|
#1
|
Essays
|
|
2007
|
Quiet Men
|
|
2011
|
Sublime, Revised
|
|
2011
|
The Immortal Horizon
|
|
2012
|
Indigenous to the Hood
|
|
2012
|
James Agee's Let Us Now Praise Famous Men
|
|
2012
|
Gabriela Avigur-Rotem's Heatwave and Crazy Birds
|
|
2013
|
Devil's Bait
|
|
2013
|
Fog Count
|
|
2013
|
No Tongue Can Tell
|
|
2013
|
Make It Scream, Make It Burn
|
|
2013
|
Rehearsals
|
|
2013
|
Lines
|
|
2013
|
In the Grand Tour
|
|
2014
|
The Empathy Exams
|
|
2014
|
La Frontera
|
|
2014
|
Morphology of the Hit
|
|
2014
|
Pain Tours
|
|
2014
|
La Plata Perdida
|
|
2014
|
In Defense of Saccharin(e)
|
|
2014
|
Ex-Votos
|
|
2014
|
Servicio Supercompleto
|
|
2014
|
The Broken Heart of James Agee
|
|
2014
|
Lost Boys
|
|
2014
|
Grand Unified Theory of Female Pain
|
|
2015
|
We Tell Ourselves Stories in Order to Live Again
|
|
2015
|
Up in Jaffna
|
|
2015
|
Do We Mistake Inaccessibility for Brilliance?
|
|
2015
|
Should There Be a Minimum Age for Writing a Memoir?
|
|
2015
|
Why Do We Hate Cliché?
|
|
2015
|
Do Genre Labels Matter Anymore?
|
|
2015
|
Rape, Race and the Jogger
|
|
2015
|
The Possibilities of the Personal
|
|
2016
|
The Hype Behind First Novels
|
|
2016
|
Confessions of an Unredeemed Fan
|
|
2016
|
In the Age of Memoir, What's the Legacy of the Confessional Mode?
|
|
2017
|
Sim Life
|
|
2017
|
Maximum Exposure
|
|
2017
|
In the Shadow of a Fairy Tale
|
|
2017
|
The Digital Ruins of a Forgotten Future
|
|
2018
|
Not Fooling Anyone: The Dubious Rise of Imposter Syndrome
|
|
2018
|
Museum of Broken Hearts
|
|
2018
|
I Used to Insist I Didn't Get Angry. Not Anymore.
|
|
2018
|
Does Recovery Kill Great Writing?
|
|
2018
|
Why George Cain's 'Blueschild Baby' Should Be in the Addiction Canon
|
|
2018
|
Wales: In the Mail, Reminders of Love
|
|
2018
|
Ways to Escape
|
|
2019
|
Layover Story
|
|
2019
|
The Long Trick
|
|
2019
|
The Real Smoke
|
|
2019
|
Daughter of a Ghost
|
|
2019
|
The Quickening
|
|
2020
|
When the World Went Away, We Made a New One
|
|
2020
|
Is It Strange to Say I Miss the Bodies of Strangers?
|
|
2020
|
The Past Year Has Taught Me a Lot About Nostalgia
|
|
2020
|
Other Voices, Other Rooms
|
|
2020
|
Since I Became Symptomatic
|
|
2021
|
A Personal History of the C-Section
|
|
2021
|
I Didn't Want Wedding Presents. But Gifts Helped Me Survive My Divorce.
|
|
2021
|
A Fearless Experimentalist's Stealth Reputation
|
|
2021
|
Dark City
|
|
2022
|
The Enduring Allure of Choose Your Own Adventure Books
|
|
2022
|
The Bear's Kiss
|
|
2022
|
Kathryn Scanlan's Violent Compression
|
|
2023
|
Why Everyone Feels Like They're Faking It
|
|
2023
|
A Friend Died, Her Novel Unfinished. Could I Realize Her Vision?
|
|
2024
|
So You Think You've Been Gaslit
|
|
2024
|
The Birth of My Daughter, the Death of My Marriage
|
|
2024
|
The Mind-Boggling Simplicity of Learning to Say 'No'
|
|
2025
|
Dark Ride to the Source
|
|
2025
|
The Pain of Perfectionism
|
|
2025
|
On Helen Garner's Diaries
|
|
2025
|
The Psychology of Fashion
|
|
2025
|
Sweating and Storytelling in a Williamsburg Sauna
|
|
2026
|
I Met Fear on the Hill
|