|
Artist
|
Date
|
Location
|
Culture / Style
|
Material
|
Artwork
|
|
Frida Kahlo
|
1939
|
Mexico City, Mexico
|
Surrealism
|
Oil on canvas
|
The Two Fridas
|
|
––
|
c. 1066 - 1080
|
Canterbury, England
|
Romanesque
|
Embroidery on linen
|
Bayeux Tapestry
|
|
Gitto di Bondone (artist)
|
c. 1303 - 1305
|
Padua, Italy
|
Proto-Renaissance
|
Brick and fresco
|
Arena (Scovengi) Chapel, including Lamentation
|
|
––
|
c. 1335
|
Tabriz, Iran
|
Ilkhanate (Islamic)
|
Ink, opaque watercolor, gold, and silver on paper
|
Bahram Gur Fights the Karg, folio from the Great Il-Khanid Shahnama
|
|
––
|
c. 1825 - 1975
|
Nigeria
|
Igbo
|
Wood
|
Ikenga (shrine figure)
|
|
––
|
c. 25,500 - 25,300 BCE
|
Namibia
|
Paleolithic
|
Rock
|
Apollo 11 Stones
|
|
Eugène Delacroix
|
1830
|
Paris, France
|
Romanticism
|
Oil on canvas
|
Liberty Leading the People
|
|
––
|
c. 1200; rebuilt 1907-1907
|
Djenné, Mali
|
Malian; Sudano-Sahelian architecture
|
Adobe
|
Great Mosque of Djenné
|
|
––
|
1375 - 1520
|
Mexico City, Mexico
|
Aztec
|
Stone; volcanic stone (The Coyoxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone)
|
Templo Mayor
|
|
Rachel Ruysch
|
1711
|
Amsterdam, Netherlands
|
Baroque
|
Oil on wood
|
Fruit and Insects
|
|
––
|
743; rebuilt c. 1700
|
Nara, Japan
|
Nara Period
|
Bronze and wood (sculpture); wood with ceramic-tile roofing (architecture)
|
Todai-ji
|
|
––
|
c. 520 BCE
|
Caere, Italy
|
Etruscan
|
Terracotta
|
Sarcophagus of the Spouses
|
|
Jacob Lawrence
|
1940 - 1941
|
Harlem, New York
|
Harlem Renaissance
|
Casein tempera on hardboard
|
The Migration of the Negro, Panel no. 49
|
|
––
|
c. 400 - 800
|
Bamyan, Afghanistan
|
Bamiyan
|
Cut rock with plaster, pigment
|
Buddha Bamiyan
|
|
––
|
c. 25
|
Rome, Italy
|
Imperial Roman
|
Marble
|
Augustus of Prima Porta
|
|
––
|
c. 2490-2472 BCE
|
––
|
Fourth Dynasty Egyptian
|
Greywacke
|
King Menkaura and queen
|
|
Frank Lloyd Wright
|
1936 - 1939
|
Pennsylvania, US
|
Organic Architecture
|
Reinforced concrete, sandstone, steel, and glass
|
Fallingwater
|
|
Paul Cézanne
|
1902 - 1904
|
Southern France
|
Proto-Cubism
|
Oil on canvas
|
Mont Sainte-Victoire
|
|
Sinan
|
1568 - 1575
|
Edirne, Turkey
|
Classical Ottoman (Islamic)
|
Brick and stone
|
Mosque of Selim II
|
|
Thomas Cole
|
1836
|
Northampton, Massachusetts, US
|
Romanticism
|
Oil on canvas
|
The Oxbow
|
|
––
|
1539 - 1540
|
Ardabil, Iran
|
Safavid (Islamic)
|
Wool, silk, dye
|
Ardabil carpet
|
|
––
|
c. 1620
|
Kyoto, Japan
|
Mughal Empire
|
Rock garden
|
Ryoan-ji
|
|
––
|
c. 1775
|
Hawaii
|
Hawaiian
|
Feathers and fiber
|
Ahu 'ula (feather cape)
|
|
Donatello
|
c. 1440 - 1460
|
Florence, Italy
|
Renaissance
|
Bronze
|
David
|
|
––
|
c. 1969
|
China
|
Chinese Communist Party
|
Color lithograph
|
Chairman Mao en route to Anyuan
|
|
Vincent van Gogh
|
1889
|
Arles, France
|
Post-Impressionism
|
Oil on canvas
|
The Starry Night
|
|
––
|
c. 725
|
Chiapas, Mexico
|
Mayan
|
Limestone
|
Yaxchilàn
|
|
––
|
c. 2700 BCE
|
Square Temple at Eshunna; Tell Asmar, Iraq
|
Sumerian
|
Gypsum inlaid with shell and black limestone
|
Statues of votive figures
|
|
Piet Mondrian
|
1930
|
Paris, France
|
De Stijl
|
Oil on canvas
|
Composition with Red, Blue and Yellow
|
|
––
|
4000 - 3500 BCE
|
Susa, Iran
|
Neolithic
|
Terracotta
|
Beaker with ibex motifs
|
|