| Hint | Culture | % Correct |
|---|---|---|
| Collected (and obtained from trading) feathers from sacred quetzal birds | Aztec | 100%
|
| Targeted hides towards European and American collectors and tourist | Eastern Shoshone | 100%
|
| Builder of City of Cusco | Inca | 100%
|
| Constructor of Qorikancha | Inca | 100%
|
| Extant in eastern United States | Mississippian | 100%
|
| Famous for creation of pueblos, using local materials | Puebloan | 100%
|
| Has a series of maze-like hidden passageways below major temple | Chavín | 67%
|
| Extant after common era in Peru | Inca | 60%
|
| Artisan of circular relief sculpture of Coyolxauhqui | Aztec | 50%
|
| Artisan of Ruler's feather headdress | Aztec | 50%
|
| Built step-like pyramid atop remains of six others | Aztec | 50%
|
| Artisan of relief sculpture of jaguars | Chavín | 50%
|
| Artisan of a gold nose ornament with serpent motifs | Chavín | 50%
|
| Home of Cotsiogo (Cadzi Cody) | Eastern Shoshone | 50%
|
| Performed sun dances (later outlawed by the US) involving dancing, singing, feasting, etc. to honor the Creator for bounty of the land | Eastern Shoshone | 50%
|
| Artisan of Maize cobs made of metal alloys using repoussé | Inca | 50%
|
| Builder of Machu Picchu | Inca | 50%
|
| Major temple conquered by the Spanish and served as the base of the convent of Santo Domingo | Inca | 50%
|
| Capital city placed at the convergence of four main highways and unified four regions of the empire | Inca | 50%
|
| Built remote royal retreat high in the mountains | Inca | 50%
|
| Women wove fine textiles using backstrap weaving, a highly distinguished art form | Inca | 50%
|
| Centered in Mesoamerica, mostly south of Mexico | Mayan | 50%
|
| Had structure dedicated to ruler Shield Jaguar II's wife, Lady Xook | Mayan | 50%
|
| Prominently used corbelled vaulting and long roof combs | Mayan | 50%
|
| Builders of Templo Mayor | Aztec | 33%
|
| Admirer of Olmec-style mask | Aztec | 33%
|
| Believed in lunar goddess who, with her brothers, attempted to kill her mother and was dismembered by Huitzilopochtli who spawned from her mother's severed head | Aztec | 33%
|
| Constructor of walls at Saqsa Wama | Inca | 33%
|
| Had no written language, so most knowledge from archeology and records from the Conquistadores | Inca | 33%
|
| Maize (including black maize) was a principle food source; ergo, they constructed metal versions of crop | Inca | 33%
|
| Capital city (theorized to be) in the shape of a puma, with the plaza in the belly, fortress in the head, and central square in the heart | Inca | 33%
|
| Exterior of most-important temple originally ordained with gold to symbolize sunshine, as it is dedicated to the sun god, Inti | Inca | 33%
|
| Held ceremonies around "hitching post of the sun," which aligned with the sun at the spring and autumn equinoxes | Inca | 33%
|
| Artisan of transformation mask with bird-like exterior and human interior | Kwakwaha'wakw | 33%
|
| Major city located on an thick oxbow river, with water and a bottleneck as protection | Mayan | 33%
|
| Most-prominent mound builders | Mississippian | 33%
|
| Rattlesnake prominent part of culture's iconography, large earthworks possibly shaped like them | Mississippian | 33%
|
| Original creator of frowning baby-face, pugnacious mask made of jadeite | Olmec | 33%
|
| Most affected by market shift away from utilitarian towards decorative vessels | Puebloan | 33%
|
| Gathered variety of materials via tributary system with conquered city-states | Aztec | 25%
|
| Possibly donated feather headdress to Cortez as tribute to Charles V of the Holy Roman Empire | Aztec | 25%
|
| Art often favor figural compositions and zoomorphism | Chavín | 25%
|
| Artisan of painted elk hide featuring the sun dance | Eastern Shoshone | 25%
|
| Used teepees as portable habitats | Eastern Shoshone | 25%
|
| Featured artist tailored work towards European perception of native culture to make a living | Eastern Shoshone | 25%
|
| Famed for ashlar masonry, fitting of perfectly-grooved stones to be long-standing and earthquake-resistant | Inca | 25%
|
| Preferred abstract, standardized designs in t'oqapu that expressed unity and order | Inca | 25%
|
| Builder of Yaxchilán | Mayan | 25%
|
| Had structure built by ruler Bird Jaguar IV for his son | Mayan | 25%
|
| One complex has multiple buildings with three doors housing above lintels | Mayan | 25%
|
| Believed in the Vision Serpent, likely due to bloodletting-induced hallucinations | Mayan | 25%
|
| Extant in southwestern United States | Puebloan | 25%
|
| Artisan of black-on-black ceramic vessel | Puebloan | 25%
|
| Often used adobe bricks to form shelter, though featured site uses sandstone | Puebloan | 25%
|
| Used kivas, a circular pit with a wood roof, fire pit, and ventilation; likely for ritual use | Puebloan | 25%
|
| Featured artist signed works of fellow tribespeople she did not work on to increase their value | Puebloan | 25%
|
| Centered in Mesoamerica, in Mexico | Aztec | 0%
|
| Artisan of Calendar Stone holding a sacrificial flint knife | Aztec | 0%
|
| Infamous for aggressiveness (e.g. bloodletting, human sacrifices) as aspect of circle of life | Aztec | 0%
|
| Capital city of Tenochtitlán, which was seen as the axis mundi (world's center) | Aztec | 0%
|
| Built twin temples, one of which dedicated to Tlaloc, god of rain and agriculture | Aztec | 0%
|
| Built twin temples, one of which dedicated to Huitzilopochtli, god of sun and war | Aztec | 0%
|
| Threw dismembered remains down temple steps onto a circular relief carving | Aztec | 0%
|
| Had wide-range of merchant networks that traded historical items, such as Olmec-style mask | Aztec | 0%
|
| Gained far-away materials, such as obsidian, due to trading networks | Aztec | 0%
|
| Created object thrown into controversy over showcasing in Vienna instead of native country due to singularity and importance | Aztec | 0%
|
| Extant before common era in Peru | Chavín | 0%
|
| Builder of Chavín de Huántar | Chavín | 0%
|
| Artisan of Lanzón Stone | Chavín | 0%
|
| Major temple contains a jaguar sculpture, a symbol of power | Chavín | 0%
|
| Housed pilgrimage site with a stone that is theorized to have acted as an oracle | Chavín | 0%
|
| Elite men and women were occasionally buried with nose ornaments | Chavín | 0%
|
| Extant in Wyoming | Eastern Shoshone | 0%
|
| Traditionally hunted bison with bows and arrows | Eastern Shoshone | 0%
|
| Began using firearms and horses to hunt the dwindling bison population after contact with Europeans | Eastern Shoshone | 0%
|
| Artisan of observatory (also known as Temple of the Sun) | Inca | 0%
|
| Artisan of Intihuantana Stone | Inca | 0%
|
| Artisan of All-T'oqapu tunic | Inca | 0%
|
| Notable for building in a trapezoidal shape, stones taping upwards | Inca | 0%
|
| Built an extensive trading network, the Carpa Nan, spanning over 25,000 miles | Inca | 0%
|
| (Theorized to have) constructed fully-metal Qorinkancha garden | Inca | 0%
|
| Made woven goods of t'oqapu, small rectangular squares | Inca | 0%
|
| Extant in northwest coast of Canada | Kwakwaha'wakw | 0%
|
| Performed rituals using transformation masks, often accompanied by drumming in the "big house" | Kwakwaha'wakw | 0%
|
| Extant in Delaware | Lenape | 0%
|
| Artisan of Bandolier bag | Lenape | 0%
|
| Made bandolier bags with leather as well as beads and silk, both imported from Europe | Lenape | 0%
|
| Artisans of a lintel of Lady Xook and the Vision Serpent | Mayan | 0%
|
| Had an unusual concept of beauty: favored arching brow and continuous bridge between forehead and nose | Mayan | 0%
|
| Prominently featured chac mools which were sculpture half-sitting and half-lying on their back | Mayan | 0%
|
| Built a lintel with inverted hieroglyphics, which is very unusual | Mayan | 0%
|
| Constructor of Great Serpent Mound | Mississippian | 0%
|
| Had impressive city-state of Cahokia, Illinois | Mississippian | 0%
|
| Constructed mounds possibly to measure or praise astrological phenomena, like solstices or Haley's comet | Mississippian | 0%
|
| Builder of Mesa Verde cliff dwellings | Puebloan | 0%
|
| Home of Maria and Julian Martínez | Puebloan | 0%
|
| Had many ladders to ascend many ordered, stacked rooms | Puebloan | 0%
|
| Developed black-on-black ceramic vessels contrasting shiny black with matte finishes | Puebloan | 0%
|
| Thousand-year-old tradition of pottery-making; revitalized in the mid-20th century | Puebloan | 0%
|
| Featured artist influenced by ancient mythic figures and popular Art Deco designs | Puebloan | 0%
|