1. The perspective from which a narrative is told.
2. A work that mocks another text by closely modeling its style and content.
3. A poetic blending of sensory images.
4. A more developed, complex character.
5. Part of a narrative during which characters, setting, and initial action are explained. A good bulk of a storyâs exposition takes place near the beginning.
6. A reference to something appearing elsewhere in history, culture, or literature.
7. A character who possesses a flaw or commits an error in judgment that leads to his or her downfall and a reversal of fortune.
8. Appears within one line of poetry.
9. An address to something as if it were human, or an address to someone not present.
10. Stylistic approach in a literary work whereby the textâs lack of clarity allows for multiple, even conflicting interpretations.
11. A protagonist with villainous qualities who nevertheless can be relatively sympathetic in a narrative.
12. The protagonist of a narrative.
13. A short, witty statement designed to surprise and audience or a reader.
14. The emotional atmosphere of a work, especially the emotional undercurrents of a setting.
15. The pattern of rhyme occurring in a poem, usually listed as a sequence of alphabetical letters (e.g. ABABCDCDEFEFGG) in which like letters indicate end rhyme.
16. A pause in the middle of a line of poetry.
17. A line, lines, or a stanza in a poem that repeat(s) at intervals.
18. A work of prose or poetry intended for performance on a stage.
19. A figure of speech in which natural sounds are imitated in the sounds or words.
20. Latin for âin the middle of things.â
21. The written depiction of conversation between characters.
22. Any literary work that is not poetry, but is written in sentences and paragraphs.
23. The time and place of a narrative.
24. A brief, symbolic story whose purpose is to instruct.
25. An agent committing action in a narrative, usually human, but not necessarily so.
26. A plot device in which the author places the main narrative of his or her work within another narrative
27. Writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid.
28. Long section of an epic poem.
30. Dialogue or narration written to simulate regional or cultural speech patterns.
31. A type of flat character based on a stereotype; one who falls into an immediately recognizable category or type â such as the absentminded professor or the town drunk â and thus resists unique characterization.
32. A play in which a temporarily unstable situation is restored to order by the end.
33. An extended metaphor continuing from an initial comparison.
34. Also called ânear rhyme,â words at the ends of poem lines that almost but donât quite rhyme. Not necessarily a weakness in the poem.
35. Absurd type of comedy that involves flat characters, slapstick action, and ridiculous misunderstandings.
36. A seemingly self-contradictory term or phrase.
37. An eight-line stanza.
38. The major category in which a literary work fits.
39. A metric distinguished by the number of syllables it contains and how stress is placed on the syllables â stressed (ÂŽ) or unstressed (Ë).
40. Poetry with no rhyme or set meter.
41. From the Greek for âgood speech,â this is a more agreeable or less offensive substitute for generally unpleasant words or concepts.
42. Placing dissimilar items, descriptions, or ideas close together or side by side, especially for comparison or contrast
43. An object, setting, event, or flat character that represents an idea.
44. Usually, the repetition of final sounds in words at set intervals.
45. A resemblance drawn between two items.
46. A satiric dramatic form that lampoons social conventions; the highest level of comedy.
47. Exaggeration for effect.
48. Refers to the defining structural characteristics of a work, especially a poem.
49. Comic work in which the foibles of society are addressed and mocked.
50. A narrative that, even in retrospect, symbolically predicted something in the narrativeâs future.
51. A short narrative scene or description, often one in a series.
52. A literary device that sets up a striking analogy between two entities that would not usually invite comparison, often drawing connections between the physical and spiritual.
53. Appears at the end of a line of poetry, the most common type of rhyme.
54. The character who is currently delivering lines.
55. A device used to produce figurative language.
56. Unrhymed iambic pentameter verse â formal, but still conversational.
57. A direct comparison of two unlike things.
58. A sung poem that recounted a dramatic story.
59. The repetition of a vowel sound in a sentence or line of poetry.
60. A characterâs transformative moment of realization.
61. The personality defect that leads the hero in a play to make an error in judgment.
62. The narratorâs attitude toward her subject.
63. A seemingly self-contradictory statement that upon closer scrutiny actually reveals a truth.
64. A serious dramatic work in which the protagonist experiences a series of unfortunate reversals due to some character trait.
65. In a poem, two consecutive rhyming lines.
66. Occurs when someone means the opposite of what she says.
67. A story within a story.
69. Speech delivered by a character in a play, usually with other characters present.
70. Divides its discussion between an octave and a sestet.
71. A recurring pattern of images and symbols.
72. From the Greek meaning âto tear flesh," involves bitter, caustic language that is meant to hurt or ridicule someone or something.
73. A poetic closed form devised during the early renaissance by the Italian writer Petrarch.
74. The implied, rather than direct meaning of a word.
75. A metaphor that continues over several lines or throughout an entire literary work.
76. Techniques by which writers manipulate language for effect.
77. When, in a narrative, the protagonistâs fortunes take an unforeseen turn.
78. A figure of speech in which something is represented by another thing that is related to it.
79. Similarity of structure in a pair or series of related words, phrases or clauses.
80. Narrative in which the characters, setting, and events are all symbolic.
81. The organization of a work.
82. The instilling of human characteristics in something nonhuman.
83. Quality of spoken text formed from combing the textâs rhythm with the rise and fall in the inflection of the speakerâs voice.
84. Common tragic flaw of protagonists.
85. Imagery in which the part stands for the whole or vice versa.
86. The emotional mood created by the entirety of a literary work, established partly by the setting and partly by the authorâs choice of objects that are described.
87. The telling of a story or an account of an event or series of events.
88. Divides its discussion among three quatrains and a final couplet.
89. Long narrative poem, usually featuring a larger-than-life hero who takes a journey during which he receives divine intervention.
90. The most common metrical foot in English poetry.
91. The audienceâs release of pity and fear once the tragic hero of a play has experienced a downfall.
92. Occurs when the audience knows something that a character doesnât.
93. A word that has the opposite meaning of another.
94. A novel that explores the maturation of the protagonist, with the narrative usually moving the main character from childhood into adulthood.
95. Appears after the exposition of a narrative. In this part of a story, complications begin to arise for the characters.
96. The presentation of something as being smaller, worse, or less important than it actually is.
97. The opponent of a narrativeâs protagonist or hero.
98. A line of poetry that continues its sentence into the next line without a break.
99. An expression or language construction appropriate only for casual, informal speaking or writing.
100. A device in which the initial sound of a word is repeated at least twice in a line of poetry or in a sentence.
101. Lines in a poem that the poet has chosen to group together, usually separated from other lines by a space.
102. A poem, speech, or other work written in great praise of something or someone, usually a person no longer living.
103. A work written in verse rather than prose.
104. A quotation preceding a work of literature that helps set the textâs mood or suggests its themes.
105. An unexpected but fitting twist in a narrative.
106. A play on words that derives its humor from the replacement of one word with another that has similar pronunciation or spelling but a different meaning.
107. Occurs when events in a story take an unexpected turn, but one can still understand how the events could have happened.
108. A broad term, refers to a piece of writing that is metered and rhythmic.
109. The repetition of a word or phrase for rhetorical effect.
110. A relatively brief novel, usually not exceeding 200 pages.
111. Part of a narrative that moves from the climax to the denouement
112. In a narrative, the point of irreversible action, when what is done cannot be undone.
113. A clever, brief observation about some aspect of life, also called a maxim or a saying.
114. A representation, especially pictorial or literary, in which the subjectâs distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect.
115. The most common meter in English poetry; has roughly ten syllables with the accents on even syllables.
116. The formal, regular organization of stressed and unstressed syllables, measured in feet.
117. An indirect comparison between two unlike things.
118. The universal truth, observation about life, or main idea of a literary work.
119. The literal definition of a word, often referred to as the âdictionary definition.â
120. Explain how the stage is set, where and when the actors should move, and, occasionally, in what manner the actors should deliver their lines.
121. It is created by alteration of the standard English word order of a subject being followed by a verb and its object in a declarative sentence.
122. Statement in which two opposites are paired to make a point.
123. A voice and viewpoint that an author adopts in order to deliver a story or poem.
124. A poem of praise and dedication.
125. The central character of a literary work.
126. Experiences a change in personality, attitude, or behavior during the course of the narrative.
127. A contemplative poem, on death and mortality, often written for someone who has died.
128. Underdeveloped character, one-dimensional and predictable.
129. A description of how something looks, feels, tastes, smells, or sounds.
130. Poem in which a character speaks as if delivering a soliloquy.
131. A contrasting character who allows the protagonist to stand out more distinctly.
132. The word, phrase, or clause referred to by a pronoun.
133. Type of narration that mimics the mindâs free flow of thought.
134. Harsh, unpleasant sounds, especially in poetry.
135. Satirical work that parodies the form of the epic poem.
136. Character that remains the same throughout a work.
137. Narrative scene in which action previously unrevealed takes place.
138. French for âunknotting,â this final segment of a narrative follows the climax and âwinds things upâ in the story.
139. The method by which the author builds, or reveals, a character; it can be direct or indirect.
140. A symbol so ancient and fundamental that its meaning is understood by the unconscious mind, even without contextual explanation.
141. A brief work of fictional prose invented roughly in the early 1800s.
142. Word choice; the most basic element of a text.
143. A sudden decline in tension, especially with comic effect or ironic disappointment.
144. A short poem expressing the personal feelings of a first-person speaker.