|
Date
|
Location
|
Culture / Style
|
Material
|
Artwork
|
|
1711
|
Amsterdam, Netherlands
|
Baroque
|
Oil on wood
|
Fruit and Insects
|
|
c. 520 - 465 BCE
|
Persepolis, Iran
|
Persian
|
Limestone
|
Audience Hall of Darius and Xerxes
|
|
1427 - 1432
|
South Netherlands
|
Northern Renaissance
|
Oil on wood
|
Annunciation Tripytch
|
|
900 - 200 BCE
|
Northern highlands Peru
|
Chavìn
|
Stone; granite (Lanzón and sculpture); hammered gold alloy (jewelry)
|
Chavìn de Huántar
|
|
1950 - 1952
|
New York, New York, US
|
Abstract Expressionism
|
Oil on canvas
|
Woman I
|
|
1893
|
Oslo, Norway
|
Symbolism
|
Tempera and pastels on cardboard
|
The Scream
|
|
c. 720 - 705 BCE
|
Citadel of Sargon II, Dur Sharrukin, Iraq
|
Neo-Assyrian
|
Alabaster
|
Lamassu
|
|
106 - 113
|
Rome, Italy
|
Roman
|
Brick and concrete; marble column
|
Forum of Trajan
|
|
1919 - 1920
|
Berlin, Germany
|
German Expressionism
|
Woodcut
|
Memorial Sheet for Karl Liebknecht
|
|
1877
|
Paris, France
|
Impressionism
|
Oil on canvas
|
The Saint-Lazare Station
|
|
c. 1950
|
New Mexico
|
Puebloan
|
Blackwaqre ceramic
|
Black-on-black ceramic vessel
|
|
c. 1320
|
Catalonia, Spain
|
Gothic
|
Illuminated manuscript (pigments and gold leaf on vellum)
|
Golden Haggadah
|
|
c. 1145 - 1155 (reconstructed 1194 - 1220)
|
Chartes, France
|
Gothic
|
Limestone, stained glass
|
Chartes Cathedral
|
|
1836
|
Northampton, Massachusetts, US
|
Romanticism
|
Oil on canvas
|
The Oxbow
|
|
70 - 80
|
Rome, Italy
|
Imperial Roman
|
Stone and concrete
|
Colosseum
|
|
180 - 1823 (published 1863)
|
Madrid, Spain
|
Romanticism
|
Etching, drypoint, burin, and burnishing
|
Y no hai remedio
|
|
c. 1450
|
Florence, Italy
|
Renaissance
|
Stone, masonry
|
Palazzo Rucellai
|
|
c. 25
|
Rome, Italy
|
Imperial Roman
|
Marble
|
Augustus of Prima Porta
|
|
1784
|
Rome, Italy
|
Neoclassicism
|
Oil on canvas
|
The Oath of the Horatii
|
|
1375 - 1520
|
Mexico City, Mexico
|
Aztec
|
Stone; volcanic stone (The Coyoxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone)
|
Templo Mayor
|
|
1907
|
Paris, France
|
Cubism
|
Oil on canvas
|
Les Demoiselles d'Avignon
|
|
c. 190 BCE
|
Samothrace, Greece
|
Hellenstic Greek
|
Marble
|
Winged Victory of Samothrace
|
|
c. 1530
|
Wittenberg, Germany
|
Northern Renaissance
|
Woodcut and letterpress
|
Allegory of Law and Grace
|
|
1940 - 1941
|
Harlem, New York
|
Harlem Renaissance
|
Casein tempera on hardboard
|
The Migration of the Negro, Panel no. 49
|
|
c. 447 - 410 BCE
|
Athens, Greece
|
Classical Greek
|
Marble
|
Acropolis
|
|
1930
|
Paris, France
|
De Stijl
|
Oil on canvas
|
Composition with Red, Blue and Yellow
|
|
c. 530 BCE
|
––
|
Archaic Greek
|
Marble with remnants of paint
|
Anavysos Kouros
|
|
1664
|
Delft, Netherlands
|
Baroque
|
Oil on canvas
|
Woman Holding a Balance
|
|
Original 1966
|
Venice, Italy
|
Happenings
|
Mirror balls
|
Narcissus Garden
|
|
c. 968
|
Near Córdoba, Spain
|
Umayyad (Islamic)
|
Ivory
|
Pyxis of al-Mughira
|
|