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Hint
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Artwork
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Predominated by themes of male and female reproduction
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Staff God
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Once had a phallus attached to the side antipodal to the head; remove by missionaries
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Staff God
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Tied together with coconut fibers
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'Ahu 'ula
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Contextual image provides only evidence of how the work was originally used
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Staff God
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Designed for the king to keep an eye on the upper class and seperate them from the lower class
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Nan Madol
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Backs are tattooed with designs
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Moai on platform (ahu)
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Extremely intricate mask carvings with adept use of negative space
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Malagan mask
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Features a bird at the top
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Buk
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Below is a cemetery in which elders are buried
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Moai on platform (ahu)
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Diagonal lines indicates ocean and wind swells
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Navigation Chart
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Contains sacred platforms made of stone mixed with cremated ashes
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Moai on platform (ahu)
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Afterward occurred the Kava ceremony in which Queen Elizabeth II drank psychedelic tea (effects of mild cannabis) with locals
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Would be memorized before a voyage; could only be read by certain individuals
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Navigation Chart
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Uses horizontal lines to indicate body parts like kneecaps, navel, and waistline
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Female deity
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Artist, using stencils and dye, to paint the design
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Hiapo from Niue
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Some contain topknots
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Moai on platform (ahu)
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Protects the wearer and their mana
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'Ahu 'ula
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Kept in a religious building and represented individual deities
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Female deity
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Collection of 92 artificial islands connected by canals
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Nan Madol
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From Niue in Polynesia; generally made by women
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Hiapo from Niue
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Soul of the god is represented by polished pearl shells and red feathers placed inside the bark cloth
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Staff God
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Short, thin arms that reach the hips
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Moai on platform (ahu)
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Natives may interpret as an embodiment of a spirit and a link between past and present
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Tamati Waka Nene
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Brought upright in village common spaces
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Staff God
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After the ceremony involving this work, the free are absolved from obligation to serve the dead
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Malagan mask
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Used ashlar masonry
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Nan Madol
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Said that figures "walked" to site (likely meaning via many people with ropes pushing and pulling figure to move it)
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Moai on platform (ahu)
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Ceremonies involving this are in order to aid the deceased to the otherworld
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Malagan mask
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Material made from mulberry tree bark that is beaten and pasted together
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Hiapo from Niue
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Artist was a journeyman and tradesman painter who worked on comission
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Tamati Waka Nene
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Others interpret the work as a record of vanishing culture, work of anthropology, or expressions of colonial dominance
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Tamati Waka Nene
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Holds a tewhatewha (ceremonial staff of his culture) that has dangling feathers and an eye on the handle
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Tamati Waka Nene
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13-foot-long column-like wooden core in the form of an elongated body
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Staff God
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Painted in black, yellow, and red: important colors denoting violence, war, and magic
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Malagan mask
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White coral used to "open" the eyes
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Moai on platform (ahu)
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Has an oversized greenstone earring which contains his mana
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Tamati Waka Nene
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The human face may represent a cultural hero or ancestor
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Buk
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Contextual image shows work being thrown down as the people are adopting a different faith (Christianity)
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Staff God
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Called wapepe in the Marshall Islands
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Navigation Chart
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Has European-style painting elemtns
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Tamati Waka Nene
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Almost always male and facing inland
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Moai on platform (ahu)
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Features red, as it is the color of royalty
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'Ahu 'ula
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Made of thousands of bird feathers, driving some of them (such as the 'o'o) to near extinction
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'Ahu 'ula
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Combination of human and animal forms
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Buk
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Worn over the head like a helmet
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Buk
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Mask indicates relationship to a clan or living relatives
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Malagan mask
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Made by the Hawaiians
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'Ahu 'ula
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Name is a regional dialect meaning the same as tapa
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Hiapo from Niue
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Sculptures of the deceased commissioned by the living family representing an individual soul
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Malagan mask
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Ceremones involved in often recreated mythical ancestral beings
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Buk
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Horizontal and vertical lines provide structure for the object
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Navigation Chart
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Located on Rapa Nui (Easter Island)
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Moai on platform (ahu)
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Wears a kiwi feather cloak
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Tamati Waka Nene
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Combined with a larger grass costume and used in ceremonies about death, fertility, male initation, or to ensure a good harvest
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Buk
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Only surviving wrapped example of this kind of work
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Staff God
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Uses coloring, modeling, and shading
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Tamati Waka Nene
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Occured during Queen Elizabeth II's visit to Fiji as part of her 1953-1954 royal tour (visit British colonies)
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Important due to the low lying islands that are hard to see from a distance
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Navigation Chart
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Ears reach to the top of their heads
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Moai on platform (ahu)
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Have prominent foreheads, large broad noses, and thin pouting lips
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Moai on platform (ahu)
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