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GBK 1860 canon - Statistieken
Algemene statistieken
- Deze quiz is 1 keer genomen
- De gemiddelde score is 45 van 1476
Antwoordstatistieken
| Foto | Antwoord | % Correct |
|---|---|---|
 | Andy Warhol | 100%
|
 | Auguste Rodin | 100%
|
 | Auguste Rodin | 100%
|
 | Bad boy | 100%
|
 | Claude Monet | 100%
|
 | Constantin Brancusi | 100%
|
 | Constantin Brancusi | 100%
|
 | Constantin Brancusi | 100%
|
 | De aardappeleters | 100%
|
| De denker | 100%
|
 | De schreeuw | 100%
|
| Edvard Munch | 100%
|
 | Erased de Kooning Drawing | 100%
|
 | Flag | 100%
|
 | Francis Alÿs | 100%
|
 | Henri Matisse | 100%
|
 | I'm too sad to tell you | 100%
|
 | Jackson Pollock | 100%
|
| Jasper Johns | 100%
|
 | Joan Miró | 100%
|
 | Kasimir Malevich | 100%
|
 | Laszlo Moholy-Nagy | 100%
|
| Le déjeuner sur l'herbe | 100%
|
 | Louis Bourgeois | 100%
|
 | Lucio Fontana | 100%
|
 | Man Ray | 100%
|
 | Marcel Duchamp | 100%
|
 | Marcel Duchamp | 100%
|
 | Marina Abramovic | 100%
|
 | Mark Rothko | 100%
|
| N°10 | 100%
|
 | Pablo Picasso | 100%
|
 | Paul Signac | 100%
|
 | Paul Signac | 100%
|
 | Piet Mondriaan | 100%
|
 | Piet Mondriaan | 100%
|
 | René Magritte | 100%
|
 | Robert Rauschenberg | 100%
|
| Robert Rauschenberg | 100%
|
 | Salvador Dali | 100%
|
 | Salvador Dalí | 100%
|
 | Two-faced cunt | 100%
|
 | Vincent Van Gogh | 100%
|
| Vincent Van Gogh | 100%
|
 | What does possession mean to you? | 100%
|
 | 10 kogels op 12 vlakken in zigzag | 0%
|
 | 1696 | 0%
|
 | 1785 | 0%
|
 | 17e eeuw | 0%
|
 | 1826-1827 | 0%
|
 | 1835 | 0%
|
 | 1839 | 0%
|
 | 1843 | 0%
|
 | 1847 | 0%
|
 | 1857 | 0%
|
 | 1862-1863 | 0%
|
 | 1863 | 0%
|
 | 1863 | 0%
|
 | 1863 | 0%
|
 | 1864 | 0%
|
 | 1865 | 0%
|
| 1865-1866 | 0%
|
 | 1868 | 0%
|
 | 1872 | 0%
|
 | 1873-1874 | 0%
|
 | 1874 | 0%
|
 | 1876 | 0%
|
 | 1876 | 0%
|
 | 1876 | 0%
|
 | 1876 | 0%
|
 | 1879-1880 | 0%
|
 | 1879-1881 | 0%
|
 | 1879-1882 | 0%
|
 | 1880 | 0%
|
 | 1880-1917 | 0%
|
| 1881 | 0%
|
 | 1882 | 0%
|
 | 1882 | 0%
|
 | 1883 | 0%
|
 | 1883-1885 | 0%
|
 | 1884 | 0%
|
 | 1884-1889 | 0%
|
 | 1885 | 0%
|
 | 1885 | 0%
|
 | 1885 | 0%
|
| 1885 | 0%
|
 | 1885-1900 | 0%
|
| 1886 | 0%
|
 | 1886 | 0%
|
 | 1886-1888 | 0%
|
 | 1887 | 0%
|
 | 1888 | 0%
|
 | 1888 | 0%
|
 | 1888 | 0%
|
 | 1888 | 0%
|
 | 1888 | 0%
|
 | 1888 | 0%
|
 | 1888-1889 | 0%
|
 | 1888-1892 | 0%
|
 | 1889 | 0%
|
 | 1889 | 0%
|
| 1889 | 0%
|
 | 1890 | 0%
|
| 1890 | 0%
|
 | 1891 | 0%
|
 | 1891-1892 | 0%
|
 | 1891-1898 | 0%
|
 | 1892 | 0%
|
 | 1892 | 0%
|
 | 1892-1894 | 0%
|
 | 1893 | 0%
|
 | 1893 | 0%
|
| 1893 | 0%
|
 | 1893 | 0%
|
 | 1894-1895 | 0%
|
 | 1895 | 0%
|
 | 1895-1897 | 0%
|
 | 1896 | 0%
|
 | 1896 | 0%
|
 | 1896 | 0%
|
 | 1897 | 0%
|
 | 1897 | 0%
|
 | 1897 | 0%
|
 | 1897 | 0%
|
 | 1898 | 0%
|
 | 1899 | 0%
|
 | 18 Happenings in 6 Parts | 0%
|
 | 1900 | 0%
|
 | 1901 | 0%
|
 | 1903 | 0%
|
 | 1904-1905 | 0%
|
 | 1904-1906 | 0%
|
 | 1905 | 0%
|
 | 1905 | 0%
|
 | 1905-1906 | 0%
|
 | 1905-1909 | 0%
|
 | 1906 | 0%
|
 | 1906 | 0%
|
 | 1907 | 0%
|
 | 1907 | 0%
|
 | 1907 | 0%
|
 | 1907-1908 | 0%
|
 | 1908 | 0%
|
 | 1908 | 0%
|
 | 1908 | 0%
|
 | 1908 | 0%
|
| 1908 | 0%
|
 | 1908 | 0%
|
 | 1908 | 0%
|
 | 1909 | 0%
|
 | 1909 | 0%
|
| 1909-1910 | 0%
|
 | 1909-1910 | 0%
|
 | 1909-1911 | 0%
|
 | 1910 | 0%
|
 | 1910 | 0%
|
 | 1911 | 0%
|
 | 1911 | 0%
|
 | 1911 | 0%
|
 | 1911 | 0%
|
 | 1911-1912 | 0%
|
 | 1911-1912 | 0%
|
 | 1911-1912 | 0%
|
 | 1911-1913 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
| 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912 | 0%
|
 | 1912-1913 | 0%
|
| 1913 | 0%
|
 | 1913 | 0%
|
 | 1913 | 0%
|
 | 1913 | 0%
|
 | 1913 | 0%
|
 | 1913 | 0%
|
 | 1913 | 0%
|
 | 1913-1914 | 0%
|
 | 1913-1915 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
 | 1914 | 0%
|
| 1914 | 0%
|
 | 1914-1926 | 0%
|
 | 1915 | 0%
|
 | 1915 | 0%
|
 | 1915 | 0%
|
 | 1915 | 0%
|
 | 1915 | 0%
|
 | 1915 | 0%
|
| 1915 | 0%
|
 | 1915-1923 | 0%
|
 | 1916 | 0%
|
 | 1916 | 0%
|
 | 1916 | 0%
|
 | 1916 | 0%
|
 | 1917 | 0%
|
 | 1917 | 0%
|
 | 1917 | 0%
|
 | 1917 | 0%
|
| 1917 | 0%
|
 | 1917 | 0%
|
 | 1917-1918 | 0%
|
 | 1917-1918 | 0%
|
 | 1918 | 0%
|
 | 1918 | 0%
|
 | 1918 | 0%
|
 | 1918 | 0%
|
 | 1919 | 0%
|
 | 1919 | 0%
|
 | 1919 | 0%
|
 | 1919 | 0%
|
 | 1919 | 0%
|
 | 1919 | 0%
|
 | 1919 | 0%
|
 | 1919-1920 | 0%
|
 | 1919-1920 | 0%
|
 | 1919-1920 | 0%
|
 | 1920 | 0%
|
 | 1920 | 0%
|
 | 1920 | 0%
|
 | 1920 | 0%
|
 | 1920 | 0%
|
 | 1920 | 0%
|
| 1920 | 0%
|
 | 1920 | 0%
|
 | 1920 | 0%
|
| 1921 | 0%
|
 | 1921 | 0%
|
 | 1921 | 0%
|
 | 1921 | 0%
|
 | 1921 | 0%
|
 | 1921 | 0%
|
 | 1921 | 0%
|
| 1921 | 0%
|
 | 1922 | 0%
|
 | 1922 | 0%
|
 | 1922 | 0%
|
 | 1922 | 0%
|
 | 1922 | 0%
|
 | 1922 | 0%
|
| 1922-1930 | 0%
|
 | 1923 | 0%
|
 | 1923 | 0%
|
 | 1923 | 0%
|
 | 1923 | 0%
|
 | 1924 | 0%
|
 | 1924 | 0%
|
| 1924-1925 | 0%
|
 | 1925 | 0%
|
 | 1925 | 0%
|
 | 1925 | 0%
|
 | 1925 | 0%
|
 | 1925 | 0%
|
 | 1926 | 0%
|
 | 1926 | 0%
|
 | 1926 | 0%
|
 | 1926 | 0%
|
 | 1926 | 0%
|
 | 1927 | 0%
|
 | 1927 | 0%
|
| 1928 | 0%
|
 | 1928-1929 | 0%
|
 | 1928-1929 | 0%
|
 | 1929 | 0%
|
| 1929 | 0%
|
 | 1929 | 0%
|
 | 1929 | 0%
|
 | 1929-1930 | 0%
|
 | 1930 | 0%
|
 | 1930 | 0%
|
 | 1930 | 0%
|
 | 1930 | 0%
|
 | 1930 | 0%
|
 | 1930-1931 | 0%
|
| 1931 | 0%
|
 | 1932 | 0%
|
 | 1932 | 0%
|
 | 1932-1933 | 0%
|
 | 1932-1945 | 0%
|
 | 1933 | 0%
|
 | 1933 | 0%
|
 | 1934 | 0%
|
 | 1935 | 0%
|
 | 1935 | 0%
|
 | 1936 | 0%
|
 | 1936 | 0%
|
 | 1936 | 0%
|
 | 1936 | 0%
|
 | 1936 | 0%
|
 | 1936 | 0%
|
 | 1936 | 0%
|
 | 1936 | 0%
|
 | 1937 | 0%
|
 | 1937 | 0%
|
 | 1937 | 0%
|
| 1937 | 0%
|
 | 1938 | 0%
|
 | 1938 | 0%
|
 | 1938 | 0%
|
 | 1938 | 0%
|
 | 1939 | 0%
|
 | 1939 | 0%
|
 | 1940 | 0%
|
 | 1940 | 0%
|
 | 1940-1942 | 0%
|
 | 1941 | 0%
|
 | 1942 | 0%
|
 | 1942 | 0%
|
 | 1942 | 0%
|
 | 1942-1943 | 0%
|
 | 1943 | 0%
|
 | 1943 | 0%
|
 | 1944 | 0%
|
 | 1946 | 0%
|
 | 1947 | 0%
|
 | 1948 | 0%
|
 | 1948-1950 | 0%
|
 | 1949 | 0%
|
 | 1950 | 0%
|
 | 1950 | 0%
|
 | 1950 | 0%
|
| 1950 | 0%
|
 | 1950-1951 | 0%
|
 | 1950 - 1952 | 0%
|
| 1950-A N°2 | 0%
|
 | 1951 | 0%
|
 | 1951-1952 | 0%
|
| 1952 | 0%
|
 | 1953 | 0%
|
 | 1953 | 0%
|
| 1953 | 0%
|
| 1953 | 0%
|
 | 1953-1954 | 0%
|
| 1954 | 0%
|
 | 1954 | 0%
|
| 1955 | 0%
|
 | 1955 | 0%
|
 | 1955-1956 | 0%
|
 | 1956 | 0%
|
 | 1957 | 0%
|
| 1959 | 0%
|
 | 1959 | 0%
|
 | 1959-1960 | 0%
|
 | 1959-1978 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
 | 1960 | 0%
|
| 1960 | 0%
|
 | 1960-1961 | 0%
|
 | 1961 | 0%
|
 | 1961 | 0%
|
 | 1961 | 0%
|
 | 1961 | 0%
|
 | 1961 | 0%
|
 | 1962 | 0%
|
 | 1962 | 0%
|
 | 1962 | 0%
|
 | 1962 | 0%
|
 | 1962 | 0%
|
 | 1962 | 0%
|
 | 1963 | 0%
|
 | 1963 | 0%
|
 | 1963 | 0%
|
 | 1963 | 0%
|
 | 1963 | 0%
|
 | 1963 | 0%
|
 | 1963 | 0%
|
| 1963 | 0%
|
| 1963 | 0%
|
 | 1963 | 0%
|
 | 1964 | 0%
|
 | 1964 | 0%
|
 | 1964 | 0%
|
 | 1964 | 0%
|
 | 1964 | 0%
|
 | 1964-1969 | 0%
|
 | 1965 | 0%
|
 | 1965 | 0%
|
 | 1965 | 0%
|
 | 1965 | 0%
|
 | 1965 | 0%
|
 | 1965 | 0%
|
 | 1965 | 0%
|
 | 1965-1968 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966 | 0%
|
 | 1966-1967 | 0%
|
 | 1966-1967 | 0%
|
 | 1966-1967 | 0%
|
 | 1967 | 0%
|
 | 1967 | 0%
|
 | 1967 | 0%
|
 | 1967 | 0%
|
 | 1967 | 0%
|
 | 1967 | 0%
|
 | 1967 | 0%
|
 | 1967 | 0%
|
 | 1968 | 0%
|
 | 1968 | 0%
|
 | 1968 | 0%
|
 | 1968 | 0%
|
 | 1968 | 0%
|
 | 1968 | 0%
|
 | 1968-1969 | 0%
|
 | 1968-1972 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969 | 0%
|
 | 1969-1971 | 0%
|
 | 1970 | 0%
|
 | 1970 | 0%
|
 | 1970 | 0%
|
| 1970 | 0%
|
 | 1970 | 0%
|
 | 1970-1971 | 0%
|
 | 1970-1971 | 0%
|
 | 1970-1977 | 0%
|
 | 1971 | 0%
|
 | 1971 | 0%
|
 | 1971-1995 | 0%
|
 | 1972 | 0%
|
 | 1972 | 0%
|
 | 1972-1976 | 0%
|
 | 1973 | 0%
|
 | 1973 | 0%
|
 | 1974 | 0%
|
 | 1974 | 0%
|
 | 1974 | 0%
|
| 1974 | 0%
|
| 1974 | 0%
|
 | 1977 | 0%
|
 | 1977 | 0%
|
 | 1977 | 0%
|
 | 1977-1997 | 0%
|
 | 1978 | 0%
|
 | 1978-1978 | 0%
|
 | 1979 | 0%
|
 | 1980 | 0%
|
| 1981 | 0%
|
 | 1981 | 0%
|
 | 1981-1986 | 0%
|
 | 1982 | 0%
|
 | 1982 | 0%
|
 | 1982 | 0%
|
 | 1982 | 0%
|
 | 1983 | 0%
|
 | 1985 | 0%
|
 | 1986 | 0%
|
 | 1987 | 0%
|
 | 1988 | 0%
|
 | 1988-1990 | 0%
|
 | 1989 | 0%
|
 | 1989 | 0%
|
 | 1989 | 0%
|
 | 1989-1995 | 0%
|
 | 1991 | 0%
|
 | 1991 | 0%
|
 | 1991 | 0%
|
 | 1991-1995 | 0%
|
 | 1992-1994 | 0%
|
 | 1993 | 0%
|
 | 1994 | 0%
|
 | 1994 | 0%
|
 | 1994-1995 | 0%
|
 | 1994-1995 | 0%
|
 | 1995 | 0%
|
 | 1995 | 0%
|
 | 1995 | 0%
|
| 1995 | 0%
|
 | 1995 | 0%
|
 | 1996 | 0%
|
 | 1996 | 0%
|
 | 1996 | 0%
|
 | 1996 | 0%
|
 | 1996 | 0%
|
 | 1996 | 0%
|
 | 1997 | 0%
|
 | 1997 | 0%
|
 | 1997 | 0%
|
 | 1997 | 0%
|
 | 1997 | 0%
|
 | 1997 | 0%
|
 | 1997 | 0%
|
 | 1997 | 0%
|
 | 1998 | 0%
|
 | 1999 | 0%
|
 | 1999-2000 | 0%
|
 | 2002 | 0%
|
 | 2002 | 0%
|
 | 2002 | 0%
|
 | 2002 | 0%
|
| 2004 | 0%
|
 | 2006 | 0%
|
 | 2007 | 0%
|
 | 2014 | 0%
|
| 32 Cars for the 20th Century Playing Mozart's Requiem quietly | 0%
|
 | 966 | 0%
|
| A 36 x 36" Removal to the lathing or support of Plaster or Wallboard from a Wall | 0%
|
| Abigail Lane | 0%
|
| Absintglas | 0%
|
| Abstracte pla,tencompositie | 0%
|
| Abstracte snelheid | 0%
|
| Abstracte vormen | 0%
|
| Abstract Painting , Black | 0%
|
| Achrome | 0%
|
| Ad Reinhardt | 0%
|
| Adrian Piper | 0%
|
| Aeromodeller | 0%
|
| Affiche voor 1907 tentoonstelling van 'die Brücke' | 0%
|
| After Ralph Ellison, Invisible Man, The Preface | 0%
|
| Agnes Martin | 0%
|
| Ai Weiwei | 0%
|
| (Aktion) 48e Aktion München | 0%
|
| Albert Gleizes | 0%
|
| Alberto Burri | 0%
|
| Alberto Giacometti | 0%
|
| Albert Rengar-Patzsch | 0%
|
| Alexander Archipenko | 0%
|
| Alexander Calder | 0%
|
| Alexander Rodchenko | 0%
|
| Alexander Rodchenko | 0%
|
| Alexandre Cabanel | 0%
|
| Alexej von Jawlensky | 0%
|
| Alfred Stieglitz | 0%
|
| Alice in Wonderland | 0%
|
| Allan Kaprow | 0%
|
| Allan Kaprow | 0%
|
| Allan McCollum | 0%
|
| Allan Sekula op documenta 11 | 0%
|
| Alpha-Phi | 0%
|
| Amadeo Modigliani | 0%
|
| Amedea Modigliani | 0%
|
| Ana Mendieta | 0%
|
| Andreas Gurksy | 0%
|
| André Breton, Valentina Hugo, Greta Knutson en Tristan Tzara | 0%
|
| André Derain | 0%
|
| André Kertész | 0%
|
| André Masson | 0%
|
| André Masson | 0%
|
| Andy Warhol | 0%
|
| Andy Warhol | 0%
|
| Andy Warhol | 0%
|
| Annette Messager | 0%
|
| A Nonsite (Franklin, N.J.) | 0%
|
| Anselm Kiefer | 0%
|
| Anthony Caro | 0%
|
| Anthro/Socio | 0%
|
| Antibes bij avond | 0%
|
| Arman | 0%
|
| Arnold Böcklin | 0%
|
| Arschile Gorky | 0%
|
| Art as Idea as Idea | 0%
|
| Arte povera | 0%
|
| Articulés-Désarticules | 0%
|
| Art & Language | 0%
|
| Auguste Rodin | 0%
|
| Auguste Rodin | 0%
|
| Auguste Rodin | 0%
|
| Baadsters voor een tent | 0%
|
| Bal du Moulin de la Galette | 0%
|
| Bal du Moulin de la Galette | 0%
|
| Bambino malato | 0%
|
| Bar aux Folies Bergères | 0%
|
| Barbara Kruger | 0%
|
| Barnett Newman | 0%
|
| Barnett Newman | 0%
|
| Bart van der Leck | 0%
|
| Bas Jan Ader | 0%
|
| Bathtub Collage N°3 | 0%
|
| Begrafenis van de dichter Oskar Panizza | 0%
|
| Belle haleine, Eau de voilette | 0%
|
| Bernd en Hilla Becher | 0%
|
| Bernd Lohaus | 0%
|
| Big Painting 6 | 0%
|
| Bilderstreit | 0%
|
| Bild mit heller Mitte | 0%
|
| Bill Viola | 0%
|
| Black Manhattan | 0%
|
| Blauwe grot | 0%
|
| Bloeiende appelboom | 0%
|
| Bloeiende appelboom | 0%
|
| Blue Poles | 0%
|
| Boerenhof in Auverse | 0%
|
| Bonheur de vivre | 0%
|
| Boule suspendue | 0%
|
| Brassaï | 0%
|
| Bridget Riley | 0%
|
| Bridge Walkway | 0%
|
| Brighton, England, August 21, 1922 | 0%
|
| Bringing the War Home: House Beautiful | 0%
|
| Broadway Boogie-Woogie | 0%
|
| Broken heart | 0%
|
| Bruce Nauman | 0%
|
| Bruce Nauman | 0%
|
| Bruce Nauman | 0%
|
| Bruce Nauman | 0%
|
| Bruce Nauman | 0%
|
| Bubblegum Station | 0%
|
| Bull Lee | 0%
|
| Buste van Rodin | 0%
|
| Cabaret Voltaire | 0%
|
| Cadavre exquis | 0%
|
| cadeau (replica van verlorenorigineel) | 0%
|
| Café Aubette | 0%
|
| Camille Claudel | 0%
|
| Camille Claudel | 0%
|
| Camille Claudel | 0%
|
| Camille Pissarro | 0%
|
| Camille Pissarro | 0%
|
| Caravan show | 0%
|
| Carl Andre | 0%
|
| Carl Andre | 0%
|
| Carne altrui | 0%
|
| Carsten Höller en Rosemarie Trockel | 0%
|
| Catalysis IV, straat performance, NYC | 0%
|
| Cavalli | 0%
|
| Chaim Soutine | 0%
|
| Challenging Mud | 0%
|
| Charles Long & Stereolab | 0%
|
| Charles the First | 0%
|
| Christian Boltanski | 0%
|
| Christo en Jeane-Claude | 0%
|
| Christo en Jeanne-Claude | 0%
|
| Christus Pantocrater | 0%
|
| Chuck Close | 0%
|
| Cindy Sherman | 0%
|
| Cirkels van Newton | 0%
|
| Claes Oldenburg | 0%
|
| Claude Cahun | 0%
|
| Claude Monet | 0%
|
| Claude Monet | 0%
|
| Claude Monet | 0%
|
| Clyfford Still | 0%
|
| Collected Objects over the Years | 0%
|
| Columbia Phonograph | 0%
|
| Combustione plastica | 0%
|
| Compositie | 0%
|
| Compositie grijs, blauw en roze | 0%
|
| Compositie in kleur A | 0%
|
| Compositie IX | 0%
|
| Compositie met groot rood vlak, geel, zwart, grijs en blauw | 0%
|
| Compositie met wit en blauw | 0%
|
| Compositie no. 25 | 0%
|
| Compositie van bomen | 0%
|
| Compositie VII | 0%
|
| Compositie VIII | 0%
|
| Concetto Spaziale 'Attesta' | 0%
|
| Constantin Brancusi | 0%
|
| Constantin Brancusi | 0%
|
| Constant Nieuwenhuys | 0%
|
| Constant Permeke | 0%
|
| Constructief | 0%
|
| Constructie n. 34 | 0%
|
| Constructie van afstand | 0%
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| Raymond Duchamp-Villon | 0%
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| Reading position (Second degree sunburn) | 0%
|
| Rebecca Horn | 0%
|
| Reeks arbo de la vide (levensboom) | 0%
|
| René Magritte | 0%
|
| René Magritte | 0%
|
| Rhythm 0 | 0%
|
| Richard Artschwager | 0%
|
| Richard Hamilton | 0%
|
| Richard Long | 0%
|
| Richard Long | 0%
|
| Richard Long | 0%
|
| Richard Serra | 0%
|
| Richard Serra | 0%
|
| Right after | 0%
|
| Rineke Dijkstra | 0%
|
| Robert Delaunay | 0%
|
| Robert Delauney | 0%
|
| Robert Frank | 0%
|
| Robert Gober | 0%
|
| Robert Gober | 0%
|
| Robert Mapplethorpe | 0%
|
| Robert Morris | 0%
|
| Robert Morris | 0%
|
| Robert Morris | 0%
|
| Robert Motherwell | 0%
|
| Roberto Matta | 0%
|
| Robert Ryman | 0%
|
| Robert Smithson | 0%
|
| Robert Smithson | 0%
|
| Robert Smithson | 0%
|
| Rodchenko | 0%
|
| Rodius Monument voor Honoré de Balzac | 0%
|
| Romare Bearden | 0%
|
| Rood-blauwe stoel | 0%
|
| Rood, blauw, groen | 0%
|
| Rouwen: herinnering aan Ernst Barlach | 0%
|
| Roy Lichtenstein | 0%
|
| Roy Lichtenstein | 0%
|
| Rrose Sélavy | 0%
|
| Rue de l'Electronique | 0%
|
| Ruimtelijk concept: het einde van God | 0%
|
| Ruimtelijk-dynamisch sculptuur | 0%
|
| Running Fence | 0%
|
| Salvador Dali | 0%
|
| Salvador Dali | 0%
|
| Sandro Chia | 0%
|
| Satirische danser | 0%
|
| Scarred for Life | 0%
|
| Schets voor compositie II | 0%
|
| Schilderij | 0%
|
| Schilderij | 0%
|
| Schilderij | 0%
|
| Seated Couple (back to back) | 0%
|
| Seguidilla | 0%
|
| Self-portrait as a fountain | 0%
|
| SHE-A Cathedral | 0%
|
| Sherrie Levine | 0%
|
| Shirin Neshat | 0%
|
| Sigmar Polke | 0%
|
| Simultaancontrast | 0%
|
| Slaap | 0%
|
| Slapende muze | 0%
|
| Slapende zigeunerin | 0%
|
| Slaven Toj | 0%
|
| Soft Washstand | 0%
|
| Sol LeWitt | 0%
|
| Sonia Delauney | 0%
|
| Sophie Delauney | 0%
|
| Sophie Taeuber | 0%
|
| Spiral Jetty | 0%
|
| Splashing | 0%
|
| Splitting: Four Corners | 0%
|
| Spring | 0%
|
| Sprong in de leegte | 0%
|
| Stallen | 0%
|
| Sterrennacht met cypressen | 0%
|
| Stilleven met oude schoen | 0%
|
| Stoel | 0%
|
| Straatlicht | 0%
|
| Strelingen | 0%
|
| Stuart Davis | 0%
|
| Studie naar Velàzquez' Portret van Paus Innocentius X | 0%
|
| Studie nr. III | 0%
|
| Studio met papieren sculptuur | 0%
|
| Suprematisme | 0%
|
| Suprematistische compositie: wit op wit | 0%
|
| Surrealisme en schilderkunst | 0%
|
| Swing Landscape | 0%
|
| Tadashi Kawamata | 0%
|
| Tafel | 0%
|
| Tapp und tast Kino | 0%
|
| Terugkaatsing | 0%
|
| The Green Line | 0%
|
| The Greeting | 0%
|
| The Heritage IV | 0%
|
| The lightning Field | 0%
|
| Theo Van Doesburg | 0%
|
| Theo Van Doesburg | 0%
|
| Theo Van Doesburg en Hans en Sophie tauber-Arp | 0%
|
| The Poetics Project (dX) | 0%
|
| The Singing Sculpture | 0%
|
| The Today Series of Date Paintings | 0%
|
| The True Artsist is an Amazing Luminous Fountain | 0%
|
| The Turtle Sighing Tree | 0%
|
| This little piggy went to the market, this little piggy went home | 0%
|
| Thomas Couture | 0%
|
| Thomas Eakins | 0%
|
| Thomas Eakins | 0%
|
| Thomas Struth | 0%
|
| Timothy O'Sullivan | 0%
|
| Toegang tot de stad | 0%
|
| Tom Wesselmann | 0%
|
| Tom Wesselmann | 0%
|
| Tony Smith | 0%
|
| Tooba | 0%
|
| Tracy Moffatt | 0%
|
| Trappings | 0%
|
| Treurzang voor de Spaanse Republiek | 0%
|
| Tropicalis | 0%
|
| Tu m' | 0%
|
| Tunga | 0%
|
| Tuxedo Junction | 0%
|
| TV Bra for living Sculpture | 0%
|
| Uitzicht vanuit het venster in het domein Le Gras te Saint-Loup de Varennes | 0%
|
| Umberto Boccioni | 0%
|
| Umberto Boccioni | 0%
|
| Umberto Boccioni | 0%
|
| Umberto Boccioni | 0%
|
| Un dimanche à la Grande Jatte | 0%
|
| Une baignade à Asnières | 0%
|
| Universiteit van Bochum | 0%
|
| Untitled | 0%
|
| Untitled | 0%
|
| Untitled | 0%
|
| Untitled | 0%
|
| Untitled (After Walker Evans #3 1936) | 0%
|
| Untitled Blue Monochrome (IKB) | 0%
|
| Untitled Film Still #35 | 0%
|
| Untitled (Passenger #3) | 0%
|
| Untitled (Threadwaste) | 0%
|
| Untitled (You rule by pathetic display) | 0%
|
| Ursula Biemann | 0%
|
| Valie Export | 0%
|
| Venster met tralies ( negatief ) | 0%
|
| Vensters | 0%
|
| Verjaardag | 0%
|
| Verschillende cirkels nr. 323 | 0%
|
| Vibratie | 0%
|
| Victor Burgin | 0%
|
| Victor Horta | 0%
|
| Victor Servranckx | 0%
|
| Vier panelen voor een scherm | 0%
|
| Vier stofzuigers in een vitrine | 0%
|
| Vietnam II | 0%
|
| Vincent van Gogh | 0%
|
| Vincent van Gogh | 0%
|
| Vincent Van Gogh | 0%
|
| Vincent Van Gogh | 0%
|
| Vincent Van Gogh | 0%
|
| Vingers | 0%
|
| Vir heroicus sublimis | 0%
|
| Vito Acconi | 0%
|
| Vladimir Tatlin | 0%
|
| Vladimir Tatlin | 0%
|
| Volume + licht: De zon Schijnt op de della Salutkerk | 0%
|
| Vroege morgen | 0%
|
| Vroeg model Maturiteit | 0%
|
| Vrouw die van een trap wandelt | 0%
|
| Vrouw I | 0%
|
| Vrouw in badkuip | 0%
|
| Vrouw in de tuin | 0%
|
| Vrouw in het blauw met kind | 0%
|
| Waar komen wij vandaan? Wat zijn wij? Waar gaan wij heen? | 0%
|
| Während/Du/Als Gegenüber Oder/Zwischen dem/ICH | 0%
|
| Walker Evans | 0%
|
| Walking a Line in Peru | 0%
|
| Walter de Maria | 0%
|
| Walter de Maria | 0%
|
| Wassily Kandinsky | 0%
|
| Wassily Kandinsky | 0%
|
| Wassily Kandinsky | 0%
|
| Wassily Kandinsky | 0%
|
| Wassily Kandinsky | 0%
|
| Wassily Kandinsky | 0%
|
| Who's afraid of Red, Yellow and Blue | 0%
|
| Willam Kentridge | 0%
|
| Willem De Kooning | 0%
|
| Willem De Kooning | 0%
|
| William Henry Fox Talbot | 0%
|
| William Henry Fox Talbot | 0%
|
| World map | 0%
|
| Wrapped Reichstag | 0%
|
| Yves klein | 0%
|
| Yves klein | 0%
|
| Yves Klein | 0%
|
| Yves Tanguy | 0%
|
| Zachte constructie met gekookte bonen | 0%
|
| Zandsteen met spiegel | 0%
|
| Zapatha | 0%
|
| Zeekust, rode structuur | 0%
|
| Zelfportret | 0%
|
| zelfportret | 0%
|
| Zelfportret | 0%
|
| Zelfportret | 0%
|
| Zelfportret met kat | 0%
|
| Zelfportret met tak camelia | 0%
|
| Zes sensoriële maskers | 0%
|
| Zicht op Montmartre (overdag) | 0%
|
| Zicht op Montmartre ('s avonds) | 0%
|
| Zittende vrouwelijke clown | 0%
|
| Zonder titel | 0%
|
| Zonder titel | 0%
|
| Zonder titel | 0%
|
| Zonder titel | 0%
|
| Zonder titel | 0%
|
| Zonder titel | 0%
|
| Zonder titel (groene streep) | 0%
|
| Zonder titel T. 1963-H26 | 0%
|
| Zonnebloemen | 0%
|
| Zwarte vierhoek | 0%
|
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