| Hint | Answer | % Correct |
|---|---|---|
| Relationship between light and colour; free brushstrokes | Impressionism | 81%
|
| Subjects are painted from sevaral angles simultaneously | Cubism | 79%
|
| Unnerving and impossible scenarios depicted | Surrealism | 72%
|
| The canvas displays the artist's emotion, not the real world | Expressionism | 70%
|
| Depiction of subjects without embellishment | Realism | 68%
|
| Small dots of primary colour form the image | Pointillism | 56%
|
| Pure, contrasting colours painted in block areas | Fauvism | 45%
|
| Glorifies modernity | Futurism | 42%
|
| Elevated emotion such as fear, victory, true love; political scenes | Romanticism | 40%
|
| Took inspiration from ancient Greece and Rome | Neo-Classicism | 36%
|
| Non-figurative; emotional intensity | Abstract Expressionism | 35%
|
| Free of decoration and emotion | Minimalism | 31%
|
| A generic term for contemporary work | Post-Modernism | 22%
|
| Influential in revolutionary Russia; machinery plays a role | Constructivism | 21%
|
| Takes inspiration from non-Western and prehistoric peoples | Primitivism | 19%
|
| Bright colours and dramatic movement; opposes harmony | Mannerism | 10%
|
| A branch of cubism; bright colour; abstraction | Orphism | 4%
|
| Short-lived British movement; harsh and angular | Vorticism | 4%
|
| Also known as 'anti-anti-art'; opposes conceptual art | Stuckism | 3%
|