| Date | Location | Culture / Style | Material | Artwork | % Correct |
|---|---|---|---|---|---|
| 1354 - 1391 | Granada, Spain | Nasrid-Moorish (Islamic) | Whitewashed adobe stucco, wood, tile, paint, and gilding | Alhambra | 100%
|
| c. 1303 - 1305 | Padua, Italy | Proto-Renaissance | Brick and fresco | Arena (Scovengi) Chapel, including Lamentation | 100%
|
| c. 1850 | Delaware | Lenape | Beadwork on leather | Bandolier bag | 100%
|
| c. 1484 - 1486 | Florence, Italy | Renaissance | Tempera on canvas | Birth of Venus | 100%
|
| c. 14,000 - 7000 BCE | Tequixquiac, Mexico | Prehistoric | Bone | Camelid sacrum in the shape of a canine | 100%
|
| c. 1440 | Cusco, Peru | Inca | Stone; mud bricks, mortar; thatch, wood | City of Cusco, including Qorikancha | 100%
|
| 70 - 80 | Rome, Italy | Imperial Roman | Stone and concrete | Colosseum | 100%
|
| 1525 - 1528 | Florence, Italy | Mannerism | Oil on wood | Entombment of Christ | 100%
|
| 1711 | Amsterdam, Netherlands | Baroque | Oil on wood | Fruit and Insects | 100%
|
| 1788 - 1792 | Richmond, Virginia, US | Neoclassicism | Marble | George Washington | 100%
|
| c. 16,000 - 14,000 BCE | Lascaux, France | Paleolithic | Rock, Pigment | Hall of Bulls | 100%
|
| Originally c. 200 BCE; rebuilt c. 62 - 79 CE | Pompeii, Italy | Imperial Rome | Cut stone and fresco | House of the Vettii | 100%
|
| 1932 | Moscow, Russia | Constructivism | Photomontage | Illustration from The Results of the First Five-Year Plan | 100%
|
| 1912 | Berlin, Germany | German Expressionism | Oil on canvas | Improvisation 28 (second version) | 100%
|
| 1907 | Paris, France | Cubism | Oil on canvas | Les Demoiselles d'Avignon | 100%
|
| c. 700 | Holy Island (Lindisfarne), England | Hiberno-Saxon; Early medieval Europe | Illuminated manuscript (ink, pigments, and gold on vellum) | Lindisfarne Gospels | 100%
|
| c. 1465 | Florence, Italy | Renaissance | Tempera on wood | Madonna and Child | 100%
|
| 1768 - 1809 | Virginia, US | Neoclassicism | Brick, glass, stone, and wood | Monticello | 100%
|
| c. 1473 - 1458 BCE | Near Luxor, Egypt | New Kingdom Egyptian | Sandstone, partially carved into a rock cliff, and red granite | Mortuary temple of Hatshepsut | 100%
|
| c. 460 - 450 BCE | –– | Classical Greek | Clay, red-figure technique | Niobides Krater | 100%
|
| 1890 - 1900 | Wind River Reservation, Wyoming | Eastern Shoshone | Painted elk hide | Painted elk hide | 100%
|
| 1840 - 1870 | London, England | Neo-Gothic | Limestone masonry and glass | Palace of Westminster | 100%
|
| 1636 | Amsterdam, Netherlands | Baroque | Etching | Self-Portrait with Saskia | 100%
|
| 1837 | Paris, France | Romanticism | Daguerreotype | Still Life in Studio | 100%
|
| c. 1500 BCE | Papua New Guinea | Neolithic | Greywacke Stone | The Ambum Stone | 100%
|
| 1884 - 1895 | Calais, France | Realism | Bronze | The Burghers of Calais | 100%
|
| 1907 - 1908 | Paris, France | Proto-Cubism | Limestone | The Kiss | 100%
|
| 1784 | Rome, Italy | Neoclassicism | Oil on canvas | The Oath of the Horatii | 100%
|
| 1877 | Paris, France | Impressionism | Oil on canvas | The Saint-Lazare Station | 100%
|
| 1907 | New York, New York, US | Photogravure | The Steerage | 100%
| |
| 1849 | Eastern France | Realism | Oil on canvas | The Stone Breakers | 100%
|
| 1897 - 1898 | Tahiti | Post-Impressionism | Oil on canvas | Where Do We Come From? What Are We? Where Are We Going? | 100%
|
| 1664 | Delft, Netherlands | Baroque | Oil on canvas | Woman Holding a Balance | 100%
|
| 180 - 1823 (published 1863) | Madrid, Spain | Romanticism | Etching, drypoint, burin, and burnishing | Y no hai remedio | 100%
|
| c. 530 BCE | –– | Archaic Greek | Marble with remnants of paint | Anavysos Kouros | 50%
|
| c. 1440 - 1453 | Cusco, Peru | Inca | Sheet metal with repoussé | Maize cobs | 50%
|
| c. 6000 - 4000 BCE | Algeria | Neolithic | Rock, Pigment | Running Horned Woman | 50%
|
| c. 520 BCE | Caere, Italy | Etruscan | Terracotta | Sarcophagus of the Spouses | 50%
|
| 1970 | Great Salt Lake, Utah, US | Site Art | Earthwork (mud, precipitated salt crystals, rocks, and water coil) | Spiral Jetty | 50%
|
| c. 447 - 410 BCE | Athens, Greece | Classical Greek | Marble | Acropolis | 0%
|
| 1504 | Nuremberg, Germany | Northern Renaissance | Engraving | Adam and Eve | 0%
|
| c. 1353 - 1335 BCE | –– | New Kigndom (Amarna) Egyptian | Limestone | Akhenton, Nefertiti, and three daughters | 0%
|
| c. 100 BCE | House of Faun, Pompeii, Italy | Republican Roman | Mosaic | Alexander Mosaic | 0%
|
| c. 1530 | Wittenberg, Germany | Northern Renaissance | Woodcut and letterpress | Allegory of Law and Grace | 0%
|
| 1450 - 1540 | Peru | Inca | Camelid fiber and cotton | All-T'oqapu tunic | 0%
|
| c. 1650 | Viceroyalty of Peru | Baroque | Oil on canvas | Angel with Arquebeus, Asiel Timor Dei | 0%
|
| 1427 - 1432 | South Netherlands | Northern Renaissance | Oil on wood | Annunciation Tripytch | 0%
|
| 4000 - 3500 BCE | Saudi Arabia | Neolithic | Sandstone | Anthropomorphic stele | 0%
|
| c. 1763 - 1765 | Derby, England | Baroque | Oil on canvas | A Philosopher Giving a Lecture on the Orrery | 0%
|
| c. 25,500 - 25,300 BCE | Namibia | Paleolithic | Rock | Apollo 11 Stones | 0%
|
| 600 BCE - 150 CE | Athens, Greece | Greek | Plan | Athenian agora | 0%
|
| c. 520 - 465 BCE | Persepolis, Iran | Persian | Limestone | Audience Hall of Darius and Xerxes | 0%
|
| c. 25 | Rome, Italy | Imperial Roman | Marble | Augustus of Prima Porta | 0%
|
| c. 1066 - 1080 | Canterbury, England | Romanesque | Embroidery on linen | Bayeux Tapestry | 0%
|
| 4000 - 3500 BCE | Susa, Iran | Neolithic | Terracotta | Beaker with ibex motifs | 0%
|
| c. 1225 - 1245 | Paris, France | Gothic | Illuminated manuscript (ink, tempera, and gold leaf on vellum) | Bibles moralisées | 0%
|
| c. 1950 | New Mexico | Puebloan | Blackwaqre ceramic | Black-on-black ceramic vessel | 0%
|
| 1597 - 1901 | Rome, Italy | Baroque | Oil on canvas | Calling of Saint Matthew | 0%
|
| 1899 - 1903 | Chicago, Illinois, US | Chicago Style | Iron, steel, glass, and terracotta | Carson, Pirie, Scott and Company Building | 0%
|
| c. 200 - 400 | Rome, Italy | Late Antique Europe | Excavated tufa and fresco | Catacomb of Priscilla | 0%
|
| c. 1145 - 1155 (reconstructed 1194 - 1220) | Chartes, France | Gothic | Limestone, stained glass | Chartes Cathedral | 0%
|
| 900 - 200 BCE | Northern highlands Peru | Chavìn | Stone; granite (Lanzón and sculpture); hammered gold alloy (jewelry) | Chavìn de Huántar | 0%
|
| c. 1050 - 1130 | Conques, France | Romanesque | Stone; stone and paint (tympanum); gold, silver, gemstones, and enamel over wood (reliquary) | Church of Sainte-Foy | 0%
|
| c. 1450 - 1540 | Central highlands, Peru | Inca | Granite | City of Machu Picchu | 0%
|
| 1930 | Paris, France | De Stijl | Oil on canvas | Composition with Red, Blue and Yellow | 0%
|
| c. 1440 - 1460 | Florence, Italy | Renaissance | Bronze | David | 0%
|
| 450 - 440 BCE | Pompeii, Italy | Classical Greek | Marble (roman copy); originally in bronze | Doryphoros | 0%
|
| 1947 - 1948 | Hotel del Prado, Mexico City, Mexico | Mexican Muralist | Fresco | Dream of a Sunday Afternoon in the Alameda Park | 0%
|
| 1647 - 1652 | Cornaro Chapel in Rome, Italy | Baroque | Marble | Ecstasy of Saint Teresa | 0%
|
| 1936 - 1939 | Pennsylvania, US | Organic Architecture | Reinforced concrete, sandstone, steel, and glass | Fallingwater | 0%
|
| 106 - 113 | Rome, Italy | Roman | Brick and concrete; marble column | Forum of Trajan | 0%
|
| c. 1541 - 1542 | Viceroyalty of New Spain | Aztec | Ink and color on paper | Frontispiece of the Codex Mendoza | 0%
|
| c. 1320 | Catalonia, Spain | Gothic | Illuminated manuscript (pigments and gold leaf on vellum) | Golden Haggadah | 0%
|
| 1912 | Paris, France | Fauvism | Oil on canvas | Goldfish | 0%
|
| c. 410 BCE | Athens, Greece | Classical Greek | Marble and paint | Grave stele of Hegoso | 0%
|
| c. 175 BCE | Pergamon, Turkey | Hellenstic Greek | Marble | Great Altar of Zeus and Athena | 0%
|
| c. 785 - 786 | Córdoba, Spain | Umayyad (Islamic) | Stone masonry | Great Mosque at Córdoba | 0%
|
| c. 2550 - 2490 BCE | Giza, Egypt | Fourth Dynasty Egyptian | Cut limestone | Great Pyramids and Great Sphinx | 0%
|
| c. 1070 | Adams County, Ohio | Mississippian | Earthwork | Great Serpent Mound | 0%
|
| 532 - 537 | Constantinople, Turkey | Early Byzantine | Brick and ceramic elements with stone and mosaic veneer | Hagia Sophia | 0%
|
| c. 75 - 50 BCE | Otricoli, Italy | Republican Roman | Marble | Head of a Roman patrician | 0%
|
| 1621 - 1625 | Antwerp, Belgium | Baroque | Oil on canvas | Henri IV Receives the Portrait of Marie de' Medici | 0%
|
| 1978 - 1983 | Delaware, US | Post-Modernism | Wood frame and stucco | House in New Castle Country | 0%
|
| 1565 | Antwerp, Belgium | Northern Renaissance | Oil on wood | Hunters in the Snow | 0%
|
| Facade 1568 - 1584; fresco and stucco figures 1676 - 1679 | Rome, Italy | High Mannerism and Baroque | Brick, marble, fresco, and stucco | Il Gesù, including Triumph of the Name of Jesus ceiling fresco | 0%
|
| 1512 - 1516 | Holy Roman Empire | Northern Renaissance | Oil on wood | Isenheim altarpiece | 0%
|
| c. 2500 BCE | Liangzhu, China | Neolithic | Jade | Jade cong | 0%
|
| c. 2490-2472 BCE | –– | Fourth Dynasty Egyptian | Greywacke | King Menkaura and queen | 0%
|
| 1814 | Rome, Italy | Romanticism | Oil on canvas | La Grande Odalisque | 0%
|
| c. 720 - 705 BCE | Citadel of Sargon II, Dur Sharrukin, Iraq | Neo-Assyrian | Alabaster | Lamassu | 0%
|
| 1656 | Madrid, Spain | Baroque | Oil on canvas | Las Meninas | 0%
|
| c. 1275 BCE | Near Luxor, Egypt | New Kingdom Egyptian | Painted papyrus scroll | Last judgement of Hu-Nefer | 0%
|
| c. 1494 - 1498 | Milan, Italy | High Renaissance | Oil and tempera | Last Supper | 0%
|
| 1830 | Paris, France | Romanticism | Oil on canvas | Liberty Leading the People | 0%
|
| 1969 - 1974 | Yale University, New Haven, Connecticut | Pop Art | Cor-Ten steel, steel, alumnium, and cast resin; painted with polyurethane enamel | Lipstick (Ascending) on Caterpillar Tracks | 0%
|
| c. 250 | Rome, Italy | Late Imperial Roman | Marble | Ludovisi Battle Sarcophagus | 0%
|
| 1962 | New York, New York, US | Pop Art | Oil, acrylic, and silkscreen enamel on canvas | Marilyn Dipytch | 0%
|
| 1919 - 1920 | Berlin, Germany | German Expressionism | Woodcut | Memorial Sheet for Karl Liebknecht | 0%
|
| c. 550 | France | Merovingian; Early medieval Europe | Silver gilt worked in filigree, with inlays of garnets and other stones | Merovingian looped fibulae | 0%
|
| 450 - 1300 | Montezuma County, Colorado, US | Puebloan | Sandstone | Mesa Verde cliff dwellings | 0%
|
| 1902 - 1904 | Southern France | Proto-Cubism | Oil on canvas | Mont Sainte-Victoire | 0%
|
| 1568 - 1575 | Edirne, Turkey | Classical Ottoman (Islamic) | Brick and stone | Mosque of Selim II | 0%
|
| 1862 | Paris, France | Realism | Lithograph | Nadar Raising Photography to the Height of Art | 0%
|
| Original 1966 | Venice, Italy | Happenings | Mirror balls | Narcissus Garden | 0%
|
| 1936 | Paris, France | Surrealism | Fur-covered cup, saucer, and spoon | Object (Le Déjeuner en fourrure) | 0%
|
| 1863 | Paris, France | Realism | Oil on canvas | Olympia | 0%
|
| c. 1450 | Florence, Italy | Renaissance | Stone, masonry | Palazzo Rucellai | 0%
|
| 3000 - 2920 BCE | Egypt | Predynastic Egyptian | Siltstone | Palette of King Narmer | 0%
|
| 118 - 125 | Rome, Italy | Imperial Roman | Concrete with stone facing | Pantheon | 0%
|
| 1429 - 1461 | Florence, Italy | Renaissance | Masonry | Pazzi Chapel | 0%
|
| c. 530 BCE | Acropolis, Athens, Greece | Archaic Greek | Marble, painted details | Peplos Kore | 0%
|
| c. 1750 | Mexico City, Mexico | Baroque | Oil on canvas | Portrait of Sor Juana Inés de la Cruz | 0%
|
| c. 968 | Near Córdoba, Spain | Umayyad (Islamic) | Ivory | Pyxis of al-Mughira | 0%
|
| c. 1300 - 1325 | Bonn, Germany | Gothic | Painted wood | Röttgen Pietà | 0%
|
| 1428 - 1520 | Mexico City, Mexico (or near) | Aztec | Feathers (quetzal and cotinga) and gold | Ruler's feather headresss | 0%
|
| 1638 - 1646 | Rome, Italy | Baroque | Stone and stucco | San Carlo alle Quattro Fontane | 0%
|
| c. 422 - 432 | Rome, Italy | Late Antique Europe | Brick and stone, wooden roof | Santa Sabina | 0%
|
| c. 526 - 547 | Ravenna, Italy | Early Byzantine | Brick, marble, and stone veneer; mosaic | San Vitale | 0%
|
| 1509 - 1511 | Vatican City, Italy | High Renaissance | Fresco | School of Athens | 0%
|
| 1697 - 1701 | Mexico City, Mexico | Baroque | Tempera and resin on wood, shell inlay | Screen with the Siege of Belgrade and hunting scene | 0%
|
| 1954 - 1958 | New York, New York, US | International Style | Steel frame with glass curtain wall and bronze | Seagram Building | 0%
|
| c. 100 BCE | Rome, Italy | Hellenistic Greek | Bronze | Seated boxer | 0%
|
| c. 2620 - 2500 BCE | Saqqara, Egypt | Fourth Dynasty Egyptian | Painted limestone | Seated scribe | 0%
|
| 1790 | Rome, Italy | Rococo | Oil on canvas | Self-Portrait | 0%
|
| 1915 | Berlin, Germany | German Expressionism | Oil on canvas | Self-Portrait as a Soldier | 0%
|
| Ceiling frescos 1508 - 1512; Altar frescoes 1536-1541 | Vatican City, Italy | High Renaissance | Fresco | Sistine Chapel ceiling and altar frescoes | 0%
|
| 1840 | London, England | Romanticism | Oil on canvas | Slave Ship | 0%
|
| c. 1715 | Viceroyalty of New Spain | Baroque | Oil on canvas | Spaniard and Indian Produce a Mestizo | 0%
|
| c. 2600 - 2400 BCE | Ur, Iraq | Sumerian | Wood inlaid with shell, lapis lazuli, and red limestone | Standard of Ur | 0%
|
| c. 2700 BCE | Square Temple at Eshunna; Tell Asmar, Iraq | Sumerian | Gypsum inlaid with shell and black limestone | Statues of votive figures | 0%
|
| c. 2550 - 1600 BCE | England | Neolithic | Sandstone | Stonehenge | 0%
|
| c. 1550 - 1250 BCE | Karnak, Egypt | New Kingdom Egyptian | Cut sandstone and mud brick | Temple of Amun Re | 0%
|
| c. 510 - 500 BCE | Veii, Italy (near Rome) | Etruscan | Wood, mud brick, or tufa; terra cotta sculpture | Temple of Minerva and sculpture of Apollo | 0%
|
| 1375 - 1520 | Mexico City, Mexico | Aztec | Stone; volcanic stone (The Coyoxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone) | Templo Mayor | 0%
|
| 1000 BCE | Solomon Islands | Neolithic | Terracotta | Terra cotta fragment | 0%
|
| c. 1434 | Bruges, Belgium | Northern Renaissance | Oil on wood | The Arnolfini Portrait | 0%
|
| 1963 | Provincetown, Massachusetts | Color Field Paintings | Acrylic on canvas | The Bay | 0%
|
| c. 1792 - 1750 BCE | Susian, Iran | Babylon | Basalt | The Code of Hammurabi | 0%
|
| 1890 - 1991 | Paris, France | Impressionism | Drypoint and aquatint | The Coiffure | 0%
|
| 1878 | California, US | Realism | Albumen print | The Horse in Motion | 0%
|
| 1943 | Cuba | Surrealism | Gouache on paper mounted on canvas | The Jungle | 0%
|
| 1907 - 1908 | Vienna, Austria | Symbolism and Art Nouveau | Oil and gold leaf on canvas | The Kiss | 0%
|
| 1940 - 1941 | Harlem, New York | Harlem Renaissance | Casein tempera on hardboard | The Migration of the Negro, Panel no. 49 | 0%
|
| 1836 | Northampton, Massachusetts, US | Romanticism | Oil on canvas | The Oxbow | 0%
|
| 1669 | Versailles, France | Baroque | Masonry, stone, wood, iron, and gold leaf; marble and bronze (sculpture) | The Palace at Versailles | 0%
|
| 1911 | Paris, France | Cubism | Oil on canvas | The Portuguese | 0%
|
| 1893 | Oslo, Norway | Symbolism | Tempera and pastels on cardboard | The Scream | 0%
|
| 1889 | Arles, France | Post-Impressionism | Oil on canvas | The Starry Night | 0%
|
| 1767 | Paris, France | Rococo | Oil on canvas | The Swing | 0%
|
| c. 1743 | London, England | Baroque | Oil on canvas | The Tête à Tête | 0%
|
| 1939 | Mexico City, Mexico | Surrealism | Oil on canvas | The Two Fridas | 0%
|
| 1882 | Valley of Mexico, Mexico | Romanticism | Oil on canvas | The Valley of Mexico from the Hillside of Santa Isabel | 0%
|
| c. 1698 | Viceroyalty of New Spain | Baroque | Oil on canvas on wood, inlaid with mother-of-pearl | The Virgin of Guadalupe | 0%
|
| 1200 - 900 BCE | Tlatilco, Mexico | Neolithic | Ceramics | Tlatilco female figurine | 0%
|
| c. 480 - 470 BCE | Tarquinia, Italy | Etruscan | Tufa and fresco | Tomb of the Triclinium | 0%
|
| c. 1875 | Northwest coast of Canada | Kwakwaka'wakw | Wood, paint, and string | Transformation mask | 0%
|
| c. 1323 BCE | Valley of the Kings, Egypt | New Kingdom Egyptian | Gold with inlay of enamel and semiprecious stones | Tutankhaum's tomb | 0%
|
| c. 1538 | Venice, Italy | High Renaissance | Oil on canvas | Venus of Urbino | 0%
|
| c. 500 | Byzantine | Early Byzantine | Illuminated manuscript (tempara, gold, and silver on purple vellum) | Vienna Genesis | 0%
|
| 1929 | Poissy-sur-Seine | International Style | Steel and reinforced concrete | Villa Savoye | 0%
|
| c. 700 | Monastery of Saint Catherine, Mount Sinai, Egypt | Early Byzantine | Encaustic on wood | Virgin (Theotokos) and Child between Saints Thedore and George | 0%
|
| 3500 - 3000 BCE | Uruk, Iraq | Sumerian | Mud brick | White temple and its ziggurat | 0%
|
| c. 190 BCE | Samothrace, Greece | Hellenstic Greek | Marble | Winged Victory of Samothrace | 0%
|
| 1950 - 1952 | New York, New York, US | Abstract Expressionism | Oil on canvas | Woman I | 0%
|
| c. 725 | Chiapas, Mexico | Mayan | Limestone | Yaxchilàn | 0%
|