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Fast typing - Two Women on the Shore, 1898 - Statistics

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General Stats
  • This quiz has been taken 18 times
  • The average score is 11 of 13
Answer Stats
Hint Answer % Correct
All the summers that would have come now come at once, the light at a distance that will never change. All the summers that would have come now come at once, the light at a distance that will never change.
100%
I am pleased I will soon die and with me the pressing need to make a terrible, terribly poignant film, and the pressure to put a writing desk by a window exceptionally permeable to sunlight. I am pleased I will soon die and with me the pressing need to make a terrible, terribly poignant film, and the pressure to put a writing desk by a window exceptionally permeable to sunlight.
100%
It would complicate the question of mourning a living subject. It would complicate the question of mourning a living subject.
100%
I would give the film a contemporary title, most likely ABSENCE MAKES THE HEART GROW MOSS. I would give the film a contemporary title, most likely ABSENCE MAKES THE HEART GROW MOSS.
100%
Like our memory of the future, the film’s ending would change every time. Like our memory of the future, the film’s ending would change every time.
100%
My unseeable hand in death’s unseeable hand, I am pouring my eyes into a sea of ink. My unseeable hand in death’s unseeable hand, I am pouring my eyes into a sea of ink.
100%
One time, my hand of paper will croak in the wind. Another, I will finally curl to sleep on your tongue. One time, my hand of paper will croak in the wind. Another, I will finally curl to sleep on your tongue.
100%
On my left on the green shore with no wind, a black-clad woman is killing time. On my left on the green shore with no wind, a black-clad woman is killing time.
100%
The premise a string of mornings where my paper-fingers massage the secret trees in your head. The premise a string of mornings where my paper-fingers massage the secret trees in your head.
100%
A few seconds before, a pianist born and raised in the hull will take a final look at the sea, his fingers stroking what he remembers of the finite black and white keys. A few seconds before, a pianist born and raised in the hull will take a final look at the sea, his fingers stroking what he remembers of the finite black and white keys.
50%
Finally, a borrowed ending: within eyesight of the shore, a maniacal orange cloud will swallow a ship. Finally, a borrowed ending: within eyesight of the shore, a maniacal orange cloud will swallow a ship.
50%
I do not know the first thing about making a film, but I know what wanting does to time. I do not know the first thing about making a film, but I know what wanting does to time.
50%
In the future outside our window, moss mantled the lava fields. In the future outside our window, moss mantled the lava fields.
50%
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