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Hint
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Artwork
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Contains feathers from the Southern Cassoway (a ferocious bird that's like basically a dinosaur)
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Buk
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White coral used to "open" the eyes
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Moai on platform (ahu)
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Below is a cemetery in which elders are buried
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Moai on platform (ahu)
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Horizontal and vertical lines provide structure for the object
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Navigation Chart
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Only surviving wrapped example of this kind of work
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Staff God
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Features a bird at the top
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Buk
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Important due to the low lying islands that are hard to see from a distance
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Navigation Chart
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Combination of human and animal forms
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Buk
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Wrapped with a tapa cloth
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Staff God
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Used ashlar masonry
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Nan Madol
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Wears a kiwi feather cloak
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Tamati Waka Nene
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Combined with a larger grass costume and used in ceremonies about death, fertility, male initation, or to ensure a good harvest
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Buk
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Sculpture with simple geometric forms
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Female deity
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Holds a tewhatewha (ceremonial staff of his culture) that has dangling feathers and an eye on the handle
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Tamati Waka Nene
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After the ceremony involving this work, the free are absolved from obligation to serve the dead
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Malagan mask
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Like Shiva as Lord of Dance (Nataraja), could be dressed and adorned with flowers
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Female deity
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Extremely intricate mask carvings with adept use of negative space
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Malagan mask
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Name is a regional dialect meaning the same as tapa
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Hiapo from Niue
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Mask indicates relationship to a clan or living relatives
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Malagan mask
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Afterward occurred the Kava ceremony in which Queen Elizabeth II drank psychedelic tea (effects of mild cannabis) with locals
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Has an oversized greenstone earring which contains his mana
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Tamati Waka Nene
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Artist was a journeyman and tradesman painter who worked on comission
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Tamati Waka Nene
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Made of thousands of bird feathers, driving some of them (such as the 'o'o) to near extinction
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'Ahu 'ula
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Uses horizontal lines to indicate body parts like kneecaps, navel, and waistline
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Female deity
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Donned only by male high-ranking chiefs and warriors
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'Ahu 'ula
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Short, thin arms that reach the hips
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Moai on platform (ahu)
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Contains sacred platforms made of stone mixed with cremated ashes
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Moai on platform (ahu)
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Subject is a Maori chief
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Tamati Waka Nene
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Collection of 92 artificial islands connected by canals
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Nan Madol
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Multimedia performance performed in 1953
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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The human face may represent a cultural hero or ancestor
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Buk
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Artists would chant the wearer's ancestor when crafting to imbue their power onto it
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'Ahu 'ula
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Would be memorized before a voyage; could only be read by certain individuals
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Navigation Chart
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Uses coloring, modeling, and shading
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Tamati Waka Nene
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Painted posthomously based on a photograph by John Crombie
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Tamati Waka Nene
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Atop features a large carved head as well as smaller figures
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Staff God
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13-foot-long column-like wooden core in the form of an elongated body
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Staff God
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An oil painting
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Tamati Waka Nene
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Translates to "mask"
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Buk
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Sculptures of the deceased commissioned by the living family representing an individual soul
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Malagan mask
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Backs are tattooed with designs
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Moai on platform (ahu)
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Once had a phallus attached to the side antipodal to the head; remove by missionaries
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Staff God
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Tapa used is decorated according to local traditions: sometimes stenciled, sometimes printed or dyed
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Acted as capital of the Saudeleur Dynasty of Micronesia
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Nan Madol
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Contextual image provides only evidence of how the work was originally used
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Staff God
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Painted in black, yellow, and red: important colors denoting violence, war, and magic
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Malagan mask
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Worn over the head like a helmet
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Buk
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Made by Gottfried Lindauer in 1890
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Tamati Waka Nene
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Natives may interpret as an embodiment of a spirit and a link between past and present
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Tamati Waka Nene
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Artist, using stencils and dye, to paint the design
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Hiapo from Niue
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Subject is a convert to Wesleyan faith (evangelical Protestant demonination
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Tamati Waka Nene
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Uses a turtle shell (unique to the region) which has great rarity and importance
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Buk
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Located on Rapa Nui (Easter Island)
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Moai on platform (ahu)
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Predominated by themes of male and female reproduction
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Staff God
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Have prominent foreheads, large broad noses, and thin pouting lips
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Moai on platform (ahu)
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Has high seawalls that act as breakwaters (coastal defense)
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Nan Madol
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Designed for the king to keep an eye on the upper class and seperate them from the lower class
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Nan Madol
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Represented the personalities deified deceased
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Moai on platform (ahu)
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Occured during Queen Elizabeth II's visit to Fiji as part of her 1953-1954 royal tour (visit British colonies)
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Soul of the god is represented by polished pearl shells and red feathers placed inside the bark cloth
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Staff God
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