| Key Word | Definition | % Correct |
|---|---|---|
| Machiavellian | A character that personal traits are focused on manipulation and a cynical disregard for morality | 0%
|
| Farce | A comic dramatic work using buffoonery and horseplay and typically including crude characterisation and ludicrously improbable situations. | 0%
|
| Patriarchal Bargain | A deal made between men (like Baptista, Petruchio, and the suitors) to trade a woman’s autonomy for financial or social stability. | 0%
|
| Hyper-masculinity | An exaggerated exhibition of masculine traits, such as physical strength, aggression, and dominance (seen in Petruchio’s treatment of his servant). | 0%
|
| Proleptic | Anticipating or projecting something into the future | 0%
|
| Docility | A passive and compliant disposition, where a character yields easily to control, often reflecting internalised oppression or social conditioning. | 0%
|
| The “Male Gaze” | A perspective where women are viewed as objects to be looked at, judged, and valued by men, even when the women are not present. | 0%
|
| Parallaxis | Apparent shift in an object’s position when viewed from a different locations, causing a change in viewpoint | 0%
|
| Inescapable Hierarchy | A social system so deeply ingrained that individuals cannot transcend their assigned rank, regardless of ambition or merit. | 0%
|
| Machismo | A strong or exaggerated sense of manliness; an emphasis on bravery, strength, and sexual dominance. | 0%
|
| Induction Acts as a Frame | A structural device in which an opening section (the induction) establishes context, themes, or perspective, shaping how the main narrative is interpreted. | 0%
|
| Peripeteia | A sudden reversal of fortune or a change in circumstance | 0%
|
| Systemic Misogyny | A system which favors men. | 0%
|
| Mercenary Masculinity | A version of manhood defined by financial acquisition; the man’s success is measured by his ability to secure wealth through marriage. | 0%
|
| Parallels | Be similar or corresponding to. | 0%
|
| Lazzo | Comic routine | 0%
|
| Disenfranchised | Deprive someone of the right to vote. | 0%
|
| Polemical | Describes a strongly critical, aggressive, or controversial style of speech or writing that attacks or defends a specific opinion. | 0%
|
| Malleable | Easily shaped or influenced, describing a character whose identity, beliefs, or actions are readily altered by external forces. | 0%
|
| New order | Emerging, individualistic, chaotic, or reformed | 0%
|
| Coercive Control | Forced control, forcing someone to be under your control through coercion. | 0%
|
| Idiosyncratic | Habits, behaviors, or features that are unique, peculiar, or specific to a particular individual or thing | 0%
|
| Recalcitrant | Having an uncooperative attitude, especially towards authority or discipline. | 0%
|
| Didactic | Intended to teach something (instructive) | 0%
|
| Virility | Manliness, characteristically associated with strength, energy, and a strong drive to “conquer” (which Petruchio claims to possess). | 0%
|
| Institutionalised patriarchy | Patriarchy where men have the power that is institutionalised into a system. | 0%
|
| Chattel | Personal Possession | 0%
|
| Mercenary | Primarily concerned with making money at the expense of ethics. | 0%
|
| Patrimony | Property inherited from one’s father or male ancestor | 0%
|
| Stichomythia | Quick fire exchange of dialogue between characters. | 0%
|
| Subjugated | Reduced to a state of submission, where a character is dominated or oppressed by another’s authority, often losing autonomy or voice. | 0%
|
| Autocratic | Relating to a ruler who has absolute power. | 0%
|
| Ethical | Relating to moral principles or the branch of knowledge dealing with these. | 0%
|
| Paternalistic | Relating to or characterised by the restriction of the freedom and responsibilities of subordinates or dependants in their supposed interest. | 0%
|
| Transactional | Relating to the conducting of business, especially buying or selling. | 0%
|
| Satirical | Sarcastic, critical, and mocking another’s weaknesses. | 0%
|
| Homosocial Bonding | Social interaction between members of the same sex (men) that reinforces their shared power and excludes the opposite sex. | 0%
|
| Hegemonic masculinity | Societal normalisation of contempt/ hatred towards women, structured to maintain male dominance. | 0%
|
| Transactional Language | Speech that uses business terms (like “bargain,” “venture,” and “cargo”) to describe human relationships. | 0%
|
| Subversive | Subtly challenging or undermining established norms, authority, or expectations, often through indirect or covert means. | 0%
|
| Fluidity of social roles | The ability of individuals to shift between, adapt, or change their social positions, identities, and expected behaviors based on context, audience, or life circumstances | 0%
|
| Transmutation | The action of changing or the state of being changed into another form | 0%
|
| Commodification | The action or process of treating something as a mere commodity. | 0%
|
| Subjugation | The act of bringing someone under total control or or making them subordinate; the primary goal of the men regarding Katherine. | 0%
|
| Consummation | The act that completes or fulfils a union, typically romantic or marital, often symbolising legitimacy, possession, or the transition from desire to reality. | 0%
|
| Linguistic cage | The concept that human consciousness and thought are constrained by the limitations of the language we use to describe, perceive, and interpret reality. | 0%
|
| Phallocentric | The focus on the penis as a form of male dominance | 0%
|
| Decay of Aristocracy | The gradual erosion of noble power and prestige, often depicted through moral decline, financial ruin, or the rise of new social forces that undermine inherited status | 0%
|
| Identity Fragile | The idea that a character’s sense of self is unstable and easily disrupted by external pressures such as society, relationships, or internal conflict. | 0%
|
| Performative Masculinity | The idea that “manhood” is an act or a role that characters like Lucentio and Hortensio “put on” through disguises to achieve their goals. | 0%
|
| Coverture | The legal status of a married woman, considered to be under her husband’s protection and authority | 0%
|
| Malapropisms | The mistaken use of a word in place of a similar-sounding one, often with an amusing effect. | 0%
|
| Socially Constructed | The notion that identity, roles, or values are not innate but shaped by cultural norms, expectations, and collective belief systems. | 0%
|
| Objectification | The process of treating a person (specifically women in this scene) as a thing or a tool for a man’s use. | 0%
|
| Social Stratification | The ranking of people in a hierarchy; in this scene, the men use their status to rank women as “treasures” or “shrews.” | 0%
|
| Primogeniture | The right of succession belonging to the first born child | 0%
|
| Domestic Isolation | The separation of the home from the community - turning the household into a private, unsafe space. It often signifies a wife’s confinement, or a husband’s paranoid, self-imposed isolation from social bonds. | 0%
|
| Enforces Rigid Hierarchy | The strict maintenance of social order, where class boundaries are upheld and characters are confined to predetermined roles within an inflexible structure. | 0%
|
| Ontological erasure | The systemic exclusion or invalidation of a certain group, identity, and culture | 0%
|
| Weaponisation | The transformation of something abstract (language, love, status, or identity) into a tool of power, used to manipulate, control, or harm others. | 0%
|
| Infantilisation | The treatment of an individual as childlike or dependent, stripping them of agency and reinforcing power imbalances. | 0%
|
| Ekphrasis | The use of detailed description of a work of visual art as a literary device. | 0%
|
| Old order | Traditional hierarchical, patriarchal, and sometimes stagnant | 0%
|
| Immutable | Unchangeable | 0%
|
| Meta Reference | When a fictional character or creator directly acknowledges the artificiality of their narrative, addressing the audience to highlight they are in a story. | 0%
|
| Social Inversion | When a person changes their ordinary social role and behaviour to fit into a group | 0%
|
| Dramatic Irony | When the audience knows something that the characters don’t | 0%
|
| Narrative Intrusion (Authorial intrusion) | Where the author intentionally steps into the narrative to address the reader directly, offer commentary, provide opinions, or break the story's immersion | 0%
|
| Complaisant | Willing to please others or to accept what they do or say without protest. | 0%
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