| Director Rank | Highest Ranked Film (Release Year), Film Rank | Director | % Correct |
|---|---|---|---|
| 1 | Vertigo (1958), #2 | Alfred Hitchcock | 100%
|
| 5 | Godfather, The (1972), #6 | Francis Ford Coppola | 100%
|
| 12 | Taxi Driver (1976), #15 | Martin Scorsese | 100%
|
| 64 | Pulp Fiction (1994), #78 | Quentin Tarantino | 100%
|
| 209 | Lost in Translation (2003), #413 | Sofia Coppola | 100%
|
| 3 | 2001: A Space Odyssey (1968), #3 | Stanley Kubrick | 100%
|
| 61 | The Big Lebowski (1998), #250 | Joel Coen & Ethan Coen | 92%
|
| 2 | Citizen Kane (1941), #1 | Orson Welles | 92%
|
| 23 | Jaws (1975), #91 | Steven Spielberg | 92%
|
| 8 | Seven Samurai (1954), #10 | Akira Kurosawa | 83%
|
| 152 | Brokeback Mountain (2005), #569 | Ang Lee | 83%
|
| 17 | Some Like it Hot (1959), #31 | Billy Wilder | 83%
|
| 15 | City Lights (1931), #25 | Charles Chaplin | 83%
|
| 22 | Mulholland Dr. (2001), #30 | David Lynch | 83%
|
| 4 | 8½ (1963), #7 | Federico Fellini | 83%
|
| 127 | Star Wars (1977), #152 | George Lucas | 83%
|
| 106 | Aliens (1986), #385 | James Cameron | 83%
|
| 44 | Chinatown (1974), #70 | Roman Polanski | 83%
|
| 75 | Do the Right Thing (1989), #71 | Spike Lee | 83%
|
| 38 | Annie Hall (1977), #109 | Woody Allen | 83%
|
| 164 | Dark Knight, The (2008), #643 | Christopher Nolan | 75%
|
| 108 | Unforgiven (1992), #300 | Clint Eastwood | 75%
|
| 43 | Blade Runner (1982), #39 | Ridley Scott | 75%
|
| 50 | The General (1926), #50 | Buster Keaton | 67%
|
| 68 | It's a Wonderful Life (1946), #82 | Frank Capra | 67%
|
| 7 | Persona (1966), #16 | Ingmar Bergman | 67%
|
| 105 | The Thing (1982), #211 | John Carpenter | 67%
|
| 10 | The Searchers (1956), #9 | John Ford | 67%
|
| 218 | A Touch of Zen (1971), #343 | King Hu | 67%
|
| 227 | If…. (1968), #426 | Lindsay Anderson | 67%
|
| 85 | One Flew Over the Cuckoo's Nest (1975), #147 | Milos Forman | 67%
|
| 58 | There Will Be Blood (2007), #153 | Paul Thomas Anderson | 67%
|
| 201 | The Lord of the Rings: The Fellowship of the Ring (2001), #596 | Peter Jackson | 67%
|
| 139 | This is Spinal Tap (1984), #388 | Rob Reiner | 67%
|
| 220 | Songs from the Second Floor (2000), #457 | Roy Andersson | 67%
|
| 41 | Once Upon a Time in the West (1968), #67 | Sergio Leone | 67%
|
| 160 | Royal Tenenbaums, The (2001), #641 | Wes Anderson | 67%
|
| 120 | Parasite (2019), #235 | Bong Joon-ho | 58%
|
| 101 | Carrie (1976), #487 | Brian De Palma | 58%
|
| 117 | Fight Club (1999), #495 | David Fincher | 58%
|
| 39 | Lawrence of Arabia (1962), #49 | David Lean | 58%
|
| 88 | On the Waterfront (1954), #203 | Elia Kazan | 58%
|
| 247 | Pan's Labyrinth (2006), #467 | Guillermo del Toro | 58%
|
| 6 | Breathless (1960), #18 | Jean-Luc Godard | 58%
|
| 33 | A Woman Under the Influence (1974), #73 | John Cassavetes | 58%
|
| 65 | The Treasure of the Sierra Madre (1948), #273 | John Huston | 58%
|
| 221 | Point Break (1991), #849 | Kathryn Bigelow | 58%
|
| 192 | The Matrix (1999), #238 | Lana Wachowski & Lilly Wachowski | 58%
|
| 245 | Young Frankenstein (1974), #673 | Mel Brooks | 58%
|
| 114 | The Deer Hunter (1978), #168 | Michael Cimino | 58%
|
| 250 | JFK (1991), #782 | Oliver Stone | 58%
|
| 49 | Nashville (1975), #92 | Robert Altman | 58%
|
| 125 | Back to the Future (1985), #279 | Robert Zemeckis | 58%
|
| 71 | The Wild Bunch (1969), #79 | Sam Peckinpah | 58%
|
| 202 | Edward Scissorhands (1990), #831 | Tim Burton | 58%
|
| 155 | The Texas Chain Saw Massacre (1974), #170 | Tobe Hooper | 58%
|
| 126 | The Exorcist (1973), #270 | William Friedkin | 58%
|
| 30 | In the Mood for Love (2000), #17 | Wong Kar-wai | 58%
|
| 199 | Moonlight (2016), #216 | Barry Jenkins | 50%
|
| 18 | The Passion of Joan of Arc (1928), #19 | Carl Theodor Dreyer | 50%
|
| 76 | The Third Man (1949), #54 | Carol Reed | 50%
|
| 93 | Videodrome (1983), #319 | David Cronenberg | 50%
|
| 67 | Intolerance (1916), #125 | D.W. Griffith | 50%
|
| 194 | Spring in a Small Town (1948), #195 | Fei Mu | 50%
|
| 25 | The 400 Blows (1959), #27 | François Truffaut | 50%
|
| 24 | M (1931), #55 | Fritz Lang | 50%
|
| 150 | Night of the Living Dead (1968), #353 | George A. Romero | 50%
|
| 162 | Elephant (2003), #477 | Gus Van Sant | 50%
|
| 69 | Spirited Away (2001), #137 | Hayao Miyazaki | 50%
|
| 86 | The Piano (1993), #115 | Jane Campion | 50%
|
| 147 | La belle et la bête (1946), #324 | Jean Cocteau | 50%
|
| 9 | The Rules of the Game (1939), #5 | Jean Renoir | 50%
|
| 45 | L'Atalante (1934), #20 | Jean Vigo | 50%
|
| 238 | Pink Flamingos (1972), #631 | John Waters | 50%
|
| 197 | The Silence of the Lambs (1991), #369 | Jonathan Demme | 50%
|
| 122 | Kes (1969), #222 | Ken Loach | 50%
|
| 77 | Breaking the Waves (1996), #217 | Lars von Trier | 50%
|
| 70 | Johnny Guitar (1954), #183 | Nicholas Ray | 50%
|
| 90 | Don't Look Now (1973), #119 | Nicolas Roeg | 50%
|
| 177 | RoboCop (1987), #686 | Paul Verhoeven | 50%
|
| 99 | All About My Mother (1999), #296 | Pedro Almodóvar | 50%
|
| 132 | Boyhood (2014), #533 | Richard Linklater | 50%
|
| 36 | Pather Panchali (1955), #46 | Satyajit Ray | 50%
|
| 29 | Battleship Potemkin (1925), #21 | Sergei Eisenstein | 50%
|
| 103 | Dog Day Afternoon (1975), #351 | Sidney Lumet | 50%
|
| 236 | Tootsie (1982), #601 | Sydney Pollack | 50%
|
| 51 | Days of Heaven (1978), #157 | Terrence Malick | 50%
|
| 142 | Brazil (1985), #225 | Terry Gilliam | 50%
|
| 73 | Paris, Texas (1984), #196 | Wim Wenders | 50%
|
| 11 | Tokyo Story (1953), #4 | Yasujiro Ozu | 50%
|
| 31 | Close-Up (1990), #47 | Abbas Kiarostami | 42%
|
| 151 | Napoléon (1927), #188 | Abel Gance | 42%
|
| 47 | Cléo from 5 to 7 (1962), #97 | Agnès Varda | 42%
|
| 40 | Last Year at Marienbad (1961), #111 | Alain Resnais | 42%
|
| 157 | Children of Men (2006), #547 | Alfonso Cuarón | 42%
|
| 13 | Mirror (1975), #23 | Andrei Tarkovsky | 42%
|
| 165 | Chelsea Girls (1966), #422 | Andy Warhol | 42%
|
| 219 | Man of the West (1958), #1120 | Anthony Mann | 42%
|
| 183 | Bonnie and Clyde (1967), #333 | Arthur Penn | 42%
|
| 79 | Sátántangó (1994), #102 | Béla Tarr | 42%
|
| 135 | Cabaret (1972), #298 | Bob Fosse | 42%
|
| 124 | Portrait of a Lady on Fire (2019), #182 | Céline Sciamma | 42%
|
| 28 | Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), #12 | Chantal Akerman | 42%
|
| 60 | Beau travail (1999), #52 | Claire Denis | 42%
|
| 222 | Le Boucher (1970), #933 | Claude Chabrol | 42%
|
| 207 | Suspiria (1977), #406 | Dario Argento | 42%
|
| 56 | Man with a Movie Camera (1929), #22 | Dziga Vertov | 42%
|
| 37 | To Be or Not to Be (1942), #98 | Ernst Lubitsch | 42%
|
| 19 | Sunrise: A Song of Two Humans (1927), #8 | F.W. Murnau | 42%
|
| 171 | Mad Max: Fury Road (2015), #350 | George Miller | 42%
|
| 137 | Harold and Maude (1971), #372 | Hal Ashby | 42%
|
| 173 | The Wages of Fear (1953), #341 | Henri-Georges Clouzot | 42%
|
| 20 | Rio Bravo (1959), #63 | Howard Hawks | 42%
|
| 83 | Céline and Julie Go Boating (1974), #143 | Jacques Rivette | 42%
|
| 53 | Playtime (1967), #42 | Jacques Tati | 42%
|
| 104 | The Mother and the Whore (1973), #101 | Jean Eustache | 42%
|
| 204 | Rosetta (1999), #542 | Jean-Pierre Dardenne & Luc Dardenne | 42%
|
| 95 | Le Samouraï (1967), #220 | Jean-Pierre Melville | 42%
|
| 211 | Midnight Cowboy (1969), #342 | John Schlesinger | 42%
|
| 248 | Get Out (2017), #352 | Jordan Peele | 42%
|
| 102 | All About Eve (1950), #134 | Joseph L. Mankiewicz | 42%
|
| 26 | Ugetsu monogatari (1953), #58 | Kenji Mizoguchi | 42%
|
| 34 | The Leopard (1963), #75 | Luchino Visconti | 42%
|
| 14 | Viridiana (1961), #80 | Luis Buñuel | 42%
|
| 46 | The Earrings of Madame de... (1953), #104 | Max Ophüls | 42%
|
| 63 | Casablanca (1942), #38 | Michael Curtiz | 42%
|
| 131 | Heat (1995), #268 | Michael Mann | 42%
|
| 210 | Peeping Tom (1960), #370 | Michael Powell | 42%
|
| 35 | The Red Shoes (1948), #121 | Michael Powell & Emeric Pressburger | 42%
|
| 21 | L'Avventura (1960), #37 | Michelangelo Antonioni | 42%
|
| 213 | Eternal Sunshine of the Spotless Mind (2004), #254 | Michel Gondry | 42%
|
| 118 | Naked (1993), #445 | Mike Leigh | 42%
|
| 149 | The Graduate (1967), #260 | Mike Nichols | 42%
|
| 52 | The Gospel According to St. Matthew (1964), #144 | Pier Paolo Pasolini | 42%
|
| 16 | Au hasard Balthazar (1966), #29 | Robert Bresson | 42%
|
| 27 | Journey to Italy (1954), #69 | Roberto Rossellini | 42%
|
| 181 | West Side Story (1961), #348 | Robert Wise | 42%
|
| 42 | Singin' in the Rain (1952), #11 | Stanley Donen & Gene Kelly | 42%
|
| 81 | The Wizard of Oz (1939), #117 | Victor Fleming | 42%
|
| 32 | Bicycle Thieves (1948), #14 | Vittorio De Sica | 42%
|
| 55 | Aguirre, the Wrath of God (1972), #108 | Werner Herzog | 42%
|
| 110 | The Best Years of Our Lives (1946), #239 | William Wyler | 42%
|
| 215 | All the President's Men (1976), #415 | Alan J. Pakula | 33%
|
| 174 | Russian Ark (2002), #559 | Aleksandr Sokurov | 33%
|
| 143 | Ashes and Diamonds (1958), #234 | Andrzej Wajda | 33%
|
| 78 | Tropical Malady (2004), #164 | Apichatpong Weerasethakul | 33%
|
| 62 | The Conformist (1970), #87 | Bernardo Bertolucci | 33%
|
| 54 | La Jetée (1962), #95 | Chris Marker | 33%
|
| 97 | Shoah (1985), #65 | Claude Lanzmann | 33%
|
| 74 | Imitation of Life (1959), #136 | Douglas Sirk | 33%
|
| 66 | A Brighter Summer Day (1991), #116 | Edward Yang | 33%
|
| 178 | Underground (1995), #336 | Emir Kusturica | 33%
|
| 82 | The Green Ray (1986), #257 | Eric Rohmer | 33%
|
| 231 | High Noon (1952), #478 | Fred Zinnemann | 33%
|
| 109 | The Philadelphia Story (1940), #325 | George Cukor | 33%
|
| 244 | Groundhog Day (1993), #285 | Harold Ramis | 33%
|
| 92 | The Umbrellas of Cherbourg (1964), #148 | Jacques Demy | 33%
|
| 198 | Bride of Frankenstein (1935), #425 | James Whale | 33%
|
| 195 | The Servant (1963), #592 | Joseph Losey | 33%
|
| 186 | Holy Motors (2012), #432 | Leos Carax | 33%
|
| 89 | Children of Paradise (1945), #76 | Marcel Carné | 33%
|
| 170 | Meshes of the Afternoon (1943), #100 | Maya Deren | 33%
|
| 84 | Caché (2005), #245 | Michael Haneke | 33%
|
| 153 | Laura (1944), #581 | Otto Preminger | 33%
|
| 169 | The Last Picture Show (1971), #357 | Peter Bogdanovich | 33%
|
| 138 | Picnic at Hanging Rock (1975), #552 | Peter Weir | 33%
|
| 48 | Ali: Fear Eats the Soul (1974), #107 | Rainer Werner Fassbinder | 33%
|
| 128 | Dog Star Man (1964), #814 | Stan Brakhage | 33%
|
| 200 | Freaks (1932), #322 | Tod Browning | 33%
|
| 144 | Safe (1995), #384 | Todd Haynes | 33%
|
| 158 | Raise the Red Lantern (1991), #491 | Zhang Yimou | 33%
|
| 184 | Sweet Smell of Success (1957), #278 | Alexander Mackendrick | 25%
|
| 136 | Killer of Sheep (1977), #149 | Charles Burnett | 25%
|
| 119 | Come and See (1985), #110 | Elem Klimov | 25%
|
| 94 | Greed (1924), #114 | Erich von Stroheim | 25%
|
| 163 | Titicut Follies (1967), #736 | Frederick Wiseman | 25%
|
| 223 | Eyes Without a Face (1960), #411 | Georges Franju | 25%
|
| 187 | Shane (1953), #503 | George Stevens | 25%
|
| 107 | Black God, White Devil (1964), #231 | Glauber Rocha | 25%
|
| 166 | Platform (2000), #485 | Jia Zhangke | 25%
|
| 121 | Stranger Than Paradise (1984), #377 | Jim Jarmusch | 25%
|
| 180 | Point Blank (1967), #540 | John Boorman | 25%
|
| 203 | As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000), #567 | Jonas Mekas | 25%
|
| 111 | The Crowd (1928), #241 | King Vidor | 25%
|
| 59 | Dekalog (1989), #169 | Krzysztof Kieslowski | 25%
|
| 80 | Duck Soup (1933), #175 | Leo McCarey | 25%
|
| 179 | Elevator to the Gallows (1958), #990 | Louis Malle | 25%
|
| 196 | Morvern Callar (2002), #566 | Lynne Ramsay | 25%
|
| 167 | Abraham's Valley (1993), #813 | Manoel de Oliveira | 25%
|
| 134 | Wavelength (1967), #215 | Michael Snow | 25%
|
| 205 | Once Upon a Time in Anatolia (2011), #492 | Nuri Bilge Ceylan | 25%
|
| 123 | Black Girl (1966), #272 | Ousmane Sembene | 25%
|
| 172 | In Vanda's Room (2000), #471 | Pedro Costa | 25%
|
| 232 | À nous la liberté (1931), #1061 | René Clair | 25%
|
| 154 | Kiss Me Deadly (1955), #346 | Robert Aldrich | 25%
|
| 176 | Shock Corridor (1963), #809 | Samuel Fuller | 25%
|
| 168 | Distant Voices, Still Lives (1988), #302 | Terence Davies | 25%
|
| 112 | The Travelling Players (1975), #230 | Theo Angelopoulos | 25%
|
| 113 | Goodbye, Dragon Inn (2003), #284 | Tsai Ming-liang | 25%
|
| 96 | The Spirit of the Beehive (1973), #112 | Víctor Erice | 25%
|
| 72 | The Band Wagon (1953), #249 | Vincente Minnelli | 25%
|
| 217 | The Match Factory Girl (1990), #1080 | Aki Kaurismäki | 17%
|
| 148 | Earth (1930), #181 | Alexander Dovzhenko | 17%
|
| 246 | Blue (1993), #539 | Derek Jarman | 17%
|
| 228 | The Thin Blue Line (1988), #403 | Errol Morris | 17%
|
| 91 | The Battle of Algiers (1966), #59 | Gillo Pontecorvo | 17%
|
| 234 | Cinema Paradiso (1988), #256 | Giuseppe Tornatore | 17%
|
| 193 | Pandora's Box (1929), #289 | G.W. Pabst | 17%
|
| 182 | After Life (1998), #508 | Hirokazu Koreeda | 17%
|
| 57 | A City of Sadness (1989), #202 | Hou Hsiao-hsien | 17%
|
| 224 | Casque d'or (1952), #640 | Jacques Becker | 17%
|
| 100 | Out of the Past (1947), #187 | Jacques Tourneur | 17%
|
| 235 | Chronicle of a Summer (1961), #684 | Jean Rouch | 17%
|
| 98 | The Scarlet Empress (1934), #440 | Josef von Sternberg | 17%
|
| 229 | Daughters of the Dust (1991), #258 | Julie Dash | 17%
|
| 208 | Wendy and Lucy (2008), #909 | Kelly Reichardt | 17%
|
| 206 | The Ascent (1977), #290 | Larisa Shepitko | 17%
|
| 116 | La Ciénaga (2001), #282 | Lucrecia Martel | 17%
|
| 133 | À nos amours (1983), #452 | Maurice Pialat | 17%
|
| 161 | I Am Cuba (1964), #315 | Mikhail Kalatozov | 17%
|
| 129 | Floating Clouds (1955), #304 | Mikio Naruse | 17%
|
| 145 | In the Realm of the Senses (1976), #321 | Nagisa Oshima | 17%
|
| 249 | Edvard Munch [TV] (1974), #624 | Peter Watkins | 17%
|
| 87 | The Lady Eve (1941), #198 | Preston Sturges | 17%
|
| 146 | White Heat (1949), #847 | Raoul Walsh | 17%
|
| 233 | Mysteries of Lisbon (2010), #885 | Raúl Ruiz | 17%
|
| 156 | Nanook of the North (1922), #316 | Robert J. Flaherty | 17%
|
| 241 | The Cabinet of Dr. Caligari (1920), #263 | Robert Wiene | 17%
|
| 130 | Colour of Pomegranates, The (1969), #180 | Sergei Parajanov | 17%
|
| 188 | The Ballad of Narayama (1983), #1001 | Shohei Imamura | 17%
|
| 141 | Daisies (1966), #145 | Věra Chytilová | 17%
|
| 185 | The Wind (1928), #448 | Victor Sjöström | 17%
|
| 242 | My Friend Ivan Lapshin (1985), #618 | Aleksei German | 8%
|
| 237 | By the Bluest of Seas (1936), #475 | Boris Barnet | 8%
|
| 243 | Snow White and the Seven Dwarfs (1937), #416 | David Hand | 8%
|
| 140 | Touki Bouki (1973), #174 | Djibril Diop Mambéty | 8%
|
| 240 | Invasion of the Body Snatchers (1956), #842 | Don Siegel | 8%
|
| 191 | The Tree of Wooden Clogs (1978), #360 | Ermanno Olmi | 8%
|
| 230 | Salvatore Giuliano (1962), #424 | Francesco Rosi | 8%
|
| 214 | 7th Heaven (1927), #932 | Frank Borzage | 8%
|
| 212 | Pyaasa (1957), #335 | Guru Dutt | 8%
|
| 226 | Right Now, Wrong Then (2015), #1529 | Hong Sang-soo | 8%
|
| 115 | Too Early/Too Late (1981), #859 | Jean-Marie Straub & Danièle Huillet | 8%
|
| 225 | Les Vampires (1915), #527 | Louis Feuillade | 8%
|
| 159 | El Verdugo (1963), #259 | Luis García Berlanga | 8%
|
| 189 | India Song (1975), #294 | Marguerite Duras | 8%
|
| 175 | The Cloud-Capped Star (1960), #349 | Ritwik Ghatak | 8%
|
| 239 | Kind Hearts and Coronets (1949), #275 | Robert Hamer | 8%
|
| 216 | Memories of Underdevelopment (1968), #243 | Tomás Gutiérrez Alea | 8%
|
| 190 | King Kong (1933), #205 | Merian C. Cooper & Ernest B. Schoedsack | 0%
|