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Hint
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Artwork
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Wears a kiwi feather cloak
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Tamati Waka Nene
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Protects the wearer and their mana
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'Ahu 'ula
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White coral used to "open" the eyes
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Moai on platform (ahu)
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Has European-style painting elemtns
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Tamati Waka Nene
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Material makes it lightweight, waterproof, and bouyant
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Navigation Chart
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Like Shiva as Lord of Dance (Nataraja), could be dressed and adorned with flowers
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Female deity
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Has elaborate tā moko (facial tatooing) which was common on men of high status
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Tamati Waka Nene
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Features red, as it is the color of royalty
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'Ahu 'ula
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Designs interpretted symbolically; many have rich meanings and histories
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Hiapo from Niue
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Uses horizontal lines to indicate body parts like kneecaps, navel, and waistline
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Female deity
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Called wapepe in the Marshall Islands
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Navigation Chart
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Located in Pohnpei, Micronesia
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Nan Madol
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Contains feathers from the Southern Cassoway (a ferocious bird that's like basically a dinosaur)
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Buk
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Diagonal lines indicates ocean and wind swells
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Navigation Chart
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The design is often repainted to enhance the visual effect
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Hiapo from Niue
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Short, thin arms that reach the hips
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Moai on platform (ahu)
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Involves chanting, movement, and mats made of pandanus / hibiscus fiber
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Kept in a religious building and represented individual deities
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Female deity
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Said that figures "walked" to site (likely meaning via many people with ropes pushing and pulling figure to move it)
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Moai on platform (ahu)
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Multimedia performance performed in 1953
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Has cosmetics which includes scent
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Predominated by themes of male and female reproduction
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Staff God
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Made of thousands of bird feathers, driving some of them (such as the 'o'o) to near extinction
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'Ahu 'ula
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Tapa used is decorated according to local traditions: sometimes stenciled, sometimes printed or dyed
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Important due to the low lying islands that are hard to see from a distance
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Navigation Chart
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Horizontal and vertical lines provide structure for the object
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Navigation Chart
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Westerners often interpret the painting as a comercial adventure with monetary value
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Tamati Waka Nene
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Holds a tewhatewha (ceremonial staff of his culture) that has dangling feathers and an eye on the handle
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Tamati Waka Nene
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Atop features a large carved head as well as smaller figures
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Staff God
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Subject is a Maori chief
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Tamati Waka Nene
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Painted in New Zealand
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Tamati Waka Nene
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Contains sacred platforms made of stone mixed with cremated ashes
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Moai on platform (ahu)
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Ceremonies involving this are in order to aid the deceased to the otherworld
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Malagan mask
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Sculptures of the deceased commissioned by the living family representing an individual soul
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Malagan mask
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Used ashlar masonry
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Nan Madol
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Combination of human and animal forms
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Buk
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Has an oversized greenstone earring which contains his mana
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Tamati Waka Nene
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Worn over the head like a helmet
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Buk
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Ceremones involved in often recreated mythical ancestral beings
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Buk
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Located on Rapa Nui (Easter Island)
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Moai on platform (ahu)
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Translates to "mask"
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Buk
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Contextual image shows work being thrown down as the people are adopting a different faith (Christianity)
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Staff God
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The work is often destroyed or left to rot after being used
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Malagan mask
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Artists would chant the wearer's ancestor when crafting to imbue their power onto it
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'Ahu 'ula
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Artist, using stencils and dye, to paint the design
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Hiapo from Niue
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13-foot-long column-like wooden core in the form of an elongated body
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Staff God
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Donned only by male high-ranking chiefs and warriors
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'Ahu 'ula
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Afterward occurred the Kava ceremony in which Queen Elizabeth II drank psychedelic tea (effects of mild cannabis) with locals
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Presentation of Fijian mats and tapa cloths to Queen Elizabeth II
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Its artist was originally from Bohemia of the Austrian Empire but moved to New Zealand
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Tamati Waka Nene
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Built on a lagoon–– like Venice
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Nan Madol
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Involved in an expensive undertaking by the families of the subjects; often families combine wealth to honor several at once
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Malagan mask
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Extremely intricate mask carvings with adept use of negative space
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Malagan mask
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Has high seawalls that act as breakwaters (coastal defense)
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Nan Madol
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Backs are tattooed with designs
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Moai on platform (ahu)
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Has an erect pose with long arms, broad chest, large buttocks, and no facial features
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Female deity
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Uses coloring, modeling, and shading
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Tamati Waka Nene
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Artist was a journeyman and tradesman painter who worked on comission
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Tamati Waka Nene
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Some contain topknots
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Moai on platform (ahu)
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Brought upright in village common spaces
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Staff God
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Smaller figures have their legs spread, indicating childbirth
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Staff God
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