Stats: APAH - Pacific Artworks

General Stats

This quiz has been taken 2 times
The average score is 60 of 60

Answer Stats

Hint	Artwork	% Correct
Donned only by male high-ranking chiefs and warriors	'Ahu 'ula	100%
Features red, as it is the color of royalty	'Ahu 'ula	100%
Protects the wearer and their mana	'Ahu 'ula	100%
Translates to "mask"	Buk	100%
Combination of human and animal forms	Buk	100%
Features a bird at the top	Buk	100%
Made by the Torres Strait (water passageway between Australia and New Guinea) region	Buk	100%
Worn over the head like a helmet	Buk	100%
Combined with a larger grass costume and used in ceremonies about death, fertility, male initation, or to ensure a good harvest	Buk	100%
The human face may represent a cultural hero or ancestor	Buk	100%
Uses a turtle shell (unique to the region) which has great rarity and importance	Buk	100%
Contains feathers from the Southern Cassoway (a ferocious bird that's like basically a dinosaur)	Buk	100%
Uses horizontal lines to indicate body parts like kneecaps, navel, and waistline	Female deity	100%
Kept in a religious building and represented individual deities	Female deity	100%
Like Shiva as Lord of Dance (Nataraja), could be dressed and adorned with flowers	Female deity	100%
Material made from mulberry tree bark that is beaten and pasted together	Hiapo from Niue	100%
Artist, using stencils and dye, to paint the design	Hiapo from Niue	100%
Designs interpretted symbolically; many have rich meanings and histories	Hiapo from Niue	100%
Mask indicates relationship to a clan or living relatives	Malagan mask	100%
Involved in an expensive undertaking by the families of the subjects; often families combine wealth to honor several at once	Malagan mask	100%
After the ceremony involving this work, the free are absolved from obligation to serve the dead	Malagan mask	100%
Have prominent foreheads, large broad noses, and thin pouting lips	Moai on platform (ahu)	100%
Short, thin arms that reach the hips	Moai on platform (ahu)	100%
Backs are tattooed with designs	Moai on platform (ahu)	100%
Some contain topknots	Moai on platform (ahu)	100%
White coral used to "open" the eyes	Moai on platform (ahu)	100%
Almost always male and facing inland	Moai on platform (ahu)	100%
Contains sacred platforms made of stone mixed with cremated ashes	Moai on platform (ahu)	100%
Below is a cemetery in which elders are buried	Moai on platform (ahu)	100%
Resource depletion and ecological crises facilitated decline in society and toppling of monuments	Moai on platform (ahu)	100%
Collection of 92 artificial islands connected by canals	Nan Madol	100%
Made of prismatic basalt	Nan Madol	100%
Acted as capital of the Saudeleur Dynasty of Micronesia	Nan Madol	100%
Designed for the king to keep an eye on the upper class and seperate them from the lower class	Nan Madol	100%
Curved outer walls given the symbolic appearance of a boat	Nan Madol	100%
Material makes it lightweight, waterproof, and bouyant	Navigation Chart	100%
Would be memorized before a voyage; could only be read by certain individuals	Navigation Chart	100%
Called wapepe in the Marshall Islands	Navigation Chart	100%
Important due to the low lying islands that are hard to see from a distance	Navigation Chart	100%
Diagonal lines indicates ocean and wind swells	Navigation Chart	100%
Horizontal and vertical lines provide structure for the object	Navigation Chart	100%
Multimedia performance performed in 1953	Presentation of Fijian mats and tapa cloths to Queen Elizabeth II	100%
Occured during Queen Elizabeth II's visit to Fiji as part of her 1953-1954 royal tour (visit British colonies)	Presentation of Fijian mats and tapa cloths to Queen Elizabeth II	100%
Tapa used is decorated according to local traditions: sometimes stenciled, sometimes printed or dyed	Presentation of Fijian mats and tapa cloths to Queen Elizabeth II	100%
13-foot-long column-like wooden core in the form of an elongated body	Staff God	100%
Brought upright in village common spaces	Staff God	100%
Atop features a large carved head as well as smaller figures	Staff God	100%
Once had a phallus attached to the side antipodal to the head; remove by missionaries	Staff God	100%
Predominated by themes of male and female reproduction	Staff God	100%
Only surviving wrapped example of this kind of work	Staff God	100%
An oil painting	Tamati Waka Nene	100%
Subject is a Maori chief	Tamati Waka Nene	100%
Painted posthomously based on a photograph by John Crombie	Tamati Waka Nene	100%
Has elaborate tā moko (facial tatooing) which was common on men of high status	Tamati Waka Nene	100%
Has an oversized greenstone earring which contains his mana	Tamati Waka Nene	100%
Artist was a journeyman and tradesman painter who worked on comission	Tamati Waka Nene	100%
Uses coloring, modeling, and shading	Tamati Waka Nene	100%
Natives may interpret as an embodiment of a spirit and a link between past and present	Tamati Waka Nene	100%
Westerners often interpret the painting as a comercial adventure with monetary value	Tamati Waka Nene	100%
Others interpret the work as a record of vanishing culture, work of anthropology, or expressions of colonial dominance	Tamati Waka Nene	100%
Made of thousands of bird feathers, driving some of them (such as the 'o'o) to near extinction	'Ahu 'ula	0%
Made by the Hawaiians	'Ahu 'ula	0%
Tied together with coconut fibers	'Ahu 'ula	0%
Features yellow, as it is prized for its rarity	'Ahu 'ula	0%
Artists would chant the wearer's ancestor when crafting to imbue their power onto it	'Ahu 'ula	0%
Ceremonies a part of involved fire, drum beats, and chanting	Buk	0%
Ceremones involved in often recreated mythical ancestral beings	Buk	0%
Sculpture with simple geometric forms	Female deity	0%
Has an erect pose with long arms, broad chest, large buttocks, and no facial features	Female deity	0%
From Niue in Polynesia; generally made by women	Hiapo from Niue	0%
Name is a regional dialect meaning the same as tapa	Hiapo from Niue	0%
The design is often repainted to enhance the visual effect	Hiapo from Niue	0%
Extremely intricate mask carvings with adept use of negative space	Malagan mask	0%
Painted in black, yellow, and red: important colors denoting violence, war, and magic	Malagan mask	0%
Sculptures of the deceased commissioned by the living family representing an individual soul	Malagan mask	0%
Has a large haircomb reflecting hair style of the time	Malagan mask	0%
Ceremonies involving this are in order to aid the deceased to the otherworld	Malagan mask	0%
The work is often destroyed or left to rot after being used	Malagan mask	0%
Located on Rapa Nui (Easter Island)	Moai on platform (ahu)	0%
Ears reach to the top of their heads	Moai on platform (ahu)	0%
Represented the personalities deified deceased	Moai on platform (ahu)	0%
Said that figures "walked" to site (likely meaning via many people with ropes pushing and pulling figure to move it)	Moai on platform (ahu)	0%
Located in Pohnpei, Micronesia	Nan Madol	0%
Built on a lagoon–– like Venice	Nan Madol	0%
Has high seawalls that act as breakwaters (coastal defense)	Nan Madol	0%
Arranged southwest to northeast to take advantage of trade winds	Nan Madol	0%
Used ashlar masonry	Nan Madol	0%
Had many different sections for different purpose	Nan Madol	0%
A wooden chart of a large area of sea	Navigation Chart	0%
Has cosmetics which includes scent	Presentation of Fijian mats and tapa cloths to Queen Elizabeth II	0%
Involves chanting, movement, and mats made of pandanus / hibiscus fiber	Presentation of Fijian mats and tapa cloths to Queen Elizabeth II	0%
Afterward occurred the Kava ceremony in which Queen Elizabeth II drank psychedelic tea (effects of mild cannabis) with locals	Presentation of Fijian mats and tapa cloths to Queen Elizabeth II	0%
Made in Rarotonga in the Cook Islands of central Polynesia	Staff God	0%
Wrapped with a tapa cloth	Staff God	0%
Smaller figures have their legs spread, indicating childbirth	Staff God	0%
Soul of the god is represented by polished pearl shells and red feathers placed inside the bark cloth	Staff God	0%
Contextual image shows work being thrown down as the people are adopting a different faith (Christianity)	Staff God	0%
Contextual image provides only evidence of how the work was originally used	Staff God	0%
Painted in New Zealand	Tamati Waka Nene	0%
Made by Gottfried Lindauer in 1890	Tamati Waka Nene	0%
Its artist was originally from Bohemia of the Austrian Empire but moved to New Zealand	Tamati Waka Nene	0%
Subject is a convert to Wesleyan faith (evangelical Protestant demonination	Tamati Waka Nene	0%
Holds a tewhatewha (ceremonial staff of his culture) that has dangling feathers and an eye on the handle	Tamati Waka Nene	0%
Wears a kiwi feather cloak	Tamati Waka Nene	0%
Has European-style painting elemtns	Tamati Waka Nene	0%
Uses atmospheric perspective	Tamati Waka Nene	0%

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APAH - Pacific Artworks - Statistics