| Hint | Answer | % Correct |
|---|---|---|
| ___ rhyme scheme | ____ rhyme scheme | AABB | 100%
|
| Regular metre and ___ rhyme scheme | ABAB | 100%
|
| THE CHARGE OF THE LIGHT | BRIGADE | 100%
|
| HALF | CASTE | 100%
|
| BELFAST | CONFETTI | 100%
|
| War imagery and mentions of the war memorial convey violence, and perhaps the son's ___ | death | 100%
|
| ___ person narrative | First | 100%
|
| ___ person makes it personal | first | 100%
|
| THE CLASS | GAME | 100%
|
| A significant number of lines in the poem start with ___ to present the lord as the most important figure in the narrative. Also shows Kate's passiveness in 3rd stanza | he | 100%
|
| COUSIN | KATE | 100%
|
| THE MAN HE | KILLED | 100%
|
| WHAT WERE THEY | LIKE? | 100%
|
| WAR | PHOTOGRAPHER | 100%
|
| POP | PIES | 100%
|
| EXTRACT FROM THE | PRELUDE | 100%
|
| NO | PROBLEM | 100%
|
| ___ usually shows structure. By scattering it throughout poem, loss of control is conveyed | punctuation | 100%
|
| CAT | RIN | 100%
|
| EXPO | SURE | 100%
|
| A POISON | TREE | 100%
|
| First stanza describes glory of army. ___ on line 7 begins to describe defeat | ___ when mountain appears. Tone becomes darker and more fearful | Volta | 100%
|
| Has ___ stanzas but no real progression | 8 | 50%
|
| Regular ___ rhyme scheme to reflect monotony | ABBAC | 50%
|
| ___ rhyme scheme | ___ rhyme scheme looks at new part of problem every 4 lines | ABCB | 50%
|
| Uses ___ verse | blank | 50%
|
| Last stanza ends with same words as first one: "___ ___ ___" | But nothing happens | 50%
|
| 2nd looks to the future and hopes for ___ | change/progress | 50%
|
| Memories of the son's ___ are mingled with those of him leaving home | childhood | 50%
|
| In ___ order | Poem is ___ but the time frame is ambiguous | Told in ___ order | chronological | 50%
|
| "I" vs "you" emphasises ___ division | class | 50%
|
| ___ language: informal language and slang suggest that the speaker is an ordinary, working-class man | Colloquial | 50%
|
| ___ language/working class slang make the poem conversational. Reinforces speaker's pride in their class | Colloquial/informal | 50%
|
| Reflects pride and authenticity in ___ | culture/heritage/identity/ethnicity | 50%
|
| Has a ___ structure which reflects speaker's though process as he replays memories of the war | ___ structure: begins and ends by exploring flexibility of frames and boundaries | cyclical | 50%
|
| Guyanese ___ is used to show how mixing things creates powerful poetry | dialect | 50%
|
| ___ gives the speaker authenticity and makes the poem personal | Dialect | 50%
|
| Provides strong impression of the mother's ___ | emotions/feelings | 50%
|
| Long sentences and ___ also provide this impression | Use of ___ and lack of standard punctuation provide a sense of urgency | enjambment | 50%
|
| Makes emotion feel authentic. ___ also helps imitate flowing thoughts and reflects the 'rope of love' - persisting link between the pair | Enjambment | 50%
|
| ___ ___ perspective. Sounds personal and describes turning point in Wordsworths's life | First person | 50%
|
| Not immediately recognisable as ___ ___ | ___ ___ reveals thoughts and events in natural style | free verse | 50%
|
| Regular rhythm might remind reader of ___ horses | galloping | 50%
|
| Each stanza ends with a ___ line, leaving gap that mirrors lack of activity/hope for men | half | 50%
|
| Second half exaggerates the idea that the speaker is half a person, to expose the ridiculousness of the term ___-___. Final lines invite reader to reconsider using the term | half caste | 50%
|
| Reflects speaker's belief that formal langage/conventions are unnecessary and that they're proud of their ___ | heritage/culture/identity/class | 50%
|
| Fearful: far less confident at end of extract. Troubled by what he's witnessed. Experience has a ___ effect on him | lasting/haunting/lingering | 50%
|
| Dramatic language: initial glimpse of threatening language becomes more intense after the ___ appears | mountain | 50%
|
| Sounds serious and important, but also like ___ speech | natural | 50%
|
| ___ language - speaker's anger is described using metaphor of a tree, which grew naturally with sun and water | natural/nature | 50%
|
| Beautiful language: begins with pretty, pastoral images of ___ | Poet compares things to ___ | nature | 50%
|
| ___ is personified as the real enemy in the war | Nature/weather | 50%
|
| Violence: powerful verbs & adjectives give sense of violence in the battle. Sounds are often ___ | plosive | 50%
|
| No ___ rhyme/rhythm - sounds like thoughts/memories | regular | 50%
|
| ___ rhythm creates fast pace and imitates the cavalry's advance and energy of the battle | Regular/relentless | 50%
|
| ___ creates sense of impending doom and inevitability | Repetition | 50%
|
| Mirrors interest in truth because words are not dressed up in ___ | rhyme | 50%
|
| No regular ___ ___ | rhyme scheme | 50%
|
| THE DESTRUCTION OF | SENNACHERIB | 50%
|
| Repetition of "___ ___" reinforces the mass destruction of the war | six hundred | 50%
|
| Narrated in ___ ___ making it seem like a story | third person | 50%
|
| Free ___, with no regular rhythm or rhyme | verse | 50%
|
| Sexual language: could relate to Wordsworth losing his ___ | virginity | 50%
|
| Shows monotony of life in trenches and ___ of change. Even death alters nothing | absence/lack | 0%
|
| Respectful language shows that the speaker feels the soldiers should be ___ | admired/honoured/remembered | 0%
|
| How to read it is ___, mirroring the poem's unease | ambiguous | 0%
|
| In the second stanza, ___ is used to describe how the lord seduced and abandoned the speaker | Repetition - ___ of 'and' creates momentum and inevitability | Repetition - ___ of 'and' is used at the start of many lines | anaphora | 0%
|
| ___ imagery reminds the reader of the men's pain, bad weather, lack of hope | Bleak | 0%
|
| Punctuation and ___ show cracks in relationship | Repetition and ___ create hesitance. Speaker is questioning his actions (and, by extension, the war) | ___ and questions create ponderous pauses | caesurae | 0%
|
| Language is often beautiful and creates a sense of ___ which gives the poem an eerie tone | calm | 0%
|
| Pleasant descriptions of the girl and her baby in the ___ of the photo contrast reality | caption | 0%
|
| Final section: speaker reflects on how experience ___ him | changed/altered/affected | 0%
|
| Lack of regular rhyme scheme resembles ___ of war | Punctuation also adds to the sense of ___. Poem has noisy atmosphere | chaos | 0%
|
| The story is told ___ | chronologically | 0%
|
| The final stanza provides the poem's ___. Implied that the poet's building anger has led to the foe's death | climax | 0%
|
| ___ voice shows shared experience of the soldiers | Collective/shared | 0%
|
| Contrasts the final paragraph where the exclamation "Yes" suggest's he's come to a ___ | conclusion | 0%
|
| The final change to "I'm proud of the class that I come from" provides a clear ___ | conclusion/ending | 0%
|
| Two ___ - the daughter's birth and a later argument - are compared | confrontations/arguments/conflicts | 0%
|
| Uses ___ to emphasise moral message. Compares time where anger was spoken about to time where it was repressed to show consequences of repressing emotions | contrasts | 0%
|
| ___ such as 'patio' and 'yard' emphasise the triviality of the divide | Contrasts | 0%
|
| Make the poem ___, contrasting with the dark subject matter | conversational/casual/informal | 0%
|
| Rhyming ___ and ___ drive poem forward, but momentum is broken by unrhymed lines. Mirrors stumbling horses/falling soldiers | couplets triplets | 0%
|
| Speaker repeatedly demonstrates that they're more complex than stereotypes expected of them - language of ___ | defiance | 0%
|
| Does not compare the rider to anything nature-related, ___ individual soldiers | dehumanising | 0%
|
| Assonance, onomatopoeia and carefully chosen verbs add to bleak mood and make descriptions vivid and ___ | depressing/sad/miserable/melancholic | 0%
|
| This offers no comfort or satisfaction: rhymes are ___ and convey the men's confusion and fading energy | dissonant/incomplete/unsatisfying | 0%
|
| Mother's ___ from her son shown in the ways she can't touch or hear him | distance/separation | 0%
|
| Images of war are juxtaposed with ___ images of family life | domestic | 0%
|
| It's a ___ ___ addressed to the speaker's cousin | Speech from a single character: ___ ___ | dramatic monologue | 0%
|
| Shows how the working class were ___ and contrasts with the harrowing themes of war and death | exploited | 0%
|
| Following stanzas introduce develop the ___ ___ of the tree as it grows | extended metaphor | 0%
|
| Relationship presented as challenging. Birth described as "___ ___" and mother still fighting daughter off later in life | fierce confrontation | 0%
|
| Varying stanza/line lengths reflect ___ of frames | flexibility | 0%
|
| The speaker is ___ and respectful | formal | 0%
|
| Imagery of ___, and frequent use of violent vocabulary reinforces impression of devastation | fragmentation | 0%
|
| Emphasises how ___'s power is effortless compared to big displays of power by Assyrians | God | 0%
|
| Creates urgency and reflects constant ___ of speaker's anger | growth/development/escalation | 0%
|
| Rope binds pair together. "___ ___" suggests plentiful supply of maternal love, but also suggests that daughter's love is buried | heart's pool | 0%
|
| Adverbs and verbs like "boldly" and "charging" seem ___ | heroic | 0%
|
| After each repetition of "___ ___ ___ ___ ___ ___ ___ ___" the speaker asks about different elements of their identity | How can you tell what class I'm from? | 0%
|
| Last line is ___ to create more authenticity and encourage the reader to reflect on using that argument as an excuse | Poem is ___ to highlight the absurdity of the term | humorous | 0%
|
| Peaceful, ___ imagery contrasts with war | idyllic | 0%
|
| 1st stanza is past tense, second is present. Shift creates sense of ___ | immediacy | 0%
|
| Matter-of-fact, unemotional language describes killing the man. Highlights the ___ nature of war | impersonal | 0%
|
| Metaphor: Being mixed race is compared to art. Suggests combinations make things beautiful rather than ___ | incomplete | 0%
|
| Starts ___ ___ ___ and has no real conclusion | in media res | 0%
|
| Speaker has an almost childlike ___ | innocence | 0%
|
| Poem contrasts ___ with ___ | innocence corruption | 0%
|
| However, they have an ___/sarcastic undertone. They are repressing the true extent of their feelings about the war | insincere | 0%
|
| Second stanza uses the same format in the first two lines and second two, but ___ the seasons | juxtaposes/contrasts | 0%
|
| First half of poem compares being ___ ___ to great art and natural weather | mixed race | 0%
|
| First stanza introduces the ___ message of the poem. | moral | 0%
|
| (Also why no ___ are given in the poem) | names | 0%
|
| Adjectives with ___ prefixes like "unsmote" show the passivity of the soldiers | negative | 0%
|
| Creates a regular beat, makes it sound childlike like a ___ ___. Emphasises the moral message | nursery rhyme | 0%
|
| Shows their relative passivity. Rossetti reinforces this by likening women to ___ - which, to the lord, they are | objects | 0%
|
| Also shows how trauma is ___. Speaker can't come to terms with what they saw | ongoing | 0%
|
| She touches other things and listens for his voice "___ ___ ___" but can't replace the person | on the wind | 0%
|
| Weapon. It brings terror instead of ___ | order | 0%
|
| Often rhymes are ___ like "snow" and "renew" | Some rhymes and ___ are used to create a sense of rhythm | pararhymes | 0%
|
| ___ ___ ___ dialect - words are spelt as they're spoken | Phonetic Caribbean English | 0%
|
| Written in present tense using first person ___ | plural | 0%
|
| More conventional to use ___ but 2 stanzas of different lengths reflects speaker's message that they're more than what's expected of them | quatrains | 0%
|
| One sided ___ and ___ structure. Speaker asks questions, responds with even more questions | Unusual ___ and ___ form | question answer | 0%
|
| No ___ to the conflict | resolution/conclusion/end | 0%
|
| ___ ___ ask why the men are exposed to such conditions | Rhetorical questions | 0%
|
| Mostly in ___ ___ but some are pararhymes | Very simple rhyme scheme made up of ___ ___ | Written in ___ ___ which drive the poem forward and reflect quick defeat of Assyrians | rhyming couplets | 0%
|
| Compares defeat of Assyrians to changing ___ to make it seem natural and inevitable | seasons | 0%
|
| Consequences of war are described vividly to ___ to reader | shock | 0%
|
| The longer third line of each stanza is a feature of ___ ___ (often used in hymns) | short meter | 0%
|
| Contrasts highlight ___ and ___, eg. Ascot girls vs small girl. Connects the girls, while emphasising a huge difference in their experiences. | similarities differences | 0%
|
| 1st stanza is how speaker's been affected by racial ___ | stereotypes | 0%
|
| The lord is the ___ of many sentences and is doing things to the women | subject | 0%
|
| This is initially reassuring, but becomes menacing (how easy it is to ignore ___) | suffering | 0%
|
| ___ main sections in the extract. In the first, the tone is light and carefree | Three | 0%
|
| The bar in the final stanza links to the ancient inn in the first, suggesting that the speaker's ___ is ongoing | trauma | 0%
|
| 1st, 2nd and 4th lines: iambic ___. 3rd line: iambic ___. | trimeter tetrameter | 0%
|
| Powerful descriptions of warzones force reader to confront the ___ | truth | 0%
|
| The speaker is ___ as her opinions of Kate are coloured by resentment | unreliable | 0%
|
| This is ___ verse in iambic pentameter | unrhymed | 0%
|
| ___ line lengths, incomplete sentences and enjambment reflect a lack of clarity in the speaker's thoughts | Varying/differing | 0%
|
| Language of ___ creates sympathetic response | victimisation | 0%
|
| May reflect how ___ is also not recognisable | Vietnam | 0%
|
| Shows Sennacherib's violence by comparing him to a ___ | wolf | 0%
|