Cinema

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Last updated: December 5, 2025

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First submitted	December 5, 2025
Times taken	7
Average score	8.5%
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Hint	Answer
Everything physically in front of the camera during shooting	Profilmic
The fictional world of the film	Diegesis
Organisation of visual elements inside the frame	Profilmic
All techniques related to camera work	Cinematography
Assembly of shots to create rhythm, meaning, and narrative flow	Editing
Editing technique that creates the illusion of uninterrupted, coherent time and space	Continuity editing
Mistakes in visual or narrative consistency between shots	Continuity errors
Intentional omission of parts of the story	Ellipsis
Scenes showing earlier or future events in the narrative timeline	Flashback
Meaning created by the juxtaposition of two shots	Montage effect
A single continuous recording between two cuts	Shot
A group of shots forming a meaningful narrative unit	Sequence
One long, uncut shot representing an entire scene	Sequence shot
A single attempt at filming a shot	Take
A shot that lasts a long time without cutting	Long take
Instant transition from one shot to the next	Cut
Back-and-forth framing of two characters during dialogue	Shot / Reverse shot
Cutting on a visual, thematic, or movement similarity	Match cut
Abrupt, discontinuous cut that disrupts time or space	Jump cut
Alternating shots between different places or actions happening simultaneously	Cross-cutting
A wide shot that introduces the setting	Establishing shot
Shot tightly framing a face or object	Close-up
The whole body + environment in the frame	Wide shot
All planes (foreground/background) are in sharp focus	Deep focus

Hint	Answer
Only one plane is sharp, the rest blurred	Shallow focus
Camera above the subject (makes them weaker)	High angle
Camera below the subject (gives power, threat)	Low angle
Tilted horizon suggesting imbalance/chaos	Dutch angle
Camera shows what a character sees	POV shot
Frame showing the back of one character, used in dialogue	Over-the-shoulder shot
Relation between spectator knowledge and character knowledge (internal, zero, external)	Focalization
The way the film tells the story (objective, subjective, restricted, omniscient)	Narration
Relationship between camera vision and character vision (subjective vs objective)	Ocularization
Relationship between what characters hear and what spectators hear	Auricularization
Invisible editing that smoothly “stitches” shots together and positions the viewer	Suture
Visible break of continuity (jump cuts, direct address)	Rupture
Techniques that prevent viewer immersion and encourage critical distance	Brechtian effect
One event shown through contradictory viewpoints	Rashomon effect
Omitting information a character should have noticed	Paralipsis
Use of images/objects to convey deeper meanings	Symbolism
Mix of the comic and the horrific; exaggeration, distortion	Grotesque
Sound existing inside the film’s world	Diegetic
Diegetic sound coming from outside the frame	Off-screen sound
External sound (music score, narrator)	Non-diegetic sound
Narrator speaking over the visual track	Voice-over
Sound continuing across a cut	Sound bridge
The way sound modifies our interpretation of images	Audio-vision