Plus you could argue the same for Muhammad which I don't see you complaining about. Now there is evidence for both of them being real people, it's what happened to them or believe that can be disputed. I have my own beliefs, but I'm sure you can tell which one I believe.
There is evidence for the existence of both Jesus and Muhammad. However there is considerably more evidence for the existence of Muhammad. It is (just) possible to argue that Jesus actually didn't exist but it is a minority view. Muhammad was very influential within his lifetime and held political power as well as being the founder of a religion. Although I disagree with the analogy, both are historical figures as well as religious ones.
Nice quiz, and a neat tieback to the original quiz. One thought, it might help a bit if the images are zoomed in for some clues so that the head sizes are roughly the same for everyone.
Thanks for the comment, Jerry. About your suggestion, I did mostly zoom in on the faces in the pictures, although some of them I thought if I didn't zoom in as much you could see their attire which might help in figuring out who they are.
Don’t be a jerk, Eigengrau. You know that Christians don’t take any offense at depictions of Jesus; on the contrary – you can find them in every church in the world.
Islam is completely different: to depict the Prophet representationally is deeply sacrilegious and offensive to Muslims. I am not saying I take the side of censoring when there is a historical or academic use (like I assume this painting is), but there is no need to be purposely offensive, is there? Aniq hardly went Charlie Hebdo about it; he asked politely and suggested an alternative. It didn’t warrant a sarcastic riposte.
And on that note, Flabber, I actually think Aniq’s suggestion would be a MUCH better clue (politics and religion totally notwithstanding). Because of the general dearth of images of Muhammad, people are only going to get it from the historical artistic style, not the facial likeness. But if you used an Arabic calligraphy of his name, people would have to think through why there wasn’t an actual photo, and be aware of the imagery prohibition in order to get the question right.
In other words, there is more than one way to “recognize” a historical figure, and depicting someone can be done in other ways besides just showing a picture of their face.
Too American/Anglocentric. Austen and Twain are not so major writers as say Tolstoy or Cervantes. I was surprised to not see Copernicus or Maria Skłodowska and that Laozi is preferred over Confucius.
Islam is completely different: to depict the Prophet representationally is deeply sacrilegious and offensive to Muslims. I am not saying I take the side of censoring when there is a historical or academic use (like I assume this painting is), but there is no need to be purposely offensive, is there? Aniq hardly went Charlie Hebdo about it; he asked politely and suggested an alternative. It didn’t warrant a sarcastic riposte.
In other words, there is more than one way to “recognize” a historical figure, and depicting someone can be done in other ways besides just showing a picture of their face.