text | Mass | No | 71%
|
| Higher Term for a "Trill" | Modal | No | 71%
|
| Only heard in a vocal piece of music. A prominent solo instrument that plays a countermelody that compliments the vocal melody can be heard | Obbligato | Yes | 71%
|
| A series of variations around the repetition of a ground bass. The upper parts changed whereas the bass retained its melodic structure | Passacaglia | Yes | 71%
|
| Every Major Scale has seven of these | Semitones | No | 71%
|
| Higher Term for a "Trill" | Sequence | No | 71%
|
| A group of soloists accompanied by a string orchestra | Symphony | No | 71%
|
| Higher Term for a "Trill" | Mordent | Yes | 57%
|
| Higher Term for a "Trill" | Trill | No | 57%
|
| Every Major Scale has seven of these | Whole Tones | No | 57%
|
| A group of soloists accompanied by a string orchestra | Concerto Grosso | Yes | 43%
|
| Every Major Scale has seven of these | Modes/Modals | Yes | 0%
|
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