1. A poetic closed form devised during the early renaissance by the Italian writer Petrarch.
2. Appears at the end of a line of poetry, the most common type of rhyme.
3. The method by which the author builds, or reveals, a character; it can be direct or indirect.
4. Long section of an epic poem.
5. A seemingly self-contradictory statement that upon closer scrutiny actually reveals a truth.
6. Comic work in which the foibles of society are addressed and mocked.
7. The perspective from which a narrative is told.
8. A description of how something looks, feels, tastes, smells, or sounds.
10. An eight-line stanza.
11. Character that remains the same throughout a work.
12. The narrator’s attitude toward her subject.
13. A poem of praise and dedication.
14. The most common metrical foot in English poetry.
15. Narrative scene in which action previously unrevealed takes place.
16. A resemblance drawn between two items.
17. Unrhymed iambic pentameter verse – formal, but still conversational.
18. The presentation of something as being smaller, worse, or less important than it actually is.
19. A type of flat character based on a stereotype; one who falls into an immediately recognizable category or type – such as the absentminded professor or the town drunk – and thus resists unique characterization.
20. Divides its discussion among three quatrains and a final couplet.
21. A sudden decline in tension, especially with comic effect or ironic disappointment.
22. Imagery in which the part stands for the whole or vice versa.
23. A contemplative poem, on death and mortality, often written for someone who has died.
24. A device in which the initial sound of a word is repeated at least twice in a line of poetry or in a sentence.
25. The written depiction of conversation between characters.
26. Narrative in which the characters, setting, and events are all symbolic.
27. A work that mocks another text by closely modeling its style and content.
28. The universal truth, observation about life, or main idea of a literary work.
29. A poetic blending of sensory images.
30. Explain how the stage is set, where and when the actors should move, and, occasionally, in what manner the actors should deliver their lines.
31. Also called “near rhyme,” words at the ends of poem lines that almost but don’t quite rhyme. Not necessarily a weakness in the poem.
32. A direct comparison of two unlike things.
33. A brief, symbolic story whose purpose is to instruct.
34. A poem, speech, or other work written in great praise of something or someone, usually a person no longer living.
35. A short narrative scene or description, often one in a series.
36. The protagonist of a narrative.
37. A work written in verse rather than prose.
38. An unexpected but fitting twist in a narrative.
39. A figure of speech in which something is represented by another thing that is related to it.
40. A pause in the middle of a line of poetry.
41. The organization of a work.
42. A protagonist with villainous qualities who nevertheless can be relatively sympathetic in a narrative.
43. Poetry with no rhyme or set meter.
44. A plot device in which the author places the main narrative of his or her work within another narrative
45. Word choice; the most basic element of a text.
46. The word, phrase, or clause referred to by a pronoun.
48. A short poem expressing the personal feelings of a first-person speaker.
49. A broad term, refers to a piece of writing that is metered and rhythmic.
50. A line of poetry that continues its sentence into the next line without a break.
51. A representation, especially pictorial or literary, in which the subject’s distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect.
52. Harsh, unpleasant sounds, especially in poetry.
53. Placing dissimilar items, descriptions, or ideas close together or side by side, especially for comparison or contrast
54. A serious dramatic work in which the protagonist experiences a series of unfortunate reversals due to some character trait.
55. Part of a narrative during which characters, setting, and initial action are explained. A good bulk of a story’s exposition takes place near the beginning.
56. The repetition of a word or phrase for rhetorical effect.
57. Similarity of structure in a pair or series of related words, phrases or clauses.
58. A literary device that sets up a striking analogy between two entities that would not usually invite comparison, often drawing connections between the physical and spiritual.
59. The time and place of a narrative.
60. A device used to produce figurative language.
61. A figure of speech in which natural sounds are imitated in the sounds or words.
62. The implied, rather than direct meaning of a word.
63. The emotional atmosphere of a work, especially the emotional undercurrents of a setting.
64. Any literary work that is not poetry, but is written in sentences and paragraphs.
65. A work of prose or poetry intended for performance on a stage.
66. Underdeveloped character, one-dimensional and predictable.
67. Statement in which two opposites are paired to make a point.
68. In a narrative, the point of irreversible action, when what is done cannot be undone.
69. A reference to something appearing elsewhere in history, culture, or literature.
70. Speech delivered by a character in a play, usually with other characters present.
71. Techniques by which writers manipulate language for effect.
72. A recurring pattern of images and symbols.
73. The emotional mood created by the entirety of a literary work, established partly by the setting and partly by the author’s choice of objects that are described.
74. A sung poem that recounted a dramatic story.
75. A voice and viewpoint that an author adopts in order to deliver a story or poem.
76. From the Greek for “good speech,” this is a more agreeable or less offensive substitute for generally unpleasant words or concepts.
77. Poem in which a character speaks as if delivering a soliloquy.
78. It is created by alteration of the standard English word order of a subject being followed by a verb and its object in a declarative sentence.
79. In a poem, two consecutive rhyming lines.
80. A brief work of fictional prose invented roughly in the early 1800s.
81. A short, witty statement designed to surprise and audience or a reader.
82. A character who possesses a flaw or commits an error in judgment that leads to his or her downfall and a reversal of fortune.
83. An indirect comparison between two unlike things.
84. When, in a narrative, the protagonist’s fortunes take an unforeseen turn.
85. The most common meter in English poetry; has roughly ten syllables with the accents on even syllables.
86. Appears after the exposition of a narrative. In this part of a story, complications begin to arise for the characters.
87. An expression or language construction appropriate only for casual, informal speaking or writing.
88. A line, lines, or a stanza in a poem that repeat(s) at intervals.
89. A novel that explores the maturation of the protagonist, with the narrative usually moving the main character from childhood into adulthood.
90. A more developed, complex character.
91. Stylistic approach in a literary work whereby the text’s lack of clarity allows for multiple, even conflicting interpretations.
92. The repetition of a vowel sound in a sentence or line of poetry.
93. Type of narration that mimics the mind’s free flow of thought.
94. The pattern of rhyme occurring in a poem, usually listed as a sequence of alphabetical letters (e.g. ABABCDCDEFEFGG) in which like letters indicate end rhyme.
95. Appears within one line of poetry.
96. Divides its discussion between an octave and a sestet.
97. A story within a story.
98. From the Greek meaning “to tear flesh," involves bitter, caustic language that is meant to hurt or ridicule someone or something.
99. Usually, the repetition of final sounds in words at set intervals.
100. Refers to the defining structural characteristics of a work, especially a poem.
101. A play on words that derives its humor from the replacement of one word with another that has similar pronunciation or spelling but a different meaning.
102. The telling of a story or an account of an event or series of events.
103. The instilling of human characteristics in something nonhuman.
104. A character’s transformative moment of realization.
105. A word that has the opposite meaning of another.
106. Common tragic flaw of protagonists.
107. Occurs when events in a story take an unexpected turn, but one can still understand how the events could have happened.
108. The major category in which a literary work fits.
109. A symbol so ancient and fundamental that its meaning is understood by the unconscious mind, even without contextual explanation.
110. The opponent of a narrative’s protagonist or hero.
111. A clever, brief observation about some aspect of life, also called a maxim or a saying.
112. Occurs when someone means the opposite of what she says.
113. A seemingly self-contradictory term or phrase.
114. A satiric dramatic form that lampoons social conventions; the highest level of comedy.
115. The literal definition of a word, often referred to as the “dictionary definition.”
116. The audience’s release of pity and fear once the tragic hero of a play has experienced a downfall.
117. Latin for “in the middle of things.”
118. Satirical work that parodies the form of the epic poem.
119. Long narrative poem, usually featuring a larger-than-life hero who takes a journey during which he receives divine intervention.
120. A quotation preceding a work of literature that helps set the text’s mood or suggests its themes.
121. A narrative that, even in retrospect, symbolically predicted something in the narrative’s future.
122. An agent committing action in a narrative, usually human, but not necessarily so.
123. A contrasting character who allows the protagonist to stand out more distinctly.
124. The central character of a literary work.
125. The personality defect that leads the hero in a play to make an error in judgment.
126. A relatively brief novel, usually not exceeding 200 pages.
127. Lines in a poem that the poet has chosen to group together, usually separated from other lines by a space.
128. A metaphor that continues over several lines or throughout an entire literary work.
129. Occurs when the audience knows something that a character doesn’t.
130. A play in which a temporarily unstable situation is restored to order by the end.
131. Writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid.
132. An object, setting, event, or flat character that represents an idea.
133. Experiences a change in personality, attitude, or behavior during the course of the narrative.
134. A metric distinguished by the number of syllables it contains and how stress is placed on the syllables – stressed (´) or unstressed (˘).
135. French for “unknotting,” this final segment of a narrative follows the climax and “winds things up” in the story.
136. Absurd type of comedy that involves flat characters, slapstick action, and ridiculous misunderstandings.
137. An extended metaphor continuing from an initial comparison.
138. Part of a narrative that moves from the climax to the denouement
139. Dialogue or narration written to simulate regional or cultural speech patterns.
140. The character who is currently delivering lines.
141. An address to something as if it were human, or an address to someone not present.
142. Exaggeration for effect.
143. The formal, regular organization of stressed and unstressed syllables, measured in feet.
144. Quality of spoken text formed from combing the text’s rhythm with the rise and fall in the inflection of the speaker’s voice.