| Category | Year | Movie | % Correct |
|---|---|---|---|
| Lead Actress | 1951 | A Streetcar Named Desire | 86%
|
| Picture | 1959 | Ben-Hur | 86%
|
| Supporting Actress | 1955 | East of Eden | 86%
|
| Picture | 1953 | From Here to Eternity | 86%
|
| Picture | 1954 | On the Waterfront | 86%
|
| Picture | 1950 | All About Eve | 71%
|
| Picture | 1956 | Around the World in 80 Days | 71%
|
| Director | 1956 | Giant | 71%
|
| Picture | 1958 | Gigi | 71%
|
| Lead Actor | 1952 | High Noon | 71%
|
| Picture | 1955 | Marty | 71%
|
| Picture | 1957 | The Bridge on the River Kwai | 71%
|
| Picture | 1952 | The Greatest Show on Earth | 71%
|
| Visual Effects | 1956 | The Ten Commandments | 71%
|
| Picture | 1951 | An American in Paris | 57%
|
| Best Story | 1953 | Roman Holiday | 57%
|
| Lead Actor | 1951 | The African Queen | 57%
|
| Lead Actor | 1956 | The King and I | 57%
|
| Supporting Actress | 1950 | Harvey | 43%
|
| Supporting Actor | 1955 | Mister Roberts | 43%
|
| Costume Design (Black and White) | 1954 | Sabrina | 43%
|
| Supporting Actor | 1957 | Sayonara | 43%
|
| Lead Actor | 1958 | Separate Tables | 43%
|
| Cinematography (Color) | 1953 | Shane | 43%
|
| Costume Design (Black and White) | 1959 | Some Like it Hot | 43%
|
| Original Screenplay | 1950 | Sunset Boulevard | 43%
|
| Adapted Screenplay | 1954 | The Country Girl | 43%
|
| Original Screenplay | 1958 | The Defiant Ones | 43%
|
| Supporting Actress | 1959 | The Diary of Anne Frank | 43%
|
| Production Design (Color) | 1953 | The Robe | 43%
|
| Director | 1951 | A Place in the Sun | 29%
|
| Lead Actress | 1950 | Born Yesterday | 29%
|
| Production Design (Black and White) | 1953 | Julius Caesar | 29%
|
| Scoring of a Musical Picture | 1955 | Oklahoma! | 29%
|
| Original Screenplay | 1959 | Pillow Talk | 29%
|
| Adapted Screenplay | 1959 | Room at the Top | 29%
|
| Lead Actor | 1953 | Stalag 17 | 29%
|
| Adapted Screenplay | 1952 | The Bad and the Beautiful | 29%
|
| Director | 1952 | The Quiet Man | 29%
|
| Lead Actress | 1957 | The Three Faces of Eve | 29%
|
| Cinematography (Color) | 1955 | To Catch a Thief | 29%
|
| Supporting Actor | 1952 | Viva Zapata! | 29%
|
| Lead Actress | 1956 | Anastasia | 14%
|
| Original Song | 1953 | Calamity Jane | 14%
|
| Lead Actress | 1952 | Come Back, Little Sheba | 14%
|
| Lead Actor | 1950 | Cyrano de Bergerac | 14%
|
| Lead Actress | 1958 | I Want to Live! | 14%
|
| Cinematography (Color) | 1950 | King Solomon's Mines | 14%
|
| Supporting Actor | 1956 | Lust for Life | 14%
|
| Production Design (Color) | 1955 | Picnic | 14%
|
| Production Design (Color) | 1950 | Samson and Delilah | 14%
|
| Scoring of a Musical Picture | 1954 | Seven Brides for Seven Brothers | 14%
|
| Supporting Actor | 1954 | The Barefoot Contessa | 14%
|
| Supporting Actor | 1958 | The Big Country | 14%
|
| Original Screenplay | 1952 | The Lavender Hill Mob | 14%
|
| Original Song | 1956 | The Man Who Knew Too Much | 14%
|
| Lead Actress | 1955 | The Rose Tattoo | 14%
|
| Original Song | 1954 | Three Coins in the Fountain | 14%
|
| Original Screenplay | 1953 | Titanic | 14%
|
| Supporting Actress | 1956 | Written on the Wind | 14%
|
| Production Design (Color) | 1954 | 20,000 Leagues Under the Sea | 0%
|
| Original Song | 1959 | A Hole in the Head | 0%
|
| Scoring of a Musical Picture | 1950 | Annie Get Your Gun | 0%
|
| International Feature | 1959 | Black Orpheus | 0%
|
| Sound Mixing | 1952 | Breaking the Sound Barrier | 0%
|
| Best Story | 1954 | Broken Lance | 0%
|
| Scoring of a Musical Picture | 1953 | Call Me Madam | 0%
|
| Original Song | 1950 | Captain Carey, U.S.A. | 0%
|
| Original Screenplay | 1957 | Designing Woman | 0%
|
| Visual Effects | 1950 | Destination Moon | 0%
|
| International Feature | 1952 | Forbidden Games | 0%
|
| International Feature | 1954 | Gate of Hell | 0%
|
| Original Song | 1951 | Here Comes the Groom | 0%
|
| Costume Design (Black and White) | 1955 | I'll Cry Tomorrow | 0%
|
| Original Screenplay | 1955 | Interrupted Melody | 0%
|
| International Feature | 1956 | La Strada | 0%
|
| Costume Design (Color) | 1957 | Les Girls | 0%
|
| Music Score of a Dramatic or Comedy Picture | 1953 | Lili | 0%
|
| Music Score of a Dramatic or Comedy Picture | 1955 | Love is a Many-Splendored Thing | 0%
|
| Best Story | 1955 | Love Me or Leave Me | 0%
|
| International Feature | 1958 | Mon Oncle | 0%
|
| Production Design (Color) | 1952 | Moulin Rouge | 0%
|
| International Feature | 1957 | Nights of Cabiria | 0%
|
| Best Story | 1950 | Panic in the Streets | 0%
|
| Visual Effects | 1952 | Plymouth Adventure | 0%
|
| Scoring of a Musical Picture | 1959 | Porgy and Bess | 0%
|
| International Feature | 1951 | Rashomon | 0%
|
| International Feature | 1955 | Samurai, the Legend of Musashi | 0%
|
| Best Story | 1951 | Seven Days to Noon | 0%
|
| Costume Design (Black and White) | 1956 | Solid Gold Cadillac | 0%
|
| Cinematography (Black and White) | 1956 | Somebody Up There Likes Me | 0%
|
| Sound Mixing | 1958 | South Pacific | 0%
|
| Best Story | 1956 | The Brave One | 0%
|
| Visual Effects | 1955 | The Bridges at Toko-ri | 0%
|
| Visual Effects | 1957 | The Enemy Below | 0%
|
| Sound Mixing | 1954 | The Glenn Miller Story | 0%
|
| Sound Mixing | 1951 | The Great Caruso | 0%
|
| Music Score of a Dramatic or Comedy Picture | 1954 | The High and the Mighty | 0%
|
| Original Song | 1957 | The Joker Is Wild | 0%
|
| Music Score of a Dramatic or Comedy Picture | 1958 | The Old Man and the Sea | 0%
|
| Original Screenplay | 1956 | The Red Balloon | 0%
|
| Cinematography (Black and White) | 1950 | The Third Man | 0%
|
| International Feature | 1950 | The Walls of Malapaga | 0%
|
| Visual Effects | 1953 | The War of the Worlds | 0%
|
| Visual Effects | 1958 | Tom Thumb | 0%
|
| Visual Effects | 1951 | When Worlds Collide | 0%
|
| Scoring of a Musical Picture | 1952 | With a Song in my Heart | 0%
|