1. The emotional atmosphere of a work, especially the emotional undercurrents of a setting.
2. Underdeveloped character, one-dimensional and predictable.
3. The audience’s release of pity and fear once the tragic hero of a play has experienced a downfall.
4. Explain how the stage is set, where and when the actors should move, and, occasionally, in what manner the actors should deliver their lines.
5. The formal, regular organization of stressed and unstressed syllables, measured in feet.
6. A sudden decline in tension, especially with comic effect or ironic disappointment.
7. Satirical work that parodies the form of the epic poem.
8. A work written in verse rather than prose.
9. A plot device in which the author places the main narrative of his or her work within another narrative
10. Unrhymed iambic pentameter verse – formal, but still conversational.
11. A recurring pattern of images and symbols.
12. Stylistic approach in a literary work whereby the text’s lack of clarity allows for multiple, even conflicting interpretations.
13. A play in which a temporarily unstable situation is restored to order by the end.
14. A poem, speech, or other work written in great praise of something or someone, usually a person no longer living.
15. The emotional mood created by the entirety of a literary work, established partly by the setting and partly by the author’s choice of objects that are described.
16. A metaphor that continues over several lines or throughout an entire literary work.
17. A contrasting character who allows the protagonist to stand out more distinctly.
18. Statement in which two opposites are paired to make a point.
19. A brief, symbolic story whose purpose is to instruct.
20. A clever, brief observation about some aspect of life, also called a maxim or a saying.
21. The written depiction of conversation between characters.
22. Writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid.
23. A seemingly self-contradictory term or phrase.
24. Similarity of structure in a pair or series of related words, phrases or clauses.
26. Divides its discussion between an octave and a sestet.
28. The repetition of a vowel sound in a sentence or line of poetry.
29. Word choice; the most basic element of a text.
30. Absurd type of comedy that involves flat characters, slapstick action, and ridiculous misunderstandings.
31. Poem in which a character speaks as if delivering a soliloquy.
32. The literal definition of a word, often referred to as the “dictionary definition.”
33. An unexpected but fitting twist in a narrative.
34. The repetition of a word or phrase for rhetorical effect.
35. Character that remains the same throughout a work.
36. An agent committing action in a narrative, usually human, but not necessarily so.
37. The time and place of a narrative.
38. The telling of a story or an account of an event or series of events.
39. A poetic blending of sensory images.
40. Narrative in which the characters, setting, and events are all symbolic.
41. Imagery in which the part stands for the whole or vice versa.
42. A representation, especially pictorial or literary, in which the subject’s distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect.
43. A sung poem that recounted a dramatic story.
44. The opponent of a narrative’s protagonist or hero.
45. An expression or language construction appropriate only for casual, informal speaking or writing.
46. It is created by alteration of the standard English word order of a subject being followed by a verb and its object in a declarative sentence.
47. Long narrative poem, usually featuring a larger-than-life hero who takes a journey during which he receives divine intervention.
48. A short, witty statement designed to surprise and audience or a reader.
49. When, in a narrative, the protagonist’s fortunes take an unforeseen turn.
50. A metric distinguished by the number of syllables it contains and how stress is placed on the syllables – stressed (´) or unstressed (˘).
51. Occurs when the audience knows something that a character doesn’t.
52. A short narrative scene or description, often one in a series.
53. The most common metrical foot in English poetry.
54. A more developed, complex character.
55. The organization of a work.
56. A voice and viewpoint that an author adopts in order to deliver a story or poem.
57. A pause in the middle of a line of poetry.
58. Narrative scene in which action previously unrevealed takes place.
59. Dialogue or narration written to simulate regional or cultural speech patterns.
60. Comic work in which the foibles of society are addressed and mocked.
61. Appears after the exposition of a narrative. In this part of a story, complications begin to arise for the characters.
62. A line of poetry that continues its sentence into the next line without a break.
63. A direct comparison of two unlike things.
64. A satiric dramatic form that lampoons social conventions; the highest level of comedy.
65. A novel that explores the maturation of the protagonist, with the narrative usually moving the main character from childhood into adulthood.
66. The character who is currently delivering lines.
67. A short poem expressing the personal feelings of a first-person speaker.
68. The instilling of human characteristics in something nonhuman.
69. A serious dramatic work in which the protagonist experiences a series of unfortunate reversals due to some character trait.
70. French for “unknotting,” this final segment of a narrative follows the climax and “winds things up” in the story.
71. An indirect comparison between two unlike things.
72. The universal truth, observation about life, or main idea of a literary work.
73. Part of a narrative during which characters, setting, and initial action are explained. A good bulk of a story’s exposition takes place near the beginning.
74. A poem of praise and dedication.
75. A figure of speech in which natural sounds are imitated in the sounds or words.
76. Common tragic flaw of protagonists.
77. Speech delivered by a character in a play, usually with other characters present.
78. The protagonist of a narrative.
79. An object, setting, event, or flat character that represents an idea.
80. A character who possesses a flaw or commits an error in judgment that leads to his or her downfall and a reversal of fortune.
81. Refers to the defining structural characteristics of a work, especially a poem.
82. The word, phrase, or clause referred to by a pronoun.
83. A brief work of fictional prose invented roughly in the early 1800s.
84. The presentation of something as being smaller, worse, or less important than it actually is.
85. Poetry with no rhyme or set meter.
86. Part of a narrative that moves from the climax to the denouement
87. Appears at the end of a line of poetry, the most common type of rhyme.
88. Techniques by which writers manipulate language for effect.
89. A reference to something appearing elsewhere in history, culture, or literature.
90. The major category in which a literary work fits.
91. The most common meter in English poetry; has roughly ten syllables with the accents on even syllables.
92. A figure of speech in which something is represented by another thing that is related to it.
93. The implied, rather than direct meaning of a word.
94. A quotation preceding a work of literature that helps set the text’s mood or suggests its themes.
95. A resemblance drawn between two items.
96. A device in which the initial sound of a word is repeated at least twice in a line of poetry or in a sentence.
97. From the Greek for “good speech,” this is a more agreeable or less offensive substitute for generally unpleasant words or concepts.
98. A narrative that, even in retrospect, symbolically predicted something in the narrative’s future.
99. A word that has the opposite meaning of another.
100. Occurs when someone means the opposite of what she says.
101. Any literary work that is not poetry, but is written in sentences and paragraphs.
102. Lines in a poem that the poet has chosen to group together, usually separated from other lines by a space.
103. Latin for “in the middle of things.”
104. The personality defect that leads the hero in a play to make an error in judgment.
105. A play on words that derives its humor from the replacement of one word with another that has similar pronunciation or spelling but a different meaning.
106. The method by which the author builds, or reveals, a character; it can be direct or indirect.
107. A work that mocks another text by closely modeling its style and content.
108. In a narrative, the point of irreversible action, when what is done cannot be undone.
109. Usually, the repetition of final sounds in words at set intervals.
110. Divides its discussion among three quatrains and a final couplet.
111. A protagonist with villainous qualities who nevertheless can be relatively sympathetic in a narrative.
112. A work of prose or poetry intended for performance on a stage.
113. An extended metaphor continuing from an initial comparison.
114. A line, lines, or a stanza in a poem that repeat(s) at intervals.
115. The narrator’s attitude toward her subject.
116. From the Greek meaning “to tear flesh," involves bitter, caustic language that is meant to hurt or ridicule someone or something.
117. An address to something as if it were human, or an address to someone not present.
118. In a poem, two consecutive rhyming lines.
119. A character’s transformative moment of realization.
120. Occurs when events in a story take an unexpected turn, but one can still understand how the events could have happened.
121. A description of how something looks, feels, tastes, smells, or sounds.
122. A device used to produce figurative language.
123. Placing dissimilar items, descriptions, or ideas close together or side by side, especially for comparison or contrast
124. A story within a story.
125. A literary device that sets up a striking analogy between two entities that would not usually invite comparison, often drawing connections between the physical and spiritual.
126. A broad term, refers to a piece of writing that is metered and rhythmic.
127. The perspective from which a narrative is told.
128. Type of narration that mimics the mind’s free flow of thought.
129. Experiences a change in personality, attitude, or behavior during the course of the narrative.
130. Harsh, unpleasant sounds, especially in poetry.
131. Long section of an epic poem.
132. A poetic closed form devised during the early renaissance by the Italian writer Petrarch.
133. A contemplative poem, on death and mortality, often written for someone who has died.
134. Appears within one line of poetry.
135. A symbol so ancient and fundamental that its meaning is understood by the unconscious mind, even without contextual explanation.
136. The pattern of rhyme occurring in a poem, usually listed as a sequence of alphabetical letters (e.g. ABABCDCDEFEFGG) in which like letters indicate end rhyme.
137. An eight-line stanza.
138. Quality of spoken text formed from combing the text’s rhythm with the rise and fall in the inflection of the speaker’s voice.
139. A relatively brief novel, usually not exceeding 200 pages.
140. A seemingly self-contradictory statement that upon closer scrutiny actually reveals a truth.
141. A type of flat character based on a stereotype; one who falls into an immediately recognizable category or type – such as the absentminded professor or the town drunk – and thus resists unique characterization.
142. The central character of a literary work.
143. Exaggeration for effect.
144. Also called “near rhyme,” words at the ends of poem lines that almost but don’t quite rhyme. Not necessarily a weakness in the poem.