| Description | Answer | % Correct |
|---|---|---|
| Blends the loud, fast-paced, and sometimes sloppy sound of Punk Rock with the catchy sound and songwriting of Pop. | Pop Punk | 86%
|
| Contemporary style from South Korea, based on multiple mainstream influences such as Contemporary R&B, Dance-Pop, and Hip Hop. | K-Pop | 84%
|
| Typically uses a verse-chorus structure with a backbeat rhythm and the electric guitar at the forefront; generally heavier and/or faster than its predecessors. | Rock | 73%
|
| Incorporates experimental and eccentric elements considered unconventional or unorthodox compared to more traditional hip hop. | Experimental Hip-Hop | 70%
|
| Emphasizes texture and tone over traditional musical structure, aimed at evoking a particular atmosphere or mood. | Ambient | 68%
|
| Originated toward the end of the 19th century in African American communities in the United States, particularly the Deep South; drew on traditional Spirituals and Work Song; highly influential to the whole of Western popular music. | Blues | 68%
|
| Heavily distorted, down-tuned guitars, palm-muted, tremolo-picked riffs, double-kick and blast beat percussion, chromatic chord progressions, minor keys, abrupt changes in tempo, and guttural vocals. | Death Metal | 68%
|
| Emphasizes bouncy, drop-tuned riffs, alternating vocal styles, and genre-bending, often incorporating Hip Hop and Funk Metal elements. | Nu-Metal | 68%
|
| Emerged alongside the initial Punk Rock explosion in the mid-to-late 1970s, putting a greater emphasis on frequent experimentation, atmosphere, generally stripped-back instrumentation and, at times, angular-sounding guitars, throbbing bass lines, and interlocked drumming. | Post-Punk | 62%
|
| Ethereal, noisy washes of sound created by extensive usage of multiple effect pedals, such as distortion, reverb, and delay; dreamy, usually unintelligible vocals, and roaring volumes. | Shoegaze | 62%
|
| Usually unaccompanied vocal readings. | Spoken Word | 62%
|
| Broad category for subgenres mainly derived from Disco, featuring Electronic sounds, synthesizers, drum machines and varying BPM ranges. | EDM | 59%
|
| Highly distorted, treble-heavy guitars, tremolo-picked riffs, blast beats and double bass drumming, shrieked vocals, and raw, lo-fi production; often focuses on occult, dark imagery and atmosphere. | Black Metal | 57%
|
| Combines the melodic sensibilities and production style of Indie Rock and Indie Pop with acoustic instrumentation and influences from Folk, Singer-Songwriter, and sometimes Country. | Indie Folk | 57%
|
| Commonly associated with the golden era of Swing in the 1930s and 1940s, performed by a large ensemble including brass, woodwinds, and usually a rhythm section. | Big Band | 54%
|
| Hip Hop with a production style identified by an acoustic-sounding drum pattern of a kick drum on the downbeat followed by a cracking snare on the upbeat. | Boom Bap | 51%
|
| Blistering tempos, palm-muted, technical riffing influenced by Speed Metal, aggressive drumming utilizing double-kick and skank beats, and diverse vocal styles ranging from harsh to clean techniques. | Thrash Metal | 51%
|
| Arose in the 1980s and 1990s, performed by artists with roots in Alternative Rock and Indie Rock who were disconnected from the mainstream Country industry. | Alt-Country | 49%
|
| Intense, aggressive and complex approach to Emo featuring higher levels of abrasiveness and dissonance, accompanied by guitar-focused melodicism and harsh vocals. | Screamo | 49%
|
| Combines elements of Doom Metal with elements of Psychedelic Rock and Blues Rock to create a melodic yet heavy sound. | Stoner Metal | 49%
|
| Originated in Atlanta in the early 2000s; distinctive fast hi-hat sound and heavy bass at moderate tempos. | Trap | 46%
|
| Aggressive, chaotic, and heavily Death Metal-influenced, featuring muddy, bass-heavy production and often incorporating war-themed lyrics. | War Metal | 46%
|
| Death Metal-influenced riffs with rhythms ranging from very fast to slower mid-tempos correlated with pitch-shifted vocals, sloppy playing and production, and gore-themed aesthetics. | Goregrind | 43%
|
| Emphasis on timbre, texture, and atmosphere over traditional conventions while often embracing influences from genres not usually associated with Rock. | Post-Rock | 43%
|
| Focuses on evoking epic and atmospheric soundscapes primarily associated with fantasy and medieval settings through the usage of synthesizers, keyboards, lo-fi production, and drum machines. | Dungeon Synth | 41%
|
| Underground, avant-garde, anti-art movement and music scene based in New York City around 1976-1980; commonly incorporates elements like dissonance, atonality, and stream-of-consciousness lyrics into various genres. | No Wave | 41%
|
| Up-tempo skank rhythms, catchy horn sections, and spirited guitar work; delivered with a fun and rebellious energy. | Ska Punk | 41%
|
| Drop-tuned guitar riffs, constant double kick drumming with varying tempos and techniques, breakdown sections, and screaming or shouting vocals. | Metalcore | 38%
|
| Compositional method emphasizing the rough layering of sampled elements, presenting an impression similar to a visual collage. | Sound Collage | 38%
|
| Metallic outgrowth of Anarcho-Punk featuring a down-tuned, high-gain guitar sound, frequent D-Beat drum patterns, guttural vocals, and politically-charged lyrics often featuring apocalyptic imagery. | Crust Punk | 32%
|
| Combines the lush orchestration of Philly Soul and bass grooves of Funk with a four-on-the-floor rhythm. | Disco | 32%
|
| Cross-pollination of Punk Rock and Rockabilly. | Psychobilly | 32%
|
| Western art music, often Orchestral Music, written to accompany classical dance productions of the same name. | Ballet | 30%
|
| Improvised music which, in descending from Free Jazz and classical Indeterminacy, further abandons the prescriptions of harmonic or rhythmic structures which characterized those genres. | Free Improvisation | 30%
|
| Harsh, distorted walls of sound that feature few dynamic variations and often take the form of long compositions with little to no change or progression over time. | Harsh Noise Wall | 30%
|
| Slick Pop Rock influenced by smoother R&B styles, popular in the late 1970s and often associated with California. | Yacht Rock | 30%
|
| 21st century style contemporary country with an often party-oriented sound and lyrical content, taking strong influence from Hard Rock, Hip Hop and Pop. | Bro-Country | 27%
|
| Highlights driving "stomping" rhythms and shouted group vocal harmonies, often drawing influences from Pop Rock, Indie Folk, and other genres, while maintaining a characteristically mellow and commercial sound. | Stomp and Holler | 27%
|
| Rejection of perceived intellectualism and elitism in Post-Punk and Art Punk, characterized by a return to a straightforward, melodic Punk Rock sound, sing-along choruses, and a lyrical focus on working class youth culture. | Oi! | 24%
|
| Fast, syncopated breakbeat patterns (often sampled or programmed) with prominent basslines, commonly within the 160-180 BPM range. | Drum and Bass | 22%
|
| Contemporary Japanese singer-dancers valued mainly for their personality and charisma, often performing as groups in a cutesy and youthful style. | Japanese Idol | 22%
|
| Death metal that focuses on slow or midtempo (as well as breakdown-style) sections built on chromatic, palm-muted riffs, | Slam Death Metal | 22%
|
| Emphasizes more melodic and layered synth leads, denser and faster drum programming, and a lesser reliance on the laid-back, minimalistic atmosphere of earlier Plugg styles. | PluggnB | 19%
|
| Developed in the 1960s; shuffling "bubble" and offbeat rhythms played on an organ, and staccato guitar and piano chords known as "skank." | Reggae | 19%
|
| Performed with a less commercial sensibility, utilizing more eccentric, Punk-influenced sounds, moodier or quirkier lyricism, and sometimes ample amounts of distortion, often paired with Pop-influenced songwriting. | Alternative Rock | 14%
|
| Formed in the late 1980s and early 1990s; grew out of a combination of EBM and Industrial. | Electro-Industrial | 14%
|
| Combines the abrasive textures of Noise and Industrial music with dark, brooding drones and atmospheres. | Death Industrial | 8%
|
| Fast-paced and energetic, often in the 160-220 BPM range, with a hallmark of a distinctive distorted kick sound and vocal samples. | Gabber | 5%
|
| Minimalistic half-time drum machine programming with droning bass, often paired with aggressive rapping and a double time flow. | Memphis Rap | 5%
|
| Exploration of the physical traits of sound rather than music as expression. | Onkyo | 5%
|