| Description | Movement | % Correct |
|---|---|---|
| Movement characterized by its two dimensional form and geometric shapes. | Cubism | 86%
|
| Movement started by artists painting outside. Characterized by the capturing of the transient presence of sunlight and movement. | Impressionism | 86%
|
| Movement rejecting earlier subjects for depicting real, everyday life. | Realism | 86%
|
| Movement that saw the revival of classical styles and anatomically correct figures. | Renaissance | 79%
|
| Movement that started in France that is characterized by lightness, elegance, and exuberant uses of curving natural forms in ornamentation. | Rococo | 79%
|
| Movement that emphasized extravagance and emotion. | Baroque | 71%
|
| Movement that used mundane items from mass media imaginatively. Often used repetition and color change. | Pop Art | 71%
|
| Movement that had the same technique as the above, but left behind the spontaneous and naturalistic rendering of light and movement. | Postimpressionism | 71%
|
| Movement exploring the inner workings of the mind. | Surrealism | 64%
|
| American movement consisting of Action Painters and Color Field Painters. | Abstract Expressionism | 57%
|
| "Anti-War" Movement that refused to follow anything set by the bourgeois society. Works satirical in nature. | Dadaism/Dada | 57%
|
| Movement that presented the world from a subjective point of view. | Expressionism | 57%
|
| Movement distinguished by its classic-looking subjects, minimal use of color, attention to lines and symmetry, and clear definition of forms and figures. | Neoclassicism | 57%
|
| Movement that mainly looked into the spiritual side of humanity, sharing an essence of the natural world and the value of personal freedom and expression. | Romanticism | 57%
|
| The Art of Today. Art that is often ridiculed by the public for its absurdity. Often more about ideas than aesthetics. | Contemporary Art | 50%
|
| Movement using bright, unmixed, and bold colors that experimented with the ways color could be liberated by subject matter. | Fauvism | 50%
|
| Movement characterized by the power of machines and the restless energy of modern life. | Futurism | 43%
|
| Movement characterized by long sinuous lines, seeking to make luxurious art by returning to nature. Often was used in posters. | Art Nouveau | 36%
|
| Movement meaning "Style" that aims for ultimate simplicity and abstraction using horizontal and vertical lines. | De Stijl | 36%
|
| Movement that delved into Mysticism and Religious Experience, typically focusing on visions, dreams, and the imagination. | Symbolism | 36%
|
| Movement characterized primarily by the distortion of the human figure such as elongation. | Mannerism | 29%
|
| Movement characterized by a self-conscious rejection of tradition and the search for newer means of cultural expression. | Modernism | 29%
|
| Movement based on geometrical forms in carefully calculated arrangement. | Constructivism | 21%
|
| Movement that embraced art as almost a separate reality. "What you see is what you see." | Minimalism | 21%
|
| Movement that renew the above's ^ interest in light and developed Pointillism. | Neo-Impressionism | 14%
|
| Movement in which the idea behind the work is more important than the finished art object. | Conceptualism | 7%
|
| Movement characterized by using lines to create illusions that makes the picture look like it's moving or blurring. | Op Art | 7%
|
| Movement of writing or painting, most often with spray cans, on a wall or other surface to express oneself. Typically illegal. | Graffiti Art | 7%
|
| Movement that depicted scenes of typical American life and landscape painting in a naturalistic style. | American Scene Painting | 0%
|
| Movement that literally translates to "Raw Art", and describes art made by self taught individuals with no training or tutoring in traditional art. | Art Brut/Outsider Art | 0%
|
| German version of the above^ | Jugendstil | 0%
|
| Movement characterized as the resignation and cynicism of the post-World War I period in Germany. | Neue Sachlichkeit/New Objectivity | 0%
|
| Movement that aimed to bring back the outside world to art. Used techniques such as collage and assemblage as well as painting. | Nouveau Réalisme/New Realism | 0%
|
| Movement that stressed the music-like harmonies between forms and, especially, colors. | Orphism | 0%
|
| Movement characterized by dream-like views of eerie arcaded squares with unexpected juxtapositions of objects. | Pittura Metafisica/Metaphysical Painting | 0%
|
| Movement that emphasizes meticulous detail to create paintings that resemble high-resolution photographs | Superrealism | 0%
|
| Movement characterized by spontaneous brushwork, drips and blobs of paint straight from the tube, and sometimes scribbling reminiscent of calligraphy. | Tachisme | 0%
|